Book Reviews, Find Your Next Read

The Jellyfish Problem by Tessa Yang is a haunting debut about grief, isolation, and the strange pull of belonging

Some novels hook readers with plot. Others cast a quieter spell, slowly wrapping themselves around your imagination until you realize you’ve been completely pulled under. The Jellyfish Problem blends magical realism, sea monster folklore, grief narrative, and literary mystery into an ambitious debut that will strongly appeal to readers who enjoy atmospheric, character-driven speculative fiction.

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Dr. Jo Ness is a marine biologist who has spent the last seven months barely existing after the death of her closest friend and collaborator, Aldo. Hidden away at a struggling aquarium, she immerses herself in jellyfish research and the unfinished field guide the two of them had been writing together. Aldo still exists in the margins of those pages through handwritten notes and observations, and Jo clings to them because she doesn’t know how to move forward without him. When Nadia—a woman Jo once loved during college—contacts her with stories about a giant glowing jellyfish off the coast of Maine, Jo seizes on the opportunity. Officially, she goes because of the creature. Emotionally, she goes because Nadia gives her a reason to leave her grief-stricken isolation behind, even if only temporarily.

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Book Reviews, Find Your Next Read

Our Sister’s Keeper by Jasmine Holmes is a haunting Southern Gothic that demands to be felt

Some horror novels rely on monsters lurking in the shadows. Others understand that the most terrifying things are the systems people willingly protect. Our Sister’s Keeper by Jasmine Holmes, releasing June 9, 2026, is a Southern Gothic horror novel that understands this completely. Beneath its ghostly atmosphere and supernatural elements lies a brutal examination of generational trauma, misogyny, power, and the impossible expectations placed upon women to absorb suffering quietly so that everyone else can remain comfortable.

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Recently, I’ve seen discussions online asking readers to name books they’ve loved that were written by authors of color. Inevitably, there are always people who respond with things like, “I don’t pay attention to the race of the authors I read,” as though being “colorblind” is somehow the ideal approach to literature. But stories like Our Sister’s Keeper are exactly why intentionally seeking out voices different from our own matters. This is a novel that forces readers to confront lived experiences they may never have otherwise considered. It explores generational trauma, gendered expectations, institutional abuse, and the long shadow of racism in ways that feel both deeply personal and horrifyingly systemic. It’s impossible to walk away from this novel unchanged if you are willing to truly engage with what it is saying.

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Book Reviews, Find Your Next Read

Hunger and Thirst by Claire Fuller: A haunting story about the ache to belong

Some hungers have nothing to do with food. Some thirsts cannot be quenched. In Hunger and Thirst, Claire Fuller builds a quietly unsettling novel about loneliness, guilt, and the dangerous places people wander when they want love badly enough.

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Claire Fuller has long excelled at writing stories that feel atmospheric without sacrificing emotional complexity. Readers familiar with Our Endless Numbered Days (one of my all-time favorites!), Swimming Lessons, or Bitter Orange will recognize her gift for creating settings that feel slightly unsteady, places where human relationships become as unsettling as any ghost story. Hunger and Thirst, releasing June 2, 2026, continues that tradition while leaning more openly into gothic territory.

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Book Reviews, Find Your Next Read

Hunger by Choi Jin-young: A brutal, unforgettable descent into love, poverty, and desperation

There are books that entertain, and then there are books that settle somewhere in your body and refuse to move—Hunger by Choi Jin-young is firmly the latter, a slim novel that opens with a shocking act and only grows more unsettling from there. If the premise alone—compared to Parasite as a kind of dark, romantic counterpoint—sounds extreme, the reality is even harsher. This is, at its core, a tale of absolute misery. And it’s almost a relief that the book is so brief, because lingering in its world for too long would be difficult to bear.

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The story begins with Gu’s death, though the cause is initially unknown. Dam, his lifelong counterpart in a relationship defined by separation and reunion, is inconsolable. The idea of losing him—not just emotionally, but physically through burial or cremation—is unbearable. So she makes a choice that is as horrifying as it is, in her mind, logical: she will consume him, ensuring they are never apart again.

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Book Reviews, Find Your Next Read

Mercy Hill by Hannah Thurman: A haunting portrait of family, control, and the quiet damage we call devotion

The most unsettling thing about Mercy Hill by Hannah Thurman is how easily it convinces you that everything happening might, in some warped way, be justified—right up until it isn’t.

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Set against the crumbling infrastructure of a state-run psychiatric hospital in North Carolina at the turn of the millennium, Thurman’s debut follows the four Cross sisters—JJ, Caro, Mimi, and Denise—who have grown up on the grounds of Mercy Hill under the rule of their formidable mother, Lisa Cross, head of psychiatry and self-appointed savior of the institution. From the outside, it’s a story about mental healthcare in America and the slow dismantling of public systems. From the inside, it’s something far more intimate and far more disturbing. Because what this novel is really about is a mother who conscripts her children into her life’s work.

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Book Reviews, Find Your Next Read

The Hill by Harriet Clark: A searching, unsettling novel about who gets to have a life

What if your life never quite begins—because you’ve been living inside someone else’s choices from the very start?

The Hill by Harriet Clark (releasing May 5, 2026) is the kind of novel that circles its questions rather than answering them outright, returning again and again to the same emotional terrain: what makes a life a life, and who gets to claim one. Through Suzanna Klein—whose mother is serving a life sentence in a hilltop prison for a failed act of radicalism—Clark builds a story that is at once intimate and expansive, tracing the quiet, often invisible ways generations shape one another.

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From childhood, Suzanna’s world is split cleanly in two. There is the prison, where Saturdays feel almost ceremonial, filled with children dressed as if for a party, and where life and death exist side by side in the form of a nursery and a cemetery. And then there is home, where she is raised by a grandmother who refuses to visit her own daughter and instead surrounds Suzanna with a rotating cast of elderly women—friends, acquaintances, and relics of a political past that still hums beneath their conversations. These women, many of them shaped by histories they rarely name outright, spend their days debating ideology and their nights quietly reckoning with the lives they did and didn’t live.

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Book Reviews, Find Your Next Read

Dear Monica Lewinsky asks who really owns temptation

Julia Langbein’s sharp, irreverent novel reclaims female desire from the shame imposed upon it.

Some novels arrive with a premise so startlingly original that you immediately lean closer. Dear Monica Lewinsky by Julia Langbein is one of them—a novel that is at once profound and wickedly irreverent, using the ghost of Monica Lewinsky as both witness and guide in an excavation of female desire, shame, memory, and blame. Set for release on April 14, 2026, this is a book that refuses easy moral judgments. Instead, it asks a more difficult and necessary question: when women are punished for desire, whose sin is it really?

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Forty-year-old Jean Dornan has never truly escaped the summer of 1998. While studying abroad in France as a college student, she entered into an affair with her much older professor, David—a married man and a figure of institutional authority. When he reappears decades later with an invitation to his retirement celebration, Jean is forced back into the emotional wreckage of that summer. What follows is not merely a reckoning with memory, but a confrontation with the story she has been telling herself for years.

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Book Reviews, Find Your Next Read

Midnight, at the War by Devi S. Laskar: A piercing look at journalism, grief, and the stories we choose not to tell

The most unsettling part of Midnight, at the War by Devi S. Laskar isn’t the violence—it’s everything that gets ignored in its wake. Releasing April 14, 2026, this literary novel follows foreign correspondent Rita Das as she chases the biggest story of her career in a war-torn Middle East, all while quietly unraveling under the weight of grief, guilt, and a life she refuses to apologize for.

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Rita is not an easy protagonist to pin down, and that’s precisely what makes her compelling. She is fiercely independent, deeply ambitious, and committed to living life on her own terms—even when those choices isolate her from nearly everyone around her. The double standard is impossible to ignore: if Rita were a man, her career-first mindset and emotional detachment would be praised. Instead, she’s judged at every turn, with only her late mother—a doctor who lived similarly on her own terms—offering any real understanding. That absence lingers, because grief is one of the novel’s most persistent undercurrents.

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Book Reviews, Find Your Next Read

Ruins by Lily Brooks-Dalton: A haunting literary mystery about civilization, memory, and the stories we choose to tell

In Ruins by Lily Brooks-Dalton (releasing March 31, 2026), an ambitious archaeologist chases proof of a lost empire—and in the process, confronts the fragile architecture of her own world. After loving The Light Pirate, I could not wait to read this one. I was not disappointed. Ruins just catapulted itself to the number one spot on my best books of 2026 list.

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I read an advance review copy as an ebook, as I do with most ARCs. I usually prefer print, but you can’t argue with free. This, however, was one of those rare cases where I found myself wishing the book had already been released so I could run out and buy a physical copy. I wanted to hold it in my hands. I wanted the weight of it. The experience of immersion felt so complete that a screen almost seemed insufficient.

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Ask the Author

Ask the Author: Can genre fiction be literary?

Dear Mandy,

Can genre fiction be literary?

Genre fiction isn’t trying to tiptoe past the literary gatekeepers—it’s already storming the pedestal. Depth, fun, dragons, and dystopias: all at once. Who says you can’t have it all?”

Answer: IDK, Patty, do you think works by Edgar Allan Poe and Mary Shelley are literary? If so, do you think they aren’t also genre fiction? What about Wuthering Heights (gothic/mystery), Brave New World (dystopian), or The Lord of the Rings (epic fantasy)?

Exactly.

This question comes up a lot, and it’s usually asked with the unspoken assumption that genre fiction sits a rung or two below “real” literature. As if, once you introduce a murder, a monster, a dragon, or a dystopian government, depth immediately evacuates the premises. So, let’s slow down and actually unpack what we’re talking about.

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