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The Jellyfish Problem by Tessa Yang is a haunting debut about grief, isolation, and the strange pull of belonging

Some novels hook readers with plot. Others cast a quieter spell, slowly wrapping themselves around your imagination until you realize you’ve been completely pulled under. The Jellyfish Problem blends magical realism, sea monster folklore, grief narrative, and literary mystery into an ambitious debut that will strongly appeal to readers who enjoy atmospheric, character-driven speculative fiction.

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Dr. Jo Ness is a marine biologist who has spent the last seven months barely existing after the death of her closest friend and collaborator, Aldo. Hidden away at a struggling aquarium, she immerses herself in jellyfish research and the unfinished field guide the two of them had been writing together. Aldo still exists in the margins of those pages through handwritten notes and observations, and Jo clings to them because she doesn’t know how to move forward without him. When Nadia—a woman Jo once loved during college—contacts her with stories about a giant glowing jellyfish off the coast of Maine, Jo seizes on the opportunity. Officially, she goes because of the creature. Emotionally, she goes because Nadia gives her a reason to leave her grief-stricken isolation behind, even if only temporarily.

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The Girl with a Thousand Faces by Sunyi Dean review: A haunting gothic tale that asks who deserves forgiveness

The past doesn’t stay buried in The Girl with a Thousand Faces by Sunyi Dean—it claws its way back, dripping with grief and unfinished business. Set against the shadowy sprawl of Hong Kong’s infamous Kowloon Walled City, this Gothic-tinged novel blends folklore, memory, and vengeance into a story that lingers long after the final page. With its May 5, 2026 release, Dean once again proves she’s operating in a space all her own.

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At the center of the novel is Mercy Chan, a woman with no past—or at least none she can remember. Washed ashore with nothing, she builds a life for herself in Kowloon as a ghost talker, mediating between the living and the dead. It’s a fascinating premise, but what makes it work is the texture of Mercy’s world. Despite the grime, the danger, and the ever-present spirits, there’s an unexpected sense of familiarity here—a kind of eerie coziness that settles in as Mercy navigates her routines among the haunted alleyways.

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The Counting Game by Sinéad Nolan: A haunting debut where myth and fear blur in the Irish woods

Two children walk into the woods, and only one returns. From that chilling premise, The Counting Game by Sinéad Nolan unfolds into an atmospheric psychological mystery that lingers long after the final page. Releasing April 7, 2026, this debut crime novel turns a rural Irish legend into something far more unsettling: a story where the real danger might be human—or something else entirely.

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Set in southwest Ireland in 1995, the novel opens with the disappearance of thirteen-year-old Saoirse Kellough. She vanished while playing the so-called “Counting Game” in the forest with her younger brother, Jack. The rules are simple: go into the woods, count to ten, and stay hidden. The problem is that only Jack comes out. Worse still, he refuses to speak about what happened.

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Gothic horror and generational curses collide in House of Monstrous Women by Daphne Fama

Daphne Fama’s House of Monstrous Women is a lush and terrifying gothic horror novel set in 1986 Philippines, where revolution outside mirrors the quiet rebellion unfolding within a house that may as well be alive. Set against the backdrop of the People Power Revolution, this novel layers political upheaval with supernatural dread in a way that feels both intimate and epic.

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Radios hum with news from Manila as protests rise and a dictator’s hold begins to crumble—but inside the labyrinthine Ranoco home, another kind of battle is taking place. The connection between the two is unmistakable: both are revolutions built on desperation and the dream of escape. The hopelessness that Alejandro feels about the People Power movement echoes Hiraya’s belief that she can never escape the legacy of her cursed family.

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The Ordinary Bruja by J.E. Ortega shows us the histories we’ve been taught to forget

What do we inherit from the generations before us—magic, shame, resilience, silence? In J.E. Ortega’s novel The Ordinary Bruja (coming November 4, 2025), Marisol Espinal returns to her hometown of Willowshade, Ohio, after her mother’s death and finds herself face-to-face with the family secrets she’s been running from. The story unfolds with an atmosphere of both dread and wonder, as Marisol confronts not only the haunting presence of Hallowthorn Hill but also the pieces of her own identity she’s been taught to bury.

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The novel is steeped in Dominican folklore and written with a lyricism that brings the supernatural to life. The hill itself becomes a character—watching, waiting, whispering—and what it wants is Marisol’s surrender to fear. But Ortega makes clear that the greater threat isn’t the folklore itself, but the way Marisol has been taught to erase herself: her culture, her curls, her curves, her magic. The suspense is as much psychological as it is spectral, and the real horror comes from how shame and generational trauma can consume us if we let them.

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The Haunting of Paynes Hollow by Kelley Armstrong: When family secrets won’t stay buried

When Kelley Armstrong writes horror, you know you’re in for a story that goes beyond simple scares—and The Haunting of Paynes Hollow (releasing October 14, 2025) is no exception. This chilling, supernatural thriller digs into the shadows of family history, twisted memory, and the things we inherit whether we want to or not. The book is available now for pre-order on Amazon.

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Samantha Payne never expected to inherit anything from her grandfather, not after years of distance and the painful memory of her father’s alleged crime. Fourteen years earlier, Sam witnessed her father burying the body of a child—an image that convinced her he was guilty, despite his own father’s unshakable belief in his innocence. But at the reading of the will, Sam is shocked to discover she’s been left the family’s valuable lakefront property at Paynes Hollow, with one strange condition: she must stay in the cottage for a month and “face the fact she was wrong.”

That’s when the real terror begins.

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Something in the Walls by Daisy Pearce is a haunting #spooktober thriller that cuts deep

Daisy Pearce’s Something in the Walls is the kind of book that makes you glance over your shoulder while reading. Equal parts folklore horror and psychological suspense, it delivers a chilling blend of witchcraft, mob mentality, and small-town secrets that feel both timeless and terrifying. If you’re looking for a gripping #Spooktober read, this one absolutely delivers.

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The story follows Mina, a young psychologist still finding her footing, who takes on the case of Alice Webber, a troubled thirteen-year-old girl in the remote village of Banathel. Alice insists she’s haunted by a witch, and her symptoms grow more alarming as the days pass. Mina, desperate to prove herself and help the girl, joins forces with journalist Sam Hunter. But Banathel is a place steeped in superstition, and the villagers have their own brutal methods of “dealing with” witches. The deeper Mina digs, the more dangerous the truth becomes—especially as echoes of her own past begin to surface.

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One dark night by Hannah Richell: a gripping thriller full of secrets

What starts as a Halloween dare in the woods spirals into tragedy in Hannah Richell’s One Dark Night, a novel that blends small-town secrets, teenage vulnerability, and the long shadow of trauma into an atmospheric thriller you’ll race through. The story unfolds after a student is found dead near the notorious Sally in the Wood—a place steeped in eerie folklore and whispered warnings.

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At the heart of the novel are Rachel, a guidance counselor struggling to connect with her daughter Ellie, and Ben, her detective ex-husband who’s investigating the case while facing personal turmoil. As the community reels, Ellie hides dangerous secrets of her own, and the past refuses to stay buried. Told through multiple perspectives, Richell keeps the tension taut, weaving in folklore, atmosphere, and a growing sense that danger lurks where you least expect it.

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The Empty Cradle by Lisa Rookes is folklore-infused horror at its finest

What happens when the dream of a family turns into something dark and uncanny? The Empty Cradle by Lisa Rookes blends psychological suspense, folklore, and magical realism into a story that unsettles you in the best possible way.

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The novel follows Amy, who has been going along with her husband Joel’s dream of starting a family—even though she’s never been completely sure motherhood is what she wants. Joel, more than Amy, is the one determined to have a child. But when she discovers he’s having an affair with her best friend, Amy flees to a dilapidated cottage in a Yorkshire village. Originally, she had bought the cottage with plans to flip it as a short-term rental, not to make it a home. Yet once she’s there, she begins to imagine that maybe she could create a life for herself in the village—if only the unsettling occurrences around her would stop.

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Why Salt Bones by Jennifer Givhan is the best novel I’ve read so far in 2025

Every once in a while, a book comes along that completely captivates your imagination and refuses to let you go. Salt Bones by Jennifer Givhan is that book for me—the #1 best novel I’ve read so far in 2025.

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Set against the stark, blistering backdrop of the Mexicali borderlands and the eerie Salton Sea, Salt Bones is a darkly lyrical story of mothers and daughters, folklore and truth, justice and horror. Malamar Veracruz has lived her whole life in El Valle, raising two daughters while carrying the pain of her sister Elena’s disappearance years ago. When another girl goes missing, Mal is thrust back into that old nightmare, haunted by visions of a horse-headed woman tied to local legend. But as Mal and her daughters uncover layer after layer of family secrets, folklore, and lies, the story reveals what women have always known: men are the destroyers, and the women who try to protect others are too often turned into monsters themselves.

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