Tag: Something in the Walls

Book Reviews, Find Your Next Read

Dark is When the Devil Comes by Daisy Pearce: A chilling, slow-burn horror that burrows under your skin

Mandy Webster

I knew exactly what I was getting into when I picked up Dark Is When the Devil Comes by Daisy Pearce—or at least I thought I did. After how deeply Something in the Walls unsettled me (to the point that I had to stop reading it before bed), I expected dread. I expected unease. What I didn’t expect was just how suffocating this story would feel once it took hold.

Get your copy of Dark is When the Devil Comes from my independent online bookstore today!

Set in the English countryside, the novel follows Hazel, who returns to her hometown of Idless after a traumatic divorce, intending to quietly rebuild her life. But when she fails to reconnect with her sister Cathy as planned, concern quickly turns into something darker. The town whispers. The woods loom. And the sense that something has gone very, very wrong settles in almost immediately.

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Writers on Writing

The psychology of fear in literature and why we can’t look away #spooktober

Mandy Webster

There’s something irresistible about a story that makes our hearts race and our palms sweat, even when we know we’re perfectly safe on our couch. Fear in literature taps into a deep part of our psyche, and understanding why we seek it out can make us appreciate the stories that haunt us even more.

Why do we love to read spooky stories, especially in October?

Fear works in books because it connects to emotions we experience in real life: anxiety, uncertainty, and the unknown. When we read a thriller like Her One Regret by Donna Freitas, we feel the suspense of a character navigating danger and deception, our brains mirroring their tension as if it were our own. Horror, on the other hand, like Salt Bones by Jennifer Givhan or Something in the Walls by Daisy Pearce, introduces us to scenarios that feel uncanny or impossible. Our minds grapple with the unknown, the supernatural, and the morally unsettling, creating a lingering sense of dread.

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Writers on Writing

The key difference between horror and thriller books that most readers miss

Mandy Webster

The line between horror and thriller fiction is thinner than most readers think. Both keep you turning pages late into the night, heart pounding and mind racing—but they do it for very different reasons. Understanding what separates them reveals not only why we read them, but why they haunt us in different ways.

Sometimes it’s hard to find the line between a thriller novel and a horror novel.

A thriller’s purpose is to thrill, to make readers feel a rush of danger and urgency. It’s about tension, pace, and cleverness—the satisfaction of watching a hero outthink or outrun the forces closing in. The threat is usually external and grounded in reality: a killer, a kidnapper, a conspiracy, or a psychological cat-and-mouse game. The pleasure comes from seeing order restored, justice served, or a mystery solved, even if the cost is high. Books like Keep This for Me by Jennifer Fawcett or Hannah Richell’s One Dark Night are perfect examples of thrillers that keep you on the edge of your seat, weaving suspense with high-stakes personal drama.

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Book Reviews, Find Your Next Read

Something in the Walls by Daisy Pearce is a haunting #spooktober thriller that cuts deep

Mandy Webster

Daisy Pearce’s Something in the Walls is the kind of book that makes you glance over your shoulder while reading. Equal parts folklore horror and psychological suspense, it delivers a chilling blend of witchcraft, mob mentality, and small-town secrets that feel both timeless and terrifying. If you’re looking for a gripping #Spooktober read, this one absolutely delivers.

Get your copy of Something in the Walls from my independent online bookstore today!

The story follows Mina, a young psychologist still finding her footing, who takes on the case of Alice Webber, a troubled thirteen-year-old girl in the remote village of Banathel. Alice insists she’s haunted by a witch, and her symptoms grow more alarming as the days pass. Mina, desperate to prove herself and help the girl, joins forces with journalist Sam Hunter. But Banathel is a place steeped in superstition, and the villagers have their own brutal methods of “dealing with” witches. The deeper Mina digs, the more dangerous the truth becomes—especially as echoes of her own past begin to surface.

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