Tag: Horror Writing

Call for Submissions

Call for Submissions: Mother Monster/Father Fiend

Mandy Webster

Elderfly Press is now accepting submissions for Mother Monster/Father Fiend, a new anthology exploring the shadowed edges of parenthood. We’re looking for short fiction, creative nonfiction, poetry, and black-and-white artwork that reveal the monstrous, misunderstood, or mythic aspects of motherhood and fatherhood.

This anthology invites you to challenge the cultural scripts of what a “good” parent looks like. Sometimes the monster is real—a parent whose choices hurt, haunt, or unravel the lives of those in their care. Other times, the monster is only a mask placed by society:

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Writers on Writing

Creepy characters we love to hate (and secretly can’t)

Mandy Webster

There’s something fascinating about a character who creeps you out, makes you uneasy, or shocks you with their actions—but somehow, you can’t bring yourself to hate them completely. These are the villains and morally gray characters who blur the line between right and wrong, forcing readers to wrestle with their own sense of judgment. They unsettle us, intrigue us, and make our hearts race, which is why they are perfect companions for October reading.

Sure, she’s pretty. But there’s also something uncanny about her. Do you trust her?

In thrillers and suspense novels, some characters are written to be frighteningly clever, ruthless, or unpredictable, yet their motivations or circumstances make their actions feel, at least in part, understandable. In How to Kill Men and Get Away with It by Katy Brent, the protagonist’s cunning and dark choices are chilling, but her perspective invites empathy and even admiration for her ingenuity. Bad Men by Julie Mae Cohen and This Girl’s a Killer by Emma C. Wells present characters whose morally questionable or violent actions are layered with complexity—making you uneasy, yet unable to fully condemn them.

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Call for Submissions

Call for Submissions: Be My Weird/Wyrd Valentine

Mandy Webster

Love has always had a dark side—and we want to see yours. Elderfly Press is now accepting submissions for Be My Weird/Wyrd Valentine (working title), an anthology exploring the uncanny, unsettling, and sometimes downright horrifying side of romantic relationships.

We’re looking for stories, poems, essays, and black-and-white art that dive into the strange corners of love and desire—where passion turns perilous, intimacy hums with unease, and devotion blurs the line between beauty and terror. Whether it’s romance that defies reality, affection tinged with dread, or longing that transforms into something unrecognizable, we want work that lingers in the mind and twists the heart. Let the strange, the eerie, and the passionate collide—show us the love that frightens, bewilders, and enthralls.

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Call for Submissions

Now accepting book-length submissions

Mandy Webster

At Elderfly Press, we are committed to publishing bold, literary works that unsettle, provoke, and linger long after the final page. We seek book-length fiction and creative nonfiction that confronts the hidden violence of the world—psychological, social, or supernatural—and gives voice to stories that challenge the patriarchal status quo.

We are especially drawn to:

  • Literary thrillers and suspense novels with a sharp edge.
  • Horror fiction that unsettles through atmosphere, voice, or psychological depth.
  • Creative nonfiction—including memoirs—that could be read with the intensity of a thriller or horror novel.
  • Works that expose the dark underbelly of the patriarchy, pulling back the veil on power, violence, and survival.
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Writers on Writing

The psychology of fear in literature and why we can’t look away #spooktober

Mandy Webster

There’s something irresistible about a story that makes our hearts race and our palms sweat, even when we know we’re perfectly safe on our couch. Fear in literature taps into a deep part of our psyche, and understanding why we seek it out can make us appreciate the stories that haunt us even more.

Why do we love to read spooky stories, especially in October?

Fear works in books because it connects to emotions we experience in real life: anxiety, uncertainty, and the unknown. When we read a thriller like Her One Regret by Donna Freitas, we feel the suspense of a character navigating danger and deception, our brains mirroring their tension as if it were our own. Horror, on the other hand, like Salt Bones by Jennifer Givhan or Something in the Walls by Daisy Pearce, introduces us to scenarios that feel uncanny or impossible. Our minds grapple with the unknown, the supernatural, and the morally unsettling, creating a lingering sense of dread.

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Writers on Writing

The key difference between horror and thriller books that most readers miss

Mandy Webster

The line between horror and thriller fiction is thinner than most readers think. Both keep you turning pages late into the night, heart pounding and mind racing—but they do it for very different reasons. Understanding what separates them reveals not only why we read them, but why they haunt us in different ways.

Sometimes it’s hard to find the line between a thriller novel and a horror novel.

A thriller’s purpose is to thrill, to make readers feel a rush of danger and urgency. It’s about tension, pace, and cleverness—the satisfaction of watching a hero outthink or outrun the forces closing in. The threat is usually external and grounded in reality: a killer, a kidnapper, a conspiracy, or a psychological cat-and-mouse game. The pleasure comes from seeing order restored, justice served, or a mystery solved, even if the cost is high. Books like Keep This for Me by Jennifer Fawcett or Hannah Richell’s One Dark Night are perfect examples of thrillers that keep you on the edge of your seat, weaving suspense with high-stakes personal drama.

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Book Reviews, Find Your Next Read

The Empty Cradle by Lisa Rookes is folklore-infused horror at its finest

Mandy Webster

What happens when the dream of a family turns into something dark and uncanny? The Empty Cradle by Lisa Rookes blends psychological suspense, folklore, and magical realism into a story that unsettles you in the best possible way.

Get your copy of The Empty Cradle from my independent online bookstore today!

The novel follows Amy, who has been going along with her husband Joel’s dream of starting a family—even though she’s never been completely sure motherhood is what she wants. Joel, more than Amy, is the one determined to have a child. But when she discovers he’s having an affair with her best friend, Amy flees to a dilapidated cottage in a Yorkshire village. Originally, she had bought the cottage with plans to flip it as a short-term rental, not to make it a home. Yet once she’s there, she begins to imagine that maybe she could create a life for herself in the village—if only the unsettling occurrences around her would stop.

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Book Reviews, Find Your Next Read

Haunted, cursed, and divided: exploring race and privilege in Del Sandeen’s This Cursed House

Mandy Webster

When Jemma Barker leaves 1960s Chicago for a new life in New Orleans, she doesn’t expect to uncover centuries-old curses, deadly family secrets, and the brutal realities of colorism and privilege. In This Cursed House, Del Sandeen takes readers into the dark, secret-laden corridors of a New Orleans family through the eyes of Jemma Barker, a young Black woman fleeing her life in Chicago. Desperate for a fresh start and haunted by the spirits she’s always been able to see, Jemma accepts a job with the enigmatic Duchon family—only to discover that their charm hides centuries-old curses and shocking prejudices.

Get your copy of This Cursed House from my independent online bookstore today!

Sandeen’s debut is steeped in Southern gothic flair, with a plot that twists around supernatural secrets, family betrayal, and the fraught complexities of race. The novel does an especially striking job of exploring how white-passing Black characters navigate privilege and fear, often at the expense of their darker-skinned relatives. It’s a sharp and unsettling examination of racism, colorism, and the extremes some will go to protect a tenuous hold on societal acceptance.

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Book Reviews, Find Your Next Read

Our Share of Night by Mariana Enriquez is a haunting epic of grief, power, and inheritance

Mandy Webster

Mariana Enriquez’s Our Share of Night is not an easy read—and that’s what makes it unforgettable. This sprawling, terrifying, and deeply layered novel moves through decades of Argentina’s history, entangling grief, family, colonialism, and the occult in ways that feel both intimate and vast.

Get your copy of Our Share of Night from my independent online bookstore today!

The novel begins with Juan and his six-year-old son Gaspar, reeling after the death of Rosario—Juan’s wife and Gaspar’s mother. They set out on a road trip to Rosario’s ancestral home, but this is no ordinary return to family. Rosario’s family belongs to The Order, a secretive cult that will stop at nothing in its pursuit of immortality. Their devotion is not to god or country, but to the Darkness, a supernatural force that demands unspeakable acts in exchange for power. Gaspar is their legacy, and Juan knows it.

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Call for Submissions, Writing Prompts

Sharpen your skills: Why writers need regular exercises (Plus a 350-word prompt!)

Mandy Webster

Even the most seasoned authors need practice. Just like athletes train their bodies, writers must train their minds and creative muscles. Regular writing exercises aren’t just a warm-up—they’re essential for growth. Whether you’re working on a novel, poetry, or short fiction, small prompts can help you hone your voice, explore new ideas, and build confidence on the page.

Hey, writers! We want YOU to submit your writing to our upcoming Bad Moon on the Rise anthology! Learn more here!

One of the most valuable benefits of regular writing practice? It teaches you to write concisely. When you’re forced to distill a story down to its essence, every word matters. You learn to tighten your prose, heighten your stakes, and let your ideas breathe in a limited space. That’s a skill that serves you well whether you’re submitting to literary journals, writing query letters, or polishing your latest manuscript.

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