Tag: Women Serving Up Justice to Bad Men

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Dead Weight by Hildur Knútsdóttir: A chilling Icelandic horror thriller about friendship, violence, and the cost of letting someone in

Mandy Webster

Dead Weight by Hildur Knútsdóttir, translated by Mary Robinette Kowal, releases May 26, 2026, and it wastes no time pulling the reader into a Reykjavík night where loneliness, affection, and something far more dangerous blur together. An Icelandic night may hide secrets and affairs—or even bodies—in this gruesomely cathartic horror thriller from the author of The Night Guest, where a black cat’s arrival quietly unspools a chain of choices that can’t be undone.

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Unnur is living a small, contained life until she’s chosen—almost accidentally—by what can only be described as the cat distribution system. When she finally lets the stray into her home, she doesn’t realize she’s also opening the door to Ásta, the cat’s owner, or to everything that follows. Ásta arrives like a cold wind off the harbor: compelling, damaged, and carrying trouble that clings tighter than either woman initially understands.

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Honey by Imani Thompson: A sharp, unsettling debut that turns rage into something intoxicating

Mandy Webster

There’s a moment early in Honey by Imani Thompson—out May 5, 2026—when a tiny, impulsive act spirals into something irreversible, and from that point on, the novel never loosens its grip. This is a dark, provocative debut that knows exactly what it’s doing, luring you in with something almost playful before revealing just how far it’s willing to go.

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Just like its title, this book is delicious. Yrsa’s first kill is so sweet in its construction—unplanned, quick, and disturbingly easy. What makes it even more compelling is that it’s not really the act itself that kills the man, but her decision not to intervene once things go wrong. It’s petty. It’s spiteful. And it’s chilling in the way Yrsa immediately recognizes the opportunity in front of her and simply… lets it happen. That moment sets the tone for everything that follows.

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Molka by Monika Kim: A slow-burn descent into voyeurism, power, and the cost of being seen

Mandy Webster

There’s a particular kind of dread that creeps in when you realize the person watching didn’t just stumble into power—they built it themselves. In Molka by Monika Kim, that realization lands early and lingers long after the final page.

Set in a seemingly ordinary Seoul office building, the novel introduces Junyoung, an IT technician who has taken surveillance far beyond anything sanctioned or accidental. The cameras he watches aren’t part of the company’s security system—they’re his. Installed deliberately, carefully, and invasively throughout the building, including in restrooms, they give him total control over the private lives of the women around him. This isn’t passive observation. It’s calculated, obsessive, and deeply violating.

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That distinction matters. It transforms Junyoung from someone abusing access into someone who has engineered an entire ecosystem of control.

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Harmless Women by Rebecca Sharpe: A twisty thriller with a rebellious Thelma & Louise vibe

Mandy Webster

What happens when a professional con artist finishes a job—only to walk straight into a murder scene that turns everything upside down? Harmless Women by Rebecca Sharpe, releasing April 7, 2026, is a fast-paced thriller built around a clever premise. Avalon Dale is a skilled grifter who targets wealthy victims, sedates them, drains their bank accounts, and alters their appearance so they can’t easily prove who they are when they wake up. Her latest victim is Primrose Meath, a wealthy workaholic whose chaotic personal life makes her seem like an ideal target.

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By the time the story really kicks into gear, Avalon has already completed most of the job. She returns to Prim’s house to tie up loose ends and instead finds Prim’s cheating husband dead. The situation quickly spirals when a witness reports seeing a suspicious bald woman at the house, suggesting Prim may have been kidnapped. As the investigation unfolds, however, the police begin to suspect that Prim may have been involved in the scheme all along.

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Missing Sister by Joshilyn Jackson: A twisty Southern thriller about sisterhood, guilt, and revenge

Mandy Webster

What if the person avenging your sister’s death isn’t you—but someone who knows more than you ever did? In Missing Sister, Joshilyn Jackson delivers a chilling, character-driven thriller that explores the razor-thin line between justice and obsession. The novel follows Penny Albright, a rookie cop still reeling from the tragic death of her twin, Nix, five years earlier. Born three minutes apart, the sisters were inseparable—until Nix’s sudden death and a cryptic voicemail left Penny drowning in guilt and unanswered questions.

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Now working in law enforcement to honor Nix’s dream of making the world safer, Penny is called to her first murder scene and comes face-to-face with Danny Bowery, one of the three men she’s long blamed for her sister’s death. He’s sprawled in a pool of blood outside an upscale Atlanta shopping center, as if conjured by Penny’s long-harbored anger. And then there’s the blonde woman in blood-soaked clothes gripping a box cutter—a woman who hints that Bowery’s murder is only the beginning of a larger story about sisters before vanishing into thin air.

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How to Get Away with Murder by Rebecca Philipson: A police procedural that refuses to play by the rules

Mandy Webster

How to Get Away with Murder by Rebecca Philipson, out February 24, 2026, starts with a wink and a dare—“If you picked up this book because you truly want to get away with murder…”—and initially feels like it might settle into familiar police-procedural territory. It doesn’t. What begins as a fairly standard investigation quickly mutates into something sharper, stranger, and genuinely hard to put down.

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Detective Inspector Samantha Hansen returns to Scotland Yard after a six-month medical leave, determined to prove she hasn’t lost her edge. Her reentry point is grim: the murder of fourteen-year-old Charlotte, whose backpack contains a copy of a self-help book titled How to Get Away with Murder. The book’s author, Denver Brady, claims to be a serial killer so successful no one knows his name—and as its contents go viral, it becomes disturbingly clear that someone is taking its lessons to heart.

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The Exes by Leodora Darlington: A wickedly fun debut that doesn’t quite stick the landing

Mandy Webster

Who hasn’t fantasized—purely figuratively—about exacting a little revenge on an ex? The Exes by Leodora Darlington leans hard into that universal impulse, opening as an explosive, darkly entertaining thriller about love gone wrong, bad men getting what they deserve, and the stories women tell themselves to survive heartbreak. Natalie wants what she’s always wanted: the perfect partner, the stable family she never had, a life that finally feels settled. Instead, she’s left with a growing list of exes, each crossed out for reasons that grow more unsettling as the novel unfolds.

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After the mysterious “Big Fallout” leaves Natalie more isolated than ever, she meets James—handsome, charming, seemingly everything she’s been waiting for. Their relationship feels like a second chance, a reset. But as Natalie tries to perform the role of a “normal” wife, unsettling truths begin to surface, forcing her to question not just her marriage, but her own identity. Are her dead exes connected by coincidence, by guilt, or by something much darker? And is Natalie the monster in this story—or is someone else pulling the strings?

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A Serial Killer’s Guide to Marriage by Asia Mackay: Domestic bliss, but make it murderous

Mandy Webster

What happens when the thing that bonded you as a couple is the one thing you’re no longer allowed to do? A Serial Killer’s Guide to Marriage by Asia Mackay takes that question and runs with it—through marriage, parenthood, suburbia, and the quiet, suffocating boredom that sets in when two people stop working as a team. Readers who enjoyed This Girl’s a Killer will feel immediately at home here, thanks to the same blend of dark humor, moral ambiguity, and sharp observations about womanhood and rage.

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Hazel and Fox once believed they were made for each other. Not in a meet-cute, rom-com way, but in a far more specific sense: they are serial killers who take pleasure in killing objectively bad men, saving future victims while satisfying their own darker impulses. Before pregnancy and playdates, their greatest joy came from killing—and from doing it together. Their intimacy was built on absolute trust, shared secrets, and a kind of moral clarity that only made sense to the two of them (and me, to be honest).

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Dark Sisters by Kristi DeMeester: A fierce, feminist horror that burns with rage—though not always with realism

Mandy Webster

Kristi DeMeester’s Dark Sisters (releasing December 9, 2025) takes on patriarchal power, religious hypocrisy, and generational trauma with fire, blood, and no small dose of feminine fury—but sometimes the blaze feels more like stage lighting than wildfire. It’s the kind of novel that makes you want to light a match and watch the patriarchy burn. Part historical fiction, part supernatural horror, and part feminist manifesto, this story spans centuries and three women bound by a curse born of desperation and defiance.

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Anne Bolton, accused of witchcraft in the 1700s, bargains with darkness to survive. Mary Shephard, the obedient 1950s housewife, discovers forbidden love with a woman named Sharon. And Camilla Burson, a modern preacher’s daughter, rebels against both her father and the system he represents.

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Call for Submissions

Call for Submissions: Mother Monster/Father Fiend

Mandy Webster

Elderfly Press is now accepting submissions for Mother Monster/Father Fiend, a new anthology exploring the shadowed edges of parenthood. We’re looking for short fiction, creative nonfiction, poetry, and black-and-white artwork that reveal the monstrous, misunderstood, or mythic aspects of motherhood and fatherhood.

This anthology invites you to challenge the cultural scripts of what a “good” parent looks like. Sometimes the monster is real—a parent whose choices hurt, haunt, or unravel the lives of those in their care. Other times, the monster is only a mask placed by society:

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