Call for Submissions

Call for Submissions: What Will Become of Us?

Elderfly Press is seeking submissions for a new anthology of stories and poetry exploring an unsettling question: What will become of us?

Submissions for What Will We Become of Us? are open through December 15, 2026.

We are living through a period of enormous uncertainty. The world around us is changing rapidly, and the future can sometimes feel impossible to predict. The institutions we rely on are shifting. Technology is transforming how we work and communicate. Economic pressures affect where and how we live. The environment is changing. Political and social divisions seem increasingly difficult to bridge. At the same time, individuals are constantly navigating their own smaller transformations: growing older, falling in love, losing someone, starting over, becoming parents, leaving home, changing careers, discovering who they are, or realizing that the person they thought they would become is no longer who they are.

So, we want to ask the question: What will become of us?

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Book Reviews, Find Your Next Read

Buzzard by Inez Ray: A dystopian future where exploitation never ends

Inez Ray’s Buzzard is a ferocious dystopian novel about reproductive control, corporate power, and the terrifying possibility that our technological future could look very different while the fundamental structures of human exploitation remain exactly the same.

Set in 2086, Buzzard imagines an American future in which the United States no longer exists, abortion is illegal, fertility is closely monitored, and corporations have effectively replaced government. Midwife Mae Bastet has spent seven years imprisoned in Buzzard, a private prison in the Sonoran Desert operated by the paramilitary corporation Obsityan. She was arrested for providing reproductive health care to women and separated from her two sons. Now she is trying to survive long enough to get back to them.

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Book Reviews, Find Your Next Read

The Strangers by Naomi Alderman: Grief, strange creatures, and a world that keeps moving

Naomi Alderman’s The Strangers is an unusual and deeply thoughtful blend of memoir and speculative fiction that uses the arrival of a mysterious new species to explore grief, human nature, and the unsettling realization that the world keeps going even when your own world has changed forever.

A few months after the death of her mother, novelist Naomi Alderman installs a wildlife camera in the garden of her parents’ home. What it captures is something no one has seen before: a strange, badger-sized animal with a flat face and a long, trunk-like nose. Soon these creatures, called mimmoths, are appearing everywhere. They spread across the United Kingdom and then around the world, seemingly without explanation. They don’t behave like ordinary animals. They won’t take food from humans, they can’t be captured, and they seem to possess an intelligence and purpose of their own.

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9 unsettling novels that imagine the future in ways that feel too close to ignore

The future has never felt more intimate—or more unsettling—than in contemporary fiction that bends time, technology, and human behavior into something eerily recognizable. These novels imagine what comes next when memory, bodies, surveillance, climate collapse, and intimacy itself begin to shift beyond control. The result is a collection of stories that don’t just predict the future—they make it feel uncomfortably close.

The cover of the novel Ruins by Lily Brooks-Dalton

Ruins by Lily Brooks-Dalton

At the center of Ruins is an archaeologist whose fascination with a long-lost civilization places her at odds with accepted history. As she pieces together fragments of a forgotten world, she becomes increasingly convinced that the stories people tell about the past are incomplete—or perhaps entirely wrong. Lily Brooks-Dalton unfolds the mystery slowly, allowing readers to uncover the significance of each discovery alongside the protagonist. The result is a literary novel that rewards curiosity, revealing its larger premise gradually rather than all at once.

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Book Reviews, Find Your Next Read

Obstetrix by Naomi Kritzer is a chilling cult thriller that feels uncomfortably plausible

Some dystopian novels rely on elaborate worldbuilding to make their horrors believable. Obstetrix by Naomi Kritzer doesn’t need to. Its premise is terrifying precisely because it feels only a few steps removed from reality, taking current political and religious extremism to their logical, ugly conclusion. The result is a tense, claustrophobic thriller about bodily autonomy, fanaticism, and survival that never overstays its welcome.

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I’m a sucker for a good cult novel, so this one was right up my alley. There’s something endlessly fascinating about the power dynamics inside insular religious communities, especially the relationships among women forced to survive within those systems. Kritzer taps into that fascination immediately. The novel is brief and concise, but it uses every page effectively, building constant tension as Doctor Liz navigates a nightmare situation with no safe options.

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Book Reviews, Find Your Next Read

Make Me Better by Sarah Gailey: A hypnotic look at belonging, control, and the cost of transformation

What would you give up to finally belong somewhere—and would you recognize the moment it stopped being your choice? Make Me Better is an unsettling, slow-burn descent into the seductive promise of community, where healing and control blur until they’re indistinguishable. Fans of Wife Shaped Bodies, The Unworthy, or Sorrowland will find something deeply familiar—and deeply disturbing—here.

Get your copy of Make Me Better from my independent online bookstore today!

At the center of the story is Celia, a woman whose longing for connection overrides her sense of self-preservation. She doesn’t just develop crushes—she builds entire imagined lives around men she barely knows. When she recognizes how precarious that pattern is, she redirects that intensity toward the idea of motherhood. A baby, after all, would be hers in a way no one else ever has been. That same vulnerability makes her the perfect target for something like Kindred Cove.

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Writers on Writing

What dystopian stories teach us about who controls history: An exploration of cultural narrative in Ruins

While reading Ruins, the latest novel by Lily Brooks-Dalton, I found myself thinking less about the far-future world it imagines and more about the stories civilizations tell about themselves — and why those stories so often begin to unravel the moment someone steps outside their borders. Set in a distant future where American civilization is long gone and no written records survive, Ruins follows an archaeologist who begins to question the official histories preserved by Leadership. In this world, what is accepted as truth has been shaped over thousands of years of retelling, and stability depends on the population’s belief in those narratives.

Civilizations survive through stories — but whose stories get left out? Inspired by Lily Brooks-Dalton’s Ruins, this post explores rules, exceptions, and the hidden structures of society.

It wasn’t just the mystery at the heart of the novel that stayed with me, but the way it mirrors a recurring pattern in literature: civilizations rely on shared stories to create order. Without these stories, cooperation becomes fragile, meaning begins to fray, and identity itself can feel uncertain. But stories, by necessity, simplify. They smooth contradictions, minimize uncertainty, and quietly remove perspectives that do not fit the larger arc. And what disappears is often invisible to those living comfortably within the story.

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