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The Jellyfish Problem by Tessa Yang is a haunting debut about grief, isolation, and the strange pull of belonging

Some novels hook readers with plot. Others cast a quieter spell, slowly wrapping themselves around your imagination until you realize you’ve been completely pulled under. The Jellyfish Problem blends magical realism, sea monster folklore, grief narrative, and literary mystery into an ambitious debut that will strongly appeal to readers who enjoy atmospheric, character-driven speculative fiction.

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Dr. Jo Ness is a marine biologist who has spent the last seven months barely existing after the death of her closest friend and collaborator, Aldo. Hidden away at a struggling aquarium, she immerses herself in jellyfish research and the unfinished field guide the two of them had been writing together. Aldo still exists in the margins of those pages through handwritten notes and observations, and Jo clings to them because she doesn’t know how to move forward without him. When Nadia—a woman Jo once loved during college—contacts her with stories about a giant glowing jellyfish off the coast of Maine, Jo seizes on the opportunity. Officially, she goes because of the creature. Emotionally, she goes because Nadia gives her a reason to leave her grief-stricken isolation behind, even if only temporarily.

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Author Interview

Author interview with ROAMING

With a voice that drifts between myth and memory, ROAMING’s work feels like stepping into a dream where beauty and terror walk hand in hand. Their narrative poem J’ai Besoin De La Morte, featured in Bad Moon on the Rise: An Anthology of the Unsettling, captures that delicate balance perfectly. In this interview, ROAMING discusses the influence of authors like Holly Black and Angela Slatter, the intertwining of art and myth in their creative process, and how they’ve learned to embrace the chaos of storytelling as both a mirror and a calling.

ROAMING’s work appears in the recently released Bad Moon on the Rise: An Anthology of the Unsettling.

Q: What/who were your early literary influences, and how do you think their writing has shaped you as a storyteller today?
A: Holly Black. She’s the Queen of Faerie. I first read The Spiderwick Chronicles when I was eight or nine, then got into her Modern Faerie Tale series, and have absorbed everything she’s put out since. Her writing was what taught me that things can be beautiful and terrifying, which is something I’ve carried forth into my own writing.

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