What if the creepy haunted doll isn’t the monster in the story—but the victim who has finally come back to make her killer pay? That’s the deliciously dark premise behind Barbara Truelove’s She’s a Doll, a horror novel that takes the familiar haunted-doll story and gives it a very satisfying twist. Instead of an innocent person becoming the target of an inexplicably murderous antique doll, this time the doll has every reason to be angry. Lucy McQuinn was murdered, and now her ghost has taken up residence in an eighteen-inch porcelain body. She may be small, but she has unfinished business with Kyle, the man who killed her.
There’s something wonderfully subversive about the way Truelove approaches the haunted-doll trope. We’re accustomed to assuming that the doll is the threat. The creepy porcelain face, the old-fashioned clothes, the unnatural movements—everything about a haunted doll is designed to make us wonder what it’s going to do to us.
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