After pouring your heart and soul into drafting a novel, the editing stage can feel like a whole new mountain to climb. Shifting from the free-flowing creativity of writing to the analytical mindset needed for editing isn’t always easy, but making this transition is crucial for a polished, captivating manuscript.
As an author it’s important to learn how to transition efficiently from creator mode to critic mode when working through the revise and refine stage of the novel writing process.
Here are some tips and tricks to help you set aside your “creator” hat and put on your “critic” hat, so you can view your work with fresh, discerning eyes:
Once structural issues in your manuscript are resolved, it’s time to focus on fine-tuning the writing itself. This stage of the novel writing process is all about polishing language, enhancing tone, and sharpening word choice to bring out the unique voice of your story. Look carefully at sentence flow, checking for rhythm and clarity; each sentence should build naturally into the next, making the prose smooth and engaging. Pay attention to descriptive details—are they vivid and evocative, or could they be strengthened?
Once you’ve addressed the big-picture issues in your novel manuscript, it’s time to start tinkering with the smaller problems.
This is also the moment to eliminate redundancies, awkward phrasing, and overly complex language that might slow readers down. Don’t forget to refine dialogue, ensuring it sounds authentic and reveals character. Fine-tuning is the last touch that elevates your manuscript from a draft to a compelling, immersive experience for readers.
Reading fiction is a complex cognitive activity that engages many areas of the brain. When we read, our brains create mental representations of the characters, settings, and events described in the text, allowing us to immerse ourselves in the story and experience it as if we were physically experiencing the story ourselves.
Do you know what happens in a reader’s brain when the reader is fully immersed in a story?
Several brain regions are involved in this process, including the visual cortex, which processes visual information and helps us create mental images of the story’s setting and characters. The temporal lobe is also involved, processing language and helping us understand the meaning of the words we’re reading.
Dialogue tags in fiction are phrases or words used to indicate which character is speaking and how they are speaking. Although the most effective strategy for helping the reader identify who is speaking is to give each character a unique voice, using distinct vocabulary, speech patterns, and pacing, the fact is that dialogue tags cannot always be avoided. In such cases, it is important to understand what dialogue tags are and how to use them effectively to enhance reader experience.
Dialogue in novel writing is the written conversation that occurs between two or more characters in a story.
The most common dialogue tag is “said,” but tags can include other verbs like “asked,” “replied,” “whispered,” or “shouted.” These tags help clarify who is speaking and can add emotional or tonal context to the dialogue. For example:
Sometimes the hardest part of revising a novel is getting started. There will always be gaps between what you think you have written and what you have actually put on the page, but it is often difficult to see those gaps until you have found a way to make space for alternative perspectives besides your own. There are a few reasons why it can be hard to see what edits you need to make in your own writing, including confirmation bias, expertise, and top-down cognitive processing.
How do you close the gap between what you think you’ve written and the actual words that you have put on the page?
Confirmation bias is the tendency to search for, interpret, favor, and recall information in a way that confirms one’s preexisting beliefs or hypotheses. People display this bias when they select information that supports their views, ignoring contrary information, or when they interpret ambiguous evidence as supporting their existing attitudes. The effect is stronger for desired outcomes, for emotionally charged issues, and for deeply entrenched beliefs. When we read our own writing, we tend to see what we want to see. We focus on the parts that we think are good and we overlook the parts that need improvement.
Write on the World 