Elderfly Press

Introducing Mother Monster, Father Fiend: An Anthology of the Monsters Who Raised Us

Some monsters live under the bed. Others tuck you in at night.

I’m excited to announce the publication of my newest anthology, Mother Monster, Father Fiend: An Anthology of the Monsters Who Raised Us, edited by me and published by Elderfly Press. This collection has been a particularly meaningful project because it explores something that can be difficult to talk about: the ways the people who raise us can also hurt us.

We tend to think of childhood as a time of safety and parents as the people who are supposed to provide that safety. But families are complicated, and not every child grows up in a home where love is unconditional or protection is guaranteed. Sometimes the people who are supposed to nurture us become the source of our deepest wounds. Sometimes those wounds follow us into adulthood. And sometimes breaking the cycle means confronting what happened and refusing to let it define what comes next.

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Find Your Next Read

9 unsettling novels that imagine the future in ways that feel too close to ignore

The future has never felt more intimate—or more unsettling—than in contemporary fiction that bends time, technology, and human behavior into something eerily recognizable. These novels imagine what comes next when memory, bodies, surveillance, climate collapse, and intimacy itself begin to shift beyond control. The result is a collection of stories that don’t just predict the future—they make it feel uncomfortably close.

The cover of the novel Ruins by Lily Brooks-Dalton

Ruins by Lily Brooks-Dalton

At the center of Ruins is an archaeologist whose fascination with a long-lost civilization places her at odds with accepted history. As she pieces together fragments of a forgotten world, she becomes increasingly convinced that the stories people tell about the past are incomplete—or perhaps entirely wrong. Lily Brooks-Dalton unfolds the mystery slowly, allowing readers to uncover the significance of each discovery alongside the protagonist. The result is a literary novel that rewards curiosity, revealing its larger premise gradually rather than all at once.

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Writers on Writing

It Had to Happen: Time, grief, and the illusion of control

It Had to Happen begins with a devastating, almost clean fracture in a man’s life: Jack Utley loses his daughter just as his business is finally about to take off. In that moment, success and loss become entangled in a way that feels almost transactional—like one has been traded for the other. Jack is left doing what many grieving parents do in fiction and in life: trying to assign meaning to something that refuses to make sense. Then the story shifts into something far less predictable.

On the eve of his daughter Callie’s funeral, Jack encounters a mysterious woman. After that meeting, he wakes to find that time has somehow rewound itself to the morning of the accident. Suddenly, he is given what grief never allows in reality: a second chance. He saves his daughter’s life. But the novel is not interested in treating that as a simple gift.

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Writers on Writing

Occult satire, unreliable men, and a very bad cat: A deep view inside the novel, One Bad Cat

One Bad Cat is a novel that grew out of a simple premise and ended up somewhere far stranger, funnier, and more psychologically tangled than it first appeared. At its core, it’s an occult satire built around two intersecting storylines: a psychology professor who is turned into a cat by members of his coven, and a man trying to keep his life from falling apart after he lets a persistent stray cat into his apartment.

Dr. Stephen Scott begins the story in a position of intellectual authority. He’s a psychology professor with an interest in the occult, someone who believes he understands systems and people well enough to stay a step ahead. That control collapses when a group of female coven members cast a spell that transforms him into a cat. From there, his storyline tightens into something immediate and claustrophobic: a mind trapped in a body that no longer obeys it, focused on revenge, survival, and the recovery of a charm bag that contains the source of his power.

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Writers on Writing

If You Didn’t See It Coming: A psychological novel about family violence and the warning signs we ignore

A powerful psychological novel about domestic violence, generational trauma, and the warning signs we ignore. Amanda L. Webster shares the personal experiences behind If You Didn’t See It Coming and why fiction can reveal what statistics cannot.

If You Didn’t See It Coming is a psychological novel that explores domestic abuse, generational trauma, and the quiet warning signs that too often go unnoticed until it’s too late. Told through three interconnected perspectives, the story builds tension around a single, haunting certainty: someone is going to die. This isn’t a traditional mystery. It’s not about who did it. It’s about who will—and why.

Graphic that includes the book cover and a list of the following tropes: Multi-generational story, Domestic violence, Coercive Control, talks about the red flags we ignore. "You know someone is going to die-- you just don't know who-- or why."

The novel follows three generations of women—Marilou, Carrie, and Emma—each navigating her own version of control, fear, and survival. Marilou appears to have built the perfect life, but behind the façade is a marriage that has slowly eroded her sense of self. Carrie, her daughter, is doing everything she can to hold her life together after escaping an abusive relationship, only to have her ex forced back into her life through the legal system. And Emma, Carrie’s thirteen-year-old daughter, is caught in the middle—trying to make sense of attention, danger, and the complicated legacy she’s inheriting.

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Writers on Writing

Demons of the Night: A horror novel about good, evil, and finding your own path

Demons of the Night is a horror novel that asks: who gets to decide what is good and what is evil? It follows Docia, a young woman whose parents have gone to great lengths to hide the truth about who she really is. They want her to be a “good Christian woman” and believe secrecy is the only way to protect her. But their plan is about to backfire.

The cover of Demons of the Night was designed by my friend, author and artist Lance Savage, who created a fictionalized version of Holy Hill to reflect the novel’s dark atmosphere. Visit Lance’s website to see more of his work.

Docia longs for independence, for a life beyond her family’s overprotection. She wants normal experiences—friendships, romance, freedom. When Blane appears at a church lecture on demons, Docia is intrigued. But he’s there for the wrong reasons, and she quickly realizes that the life she desires may require confronting truths her parents have worked so hard to conceal. As the story unfolds, Docia must grapple with her identity, her morality, and the question of whether she can define herself outside the rigid framework her family imposes.

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Elderfly Press

Beautiful and Terrifying releases today: Step into the uncanny!

It’s here—and it’s been a long time coming. Beautiful and Terrifying: Tales and Visions from the Edge of the Uncanny officially releases today, and I couldn’t be more excited (or a little unsettled) to finally share it with you.

This anthology brings together a collection of short fiction, poetry, and black-and-white art that all live in that uneasy space where beauty and horror overlap. These are stories that don’t just aim to scare—they linger. They follow you. They ask you to look a little closer than you’re comfortable with.

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Call for Submissions

Beautiful and Terrifying releases April 23, 2026: A new anthology from the edge of the uncanny

Beautiful and Terrifying: Tales and Visions from the Edge of the Uncanny, the newest anthology from Elderfly Press, will be released on April 23, 2026, bringing together haunting fiction, poetry, and black-and-white artwork that explore the strange space where beauty and fear collide.

The cover of Beautiful and Terrifying: Tales and Visions from the Edge of the Uncanny, Elderfly Press’s upcoming anthology of eerie fiction, dark poetry, and black-and-white art, releasing April 23, 2026.

I’m thrilled to finally share the release date for this collection, which has been such a meaningful project to bring into the world. From eerie woods and submerged cities to folklore retellings, grief-soaked landscapes, and intimate encounters with the supernatural, this anthology embraces the unsettling and the sublime in equal measure.

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Writers on Writing

DIY High: A young adult novel about resilience, alternative education, and building your own path

DIY High is a young adult novel about a high school student forced to take control of her own education when both her school system and her family fail her. Inspired in part by real-life struggles with bureaucracy, poverty, and addiction, the novel explores what happens when traditional institutions stop working—and what young people can build in their place.

Get your copy of DIY High from my independent online bookstore today!

I wrote this book during one of the hardest seasons of my life. My son was recovering from a traumatic brain injury after being hit by a semi truck while riding his bike. When he returned to school, it felt less like support and more like resistance. Instead of helping him get back on track, the system seemed to work against him. Eventually, when he turned seventeen, I made the decision I never imagined I would make: I let him drop out.

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Writers on Writing

F‑ing Freddy Fisher: A novella about seeing what others miss

F‑ing Freddy Fisher started as an experiment. I was taking a class on poetry for children and young adults, and we did a unit on novels in verse. I loved the way those books could convey emotion and perspective so efficiently, and I wanted to try something similar. I quickly realized I’m not enough of a poet to carry a full story in verse—but the inspiration stayed. What I ended up with is a novella made of brief, tightly written chapters, each told from the perspective of a different character. I aimed to be concise and to the point, like poetry, but the story is told in prose.

Get your copy of F-ing Freddy Fisher from my independent online bookstore today!

I still remember my great aunt Viola’s reaction when she read it. “Wow, Mandy—I didn’t know you had it in you,” she said. That cracked me up, because my family grew up thinking of me as the shy, quiet child who almost never spoke—a child I now suspect had selective mutism, though I was never formally diagnosed. I’ve mostly outgrown that, but I still notice moments when I can’t speak up, and I’ve learned to trust the intuition that tells me when I’m not in a safe space. (If I’d listened to that intuition when I met my ex, I would have never married him—but that’s another story.) My Aunt Rosetta is another huge fan and probably the book’s biggest promoter, telling anyone who will listen that everyone—teenagers, teachers, parents—needs to read this novella.

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