Ask the Author

Ask the Author: Can I really become a published author?

Dear Mandy,

So this is kind of random, but I wanted to be an author as a teenager and kind of gave up because it was made out to be impossible by the adults in my life. Is getting something published realistic?

A writer’s desk with a globe, maps, travel photographs, a pen and notebook, and a stack of books labeled “Write,” “Revise,” “Submit,” “Publish,” and “Repeat.” A handwritten note reads, “People like us don’t do things like that,” while the notebook reads, “Same dream. Different path. Still possible.
Becoming an author may not be the most practical path according to someone else’s definition of practical—but if writing is the path you’re meant to follow, it’s worth finding your way there.

Answer:
Yes.

Seriously. That’s the short answer. And I know that answer because I spent a lot of my own life believing the opposite. When I was a kid, my grandmother had a wall of old National Geographic magazines. I would sit and page through them, fascinated by the photographs and the stories of places I had never seen. I dreamed of writing for National Geographic someday. I wanted to travel the world and write about the things I saw.

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Book Reviews, Find Your Next Read

What Feeds Below by Tatiana Schlote-Bonne: A lush, terrifying descent into the Void

Tatiana Schlote-Bonne’s What Feeds Below is an immersive fantasy horror novel filled with lush worldbuilding, gruesome monsters, claustrophobic environments, and enough heart-pounding action to make you feel as though you’re trapped alongside its characters in the depths of the earth.

At the edge of the City of the Void lies a massive chasm that stretches miles underground. Known simply as the Void, its layers are filled with monsters, carnivorous plants, and dangers that become increasingly difficult to understand—and survive—as travelers descend. For Petra and Jade, two orphaned best friends living in the city’s slums, the Void is also a way out. They make money by guiding tourists who are willing to risk their lives in search of whatever treasures might be waiting below.

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Elderfly Press

Introducing Mother Monster, Father Fiend: An Anthology of the Monsters Who Raised Us

Some monsters live under the bed. Others tuck you in at night.

I’m excited to announce the publication of my newest anthology, Mother Monster, Father Fiend: An Anthology of the Monsters Who Raised Us, edited by me and published by Elderfly Press. This collection has been a particularly meaningful project because it explores something that can be difficult to talk about: the ways the people who raise us can also hurt us.

We tend to think of childhood as a time of safety and parents as the people who are supposed to provide that safety. But families are complicated, and not every child grows up in a home where love is unconditional or protection is guaranteed. Sometimes the people who are supposed to nurture us become the source of our deepest wounds. Sometimes those wounds follow us into adulthood. And sometimes breaking the cycle means confronting what happened and refusing to let it define what comes next.

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Book Reviews, Find Your Next Read

The Sisters of Crimson House by Melissa Anderson Sweazy: A Southern Gothic about family secrets and inherited expectations

Melissa Anderson Sweazy’s The Sisters of Crimson House is a Southern Gothic horror novel about a family of psychics, a haunted Memphis mansion, and the secrets that can shape a person’s entire understanding of who they are. I have to admit that I approached this book with some skepticism. Lately, just about every book I’ve read that has been compared to Practical Magic has turned out to be a dud for me, so when I opened the description of The Sisters of Crimson House and saw that comparison, I groaned. Out loud. But I had already received the ARC, so I figured I might as well give it a chance.

Fortunately, The Sisters of Crimson House turned out to be better than the recent Practical Magic comps that have disappointed me. It isn’t a book I would put in the same category as one of my favorites, but there was enough going on to keep me reading, and that’s something. At least I didn’t DNF this one.

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Book Reviews, Find Your Next Read

Trad Wife by Sarah Langan: When the perfect life becomes a horror story

Sarah Langan’s Trad Wife is a sharp, unsettling horror novel about the dangers lurking behind the perfectly curated image of domestic bliss, using social media, patriarchy, and the modern trad-wife movement as the raw material for a genuinely disturbing story. The novel follows journalist Jenny Kaplan to Black Swan Farm, where she expects to expose the deception behind trad-wife influencer Mia Wright’s idyllic online persona. Instead, she finds herself trapped in a nightmare in which nothing—and no one—is quite what it seems.

This is the second novel I’ve read this year with Trad Wife in the title, and I believe there’s at least one more out there that I haven’t read yet. That alone says something about how much cultural attention this particular phenomenon has received. The trad-wife trend has become a subject of endless discussion, particularly on social media, where women debate everything from the validity of choosing a traditional domestic role to the political implications of promoting that lifestyle to millions of followers. It’s also an excellent example of the way our cultural anxieties inevitably find their way into art, and particularly into fiction. We write about the things we are afraid of, fascinated by, angry about, or simply unable to stop discussing. And in Trad Wife, Langan turns all of that discomfort into horror.

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Writers on Writing

How to create your own creative writing retreat on a budget

Sometimes the best way to get more writing done is to stop trying to write at home. I know that sounds strange. After all, home is where most of us write. But home is also where the laundry needs to be folded, the dishes need to be washed, the dog needs to go outside, and the cat has decided that whatever you’re doing is less important than paying attention to them while they rest their behinds on your keyboard. Even when those things aren’t urgent, they’re always there in the back of your mind.

A ramshackle gray barn, rolling hills, and fog settling over the mountains—the perfect backdrop for my most recent creative writing retreat.

That’s one reason I’ve become such a fan of getting away for writing retreats. I’ve been taking long weekend writing getaways for several months now, and I’m amazed at how much work I can accomplish when I remove myself from my everyday environment. The trick is that these don’t have to be expensive, organized writing retreats. You can create your own.

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Call for Submissions

Call for Submissions: What Will Become of Us?

Elderfly Press is seeking submissions for a new anthology of stories and poetry exploring an unsettling question: What will become of us?

Submissions for What Will We Become of Us? are open through December 15, 2026.

We are living through a period of enormous uncertainty. The world around us is changing rapidly, and the future can sometimes feel impossible to predict. The institutions we rely on are shifting. Technology is transforming how we work and communicate. Economic pressures affect where and how we live. The environment is changing. Political and social divisions seem increasingly difficult to bridge. At the same time, individuals are constantly navigating their own smaller transformations: growing older, falling in love, losing someone, starting over, becoming parents, leaving home, changing careers, discovering who they are, or realizing that the person they thought they would become is no longer who they are.

So, we want to ask the question: What will become of us?

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Writers on Writing

Why fiction can be more powerful than nonfiction when we need to understand social issues

Facts matter. We need historians, journalists, researchers, documentaries, investigative reporting, firsthand testimony, and all the other forms of nonfiction that help us understand what actually happened in the world. Facts are essential. Without them, we cannot distinguish history from mythology, evidence from propaganda, or reality from the stories people tell themselves. But sometimes, facts aren’t enough.

Graphic: Why fiction can be more powerful than nonfiction when we need to understand social issues
Facts tell us what happened. Fiction helps us understand what it felt like.

Sometimes we can know a fact without really understanding it. We can know that human beings were enslaved. We can know that people were displaced from their homes. We can know that women living under oppressive governments lose rights and opportunities. We can know that war changes ordinary people’s lives. We can know that trauma can be passed from one generation to another. And yet we can still struggle to understand what any of those things actually mean to the people experiencing them. That is where fiction can do something extraordinary.

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Book Reviews, Find Your Next Read

Buzzard by Inez Ray: A dystopian future where exploitation never ends

Inez Ray’s Buzzard is a ferocious dystopian novel about reproductive control, corporate power, and the terrifying possibility that our technological future could look very different while the fundamental structures of human exploitation remain exactly the same.

Set in 2086, Buzzard imagines an American future in which the United States no longer exists, abortion is illegal, fertility is closely monitored, and corporations have effectively replaced government. Midwife Mae Bastet has spent seven years imprisoned in Buzzard, a private prison in the Sonoran Desert operated by the paramilitary corporation Obsityan. She was arrested for providing reproductive health care to women and separated from her two sons. Now she is trying to survive long enough to get back to them.

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Book Reviews, Find Your Next Read

The Strangers by Naomi Alderman: Grief, strange creatures, and a world that keeps moving

Naomi Alderman’s The Strangers is an unusual and deeply thoughtful blend of memoir and speculative fiction that uses the arrival of a mysterious new species to explore grief, human nature, and the unsettling realization that the world keeps going even when your own world has changed forever.

A few months after the death of her mother, novelist Naomi Alderman installs a wildlife camera in the garden of her parents’ home. What it captures is something no one has seen before: a strange, badger-sized animal with a flat face and a long, trunk-like nose. Soon these creatures, called mimmoths, are appearing everywhere. They spread across the United Kingdom and then around the world, seemingly without explanation. They don’t behave like ordinary animals. They won’t take food from humans, they can’t be captured, and they seem to possess an intelligence and purpose of their own.

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