Tag: Women in Horror

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Bruja’s Nest by Brenda LaTorre: A monstrous story about motherhood, power, and the price of freedom

Mandy Webster

Brenda LaTorre’s Bruja’s Nest is a dark, unsettling body-horror novel about a young woman who believes she can escape poverty and abuse by securing a wealthy husband, only to discover that real power cannot be borrowed from a man.

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Yolanda has grown up knowing that her mother favors her older brother and blames her for nearly everything that goes wrong. When her mother catches her in bed with her brother, she blames Yolanda rather than the son who actually betrayed her. It is one more lesson in a lifetime of lessons telling Yolanda that she is somehow always at fault. But Yolanda is determined not to end up trapped in the same kind of life. She wants money, security, and a future she controls herself. When college doesn’t work out, she finds another path forward: marriage.

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She’s a Doll by Barbara Truelove turns the haunted-doll story upside down

Mandy Webster

What if the creepy haunted doll isn’t the monster in the story—but the victim who has finally come back to make her killer pay? That’s the deliciously dark premise behind Barbara Truelove’s She’s a Doll, a horror novel that takes the familiar haunted-doll story and gives it a very satisfying twist. Instead of an innocent person becoming the target of an inexplicably murderous antique doll, this time the doll has every reason to be angry. Lucy McQuinn was murdered, and now her ghost has taken up residence in an eighteen-inch porcelain body. She may be small, but she has unfinished business with Kyle, the man who killed her.

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There’s something wonderfully subversive about the way Truelove approaches the haunted-doll trope. We’re accustomed to assuming that the doll is the threat. The creepy porcelain face, the old-fashioned clothes, the unnatural movements—everything about a haunted doll is designed to make us wonder what it’s going to do to us.

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Death Do Us by Ruthy Mason: A haunting body horror novel about marriage, identity, and the slow death of a dream

Mandy Webster

What if the most terrifying thing lurking beneath your skin isn’t a curse at all, but the possibility that you’re becoming the person society always expected you to be? Ruthy Mason’s Death Do Us is one of those horror novels that works on multiple levels at once. On the surface, it’s a deeply unsettling story about a woman who begins physically deteriorating after accepting a marriage proposal. Underneath the body horror, however, lies a sharp examination of marriage, patriarchy, identity, and the ways women can slowly lose themselves while trying to fit into roles that were chosen for them long before they ever had a say.

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Bea is a promising archaeologist whose future seems bright. She has a loving boyfriend, Jake, and a clear vision for her academic career. She’s preparing to pursue a PhD and dreams of participating in archaeological digs around the world. Marriage has never been her primary goal. In fact, she has spent much of her life resisting expectations that she should settle down, define herself through a relationship, and prioritize a man’s ambitions over her own.

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Vervain Hollow by Catriona Silvey: A haunting cult novel about addiction, belonging, and the price of escape

Mandy Webster

Sometimes the most unsettling horror novels aren’t about monsters lurking in the dark—they’re about the things we desperately want, even when we know they’ll destroy us. In Vervain Hollow by Catriona Silvey, a burned-out cult, a charismatic leader who may never have been human, and a young woman unable to let go of the power she once possessed combine to create one of the most compelling and emotionally complex horror novels I’ve read this year.

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Two years ago, Laura escaped Vervain Hollow after the sprawling house burned to the ground with its enigmatic leader trapped inside. Since then, she’s returned to a normal life, but “normal” isn’t the same thing as healing. She still longs for Vervain and the extraordinary power he shared with his followers. When her former friend Aliyah contacts her with shocking news—that another former acolyte has returned to the hollow after receiving a message from Vervain himself—Laura sees only one possibility. Somehow, he’s still alive.

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Our Sister’s Keeper by Jasmine Holmes is a haunting Southern Gothic that demands to be felt

Mandy Webster

Some horror novels rely on monsters lurking in the shadows. Others understand that the most terrifying things are the systems people willingly protect. Our Sister’s Keeper by Jasmine Holmes, releasing June 9, 2026, is a Southern Gothic horror novel that understands this completely. Beneath its ghostly atmosphere and supernatural elements lies a brutal examination of generational trauma, misogyny, power, and the impossible expectations placed upon women to absorb suffering quietly so that everyone else can remain comfortable.

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Recently, I’ve seen discussions online asking readers to name books they’ve loved that were written by authors of color. Inevitably, there are always people who respond with things like, “I don’t pay attention to the race of the authors I read,” as though being “colorblind” is somehow the ideal approach to literature. But stories like Our Sister’s Keeper are exactly why intentionally seeking out voices different from our own matters. This is a novel that forces readers to confront lived experiences they may never have otherwise considered. It explores generational trauma, gendered expectations, institutional abuse, and the long shadow of racism in ways that feel both deeply personal and horrifyingly systemic. It’s impossible to walk away from this novel unchanged if you are willing to truly engage with what it is saying.

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Until Death by Mary Berman is a darkly funny horror novel about how easily love can become a trap

Mandy Webster

There’s a moment in Until Death when it becomes clear that the real horror isn’t just the eerie chapel, the controlling future in-laws, or the increasingly sinister wedding planning. It’s the realization that Ophelia has slowly stopped trusting her own instincts. That loss of self feels far more unsettling than any supernatural element lurking in the background, and it’s what gives Mary Berman’s debut its sharpest edge.

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The novel follows Ophelia Cohen, a woman who never intended to get married after watching her parents’ relationship sour her on the entire institution. But as her mother’s dementia worsens, Ophelia becomes consumed by the fear of ending up alone. When she meets Luke—a man who seems almost custom-built to satisfy both her emotional vulnerabilities and her mother’s wishes—marriage suddenly feels less impossible. From there, the story spirals into a chaotic blend of wedding horror, psychological manipulation, family pressure, and increasingly alarming red flags.

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