Book Reviews, Find Your Next Read

The Day I Lost You by Ruth Mancini: A gripping, twist-driven custody thriller about secrets, sacrifice, and what we owe our children

The moment I opened The Day I Lost You by Ruth Mancini, I was struck by how quickly it places you at the center of an impossible dilemma—one that begins with a missing child in England and expands into a tangled, emotionally charged custody battle across countries. In this twisty thriller, releasing December 2, 2025, Mancini blends psychological suspense with a deeply human question: when two women each believe they’re the rightful mother of one little boy, how do you determine what justice actually looks like?

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Lauren has finally found a peaceful life in the seaside town of Mantilla de Mar. She’s endured an unimaginable loss, and Spain has become the one place where she believes she can put her past behind her. But everything shatters the day police arrive at her door and accuse her of abducting a baby. The child she has been lovingly raising is, according to authorities, Sam—the missing son of Hope and Drew back in England.

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Finish Writing Your Novel Now!

Larry Brooks’ Story Structure

The Larry Brooks story structure is one that I have used several times and find to be very useful when planning a novel. It is a structure that I will detail here in depth because – to me – it seems to be one of the more effective methods of outlining a novel.

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Brooks is a writing coach, author, and speaker known for his expertise in the craft of storytelling. He is the author of several books on writing, including Story Engineering: Mastering the 6 Core Competencies of Successful Writing; Story Physics: Harnessing the Underlying Forces of Storytelling; and Great Stories Don’t Write Themselves: Criteria-Driven Strategies for More Effective Fiction. Brooks is also the founder of Storyfix.com, a website dedicated to helping writers develop their storytelling skills. Brooks’ approach to writing emphasizes the importance of structure, character development, and genre expectations. He believes that successful stories must meet certain criteria, and that writers who understand these criteria can create stories that are more engaging, satisfying, and marketable.

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