Tag: Writing process

Essays

Writing action scenes in novels: Why sequence and clarity matter

Mandy Webster

Nothing kills the momentum of an action scene faster than confusing choreography. Readers will forgive a lot in a fast-paced sequence. They’ll forgive impossible odds, dramatic coincidences, even a hero surviving injuries they probably shouldn’t. What they won’t forgive is not understanding where everyone is standing. One of the most common mistakes writers make in action scenes is putting events on the page out of sequence.

When action scenes lose their sequence, readers lose the thread. Clear choreography keeps readers inside the movement instead of forcing them to stop and untangle what happened.

The problem is usually small at the sentence level, but the effect on the reader is enormous because it forces them to stop, mentally rewind the scene, and reconstruct what actually happened. They’re no longer experiencing movement in real time—they’re translating it. And that translation breaks momentum.

The issue usually isn’t that the writing is unclear in isolation. Each sentence might make sense on its own. The problem is that the order of information doesn’t match the order of events as they happen in the scene. Readers don’t want to assemble a timeline. They want to experience it.

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Ask the Author

Ask the Author: When does a novel become YA? Before you write it—or after?

Mandy Webster

Dear Mandy,

When do you decide if your novel is YA? Do you decide before you start writing or after you are done?

Answer: One of the questions writers ask constantly is whether a novel “counts” as Young Adult fiction. Sometimes the answer is obvious from page one. Other times, writers finish an entire manuscript before realizing they may have written for a different audience than they originally intended.

When does a novel become YA—and how much of that decision happens before you even write the first page? This graphic breaks down the key factors writers should consider, from voice and protagonist age to audience and market expectations, and why knowing who you’re writing for shapes every story choice you make.

The truth is that YA is both a category and a marketing designation, and those two things do not always align perfectly. At the most basic level, a Young Adult novel is written for teen readers, generally between the ages of twelve and eighteen. In publishing, though, that definition becomes much more flexible than people expect. A huge percentage of YA readers are adults, and many books with teen protagonists are actually shelved in adult fiction. That’s why YA is not determined by a single factor.

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Author Interview

Inside the imagination of Laura Holt: Mythology, magic, and writing without limits

Mandy Webster

From gothic horror and tragic romance to epic fantasy and southern folklore, Laura Holt writes with a deep love for stories that blur the line between myth and reality. Holt is also featured in Beautiful and Terrifying: Tales and Visions from the Edge of the Uncanny with her short story “After Alice,” a fitting addition to a collection shaped by eerie beauty and unsettling imagination. In this interview, Holt reflects on the authors who shaped her creativity, the unexpected lessons she’s learned about storytelling and publishing, and the themes she returns to again and again in her work. She also discusses writing authentic stories in a trend-driven world, finding inspiration in mythology and folklore, and why coffee, cookies, and carefully curated playlists remain essential parts of her creative process.

Author Laura Holt discusses mythology, horror, storytelling, and her short story “After Alice,” featured in Beautiful and Terrifying.

Q: What/who were your early literary influences, and how do you think their writing has shaped you as a storyteller today?
A: Some of my earliest literary influences were authors like Roald Dahl, Edgar Allan Poe, William Shakespeare, R. L. Stine, and J.R.R. Tolkien. For me, Dahl’s book The Witches was my gateway read to the fantasy genre, likeable villains, and morally gray characters, so he will always hold a special place in my heart. Poe and Shakespeare introduced me to poetry and short stories, as well as tragic love and darker subject matter, both of which play a big part in my writing today. And there is one author who has cracked the code on how to write the perfect story every time, it is Stine, so along with reading his books for a good scare, I study his writing style a lot.

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Writers on Writing

If You Didn’t See It Coming: A psychological novel about family violence and the warning signs we ignore

Mandy Webster

A powerful psychological novel about domestic violence, generational trauma, and the warning signs we ignore. Amanda L. Webster shares the personal experiences behind If You Didn’t See It Coming and why fiction can reveal what statistics cannot.

If You Didn’t See It Coming is a psychological novel that explores domestic abuse, generational trauma, and the quiet warning signs that too often go unnoticed until it’s too late. Told through three interconnected perspectives, the story builds tension around a single, haunting certainty: someone is going to die. This isn’t a traditional mystery. It’s not about who did it. It’s about who will—and why.

Graphic that includes the book cover and a list of the following tropes: Multi-generational story, Domestic violence, Coercive Control, talks about the red flags we ignore. "You know someone is going to die-- you just don't know who-- or why."

The novel follows three generations of women—Marilou, Carrie, and Emma—each navigating her own version of control, fear, and survival. Marilou appears to have built the perfect life, but behind the façade is a marriage that has slowly eroded her sense of self. Carrie, her daughter, is doing everything she can to hold her life together after escaping an abusive relationship, only to have her ex forced back into her life through the legal system. And Emma, Carrie’s thirteen-year-old daughter, is caught in the middle—trying to make sense of attention, danger, and the complicated legacy she’s inheriting.

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Essays

Choosing a writing style guide for independent writing: How to build consistency on your own terms

Mandy Webster

One of the underrated freedoms of being an independent writer is that no one is standing over your shoulder enforcing a style guide. You don’t have to follow a publisher’s house rules or argue with an editor about commas or capitalization conventions. You get to decide what your writing looks like. That freedom is also where things can quietly get messy.

Square graphic about choosing a writing style guide for independent writers, showing a notebook, pen, coffee, and desk setup alongside text about sentence case, the Oxford comma, and formatting book titles, emphasizing consistency and personal style choices in writing.
Choosing a writing style guide for independent writers: a reminder that consistency matters more than rigid rules, and every writer gets to define their own system.

Once you’re writing novels, blog posts, website copy, newsletters, and maybe even social media captions, consistency starts to matter more than most people expect. Readers notice it when formatting shifts. Search engines don’t care, but your credibility as a careful, intentional writer often depends on the subtle signals your text sends. The solution isn’t to give up your independence. It’s to choose your structure on purpose.

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Writers on Writing

Demons of the Night: A horror novel about good, evil, and finding your own path

Mandy Webster

Demons of the Night is a horror novel that asks: who gets to decide what is good and what is evil? It follows Docia, a young woman whose parents have gone to great lengths to hide the truth about who she really is. They want her to be a “good Christian woman” and believe secrecy is the only way to protect her. But their plan is about to backfire.

The cover of Demons of the Night was designed by my friend, author and artist Lance Savage, who created a fictionalized version of Holy Hill to reflect the novel’s dark atmosphere. Visit Lance’s website to see more of his work.

Docia longs for independence, for a life beyond her family’s overprotection. She wants normal experiences—friendships, romance, freedom. When Blane appears at a church lecture on demons, Docia is intrigued. But he’s there for the wrong reasons, and she quickly realizes that the life she desires may require confronting truths her parents have worked so hard to conceal. As the story unfolds, Docia must grapple with her identity, her morality, and the question of whether she can define herself outside the rigid framework her family imposes.

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Writers on Writing

DIY High: A young adult novel about resilience, alternative education, and building your own path

Mandy Webster

DIY High is a young adult novel about a high school student forced to take control of her own education when both her school system and her family fail her. Inspired in part by real-life struggles with bureaucracy, poverty, and addiction, the novel explores what happens when traditional institutions stop working—and what young people can build in their place.

Get your copy of DIY High from my independent online bookstore today!

I wrote this book during one of the hardest seasons of my life. My son was recovering from a traumatic brain injury after being hit by a semi truck while riding his bike. When he returned to school, it felt less like support and more like resistance. Instead of helping him get back on track, the system seemed to work against him. Eventually, when he turned seventeen, I made the decision I never imagined I would make: I let him drop out.

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Writers on Writing

F‑ing Freddy Fisher: A novella about seeing what others miss

Mandy Webster

F‑ing Freddy Fisher started as an experiment. I was taking a class on poetry for children and young adults, and we did a unit on novels in verse. I loved the way those books could convey emotion and perspective so efficiently, and I wanted to try something similar. I quickly realized I’m not enough of a poet to carry a full story in verse—but the inspiration stayed. What I ended up with is a novella made of brief, tightly written chapters, each told from the perspective of a different character. I aimed to be concise and to the point, like poetry, but the story is told in prose.

Get your copy of F-ing Freddy Fisher from my independent online bookstore today!

I still remember my great aunt Viola’s reaction when she read it. “Wow, Mandy—I didn’t know you had it in you,” she said. That cracked me up, because my family grew up thinking of me as the shy, quiet child who almost never spoke—a child I now suspect had selective mutism, though I was never formally diagnosed. I’ve mostly outgrown that, but I still notice moments when I can’t speak up, and I’ve learned to trust the intuition that tells me when I’m not in a safe space. (If I’d listened to that intuition when I met my ex, I would have never married him—but that’s another story.) My Aunt Rosetta is another huge fan and probably the book’s biggest promoter, telling anyone who will listen that everyone—teenagers, teachers, parents—needs to read this novella.

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Writers on Writing

Valley of the Bees: The novel I wrote in 16 days—and the story that refused to end

Mandy Webster

Valley of the Bees is the book that taught me I could actually finish a novel—or at least something very close to one. I wrote it right after finishing my creative writing graduate program, at a moment when I had plenty of ideas, plenty of ambition, and absolutely no completed long-form fiction to show for it.

Get your copy of Valley of the Bees from my independent online bookstore today!

Up to that point, I considered myself a pantser. I wrote by instinct, followed my curiosity, and trusted the story to reveal itself as I went along. The problem was that nothing ever made it to the end. Clearly, my preferred method wasn’t getting me where I wanted to go.

So, I set myself a challenge.

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Finish Writing Your Novel Now!, Novel Writing Assignments

Writing Assignment #7: Celebrate!

Mandy Webster

Once you’ve reached the end of the first draft of your novel manuscript, it’s time to celebrate! This is a HUGE accomplishment, one that takes some writers decades to reach. You should celebrate! At this point, you should ignore how many steps of the writing process are yet to be worked through and take a break. For now, the bulk of the writing is done, and your brain needs some rest before making the shift into edit mode.

Silly image generated using AI. (The images just kept getting sillier the harder I tried.)

I know what you’re thinking: Wait, edit mode? But you said I was done!

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