Writers on Writing

Demons of the Night: A horror novel about good, evil, and finding your own path

Demons of the Night is a horror novel that asks: who gets to decide what is good and what is evil? It follows Docia, a young woman whose parents have gone to great lengths to hide the truth about who she really is. They want her to be a “good Christian woman” and believe secrecy is the only way to protect her. But their plan is about to backfire.

The cover of Demons of the Night was designed by my friend, author and artist Lance Savage, who created a fictionalized version of Holy Hill to reflect the novel’s dark atmosphere. Visit Lance’s website to see more of his work.

Docia longs for independence, for a life beyond her family’s overprotection. She wants normal experiences—friendships, romance, freedom. When Blane appears at a church lecture on demons, Docia is intrigued. But he’s there for the wrong reasons, and she quickly realizes that the life she desires may require confronting truths her parents have worked so hard to conceal. As the story unfolds, Docia must grapple with her identity, her morality, and the question of whether she can define herself outside the rigid framework her family imposes.

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Served Him Right by Lisa Unger: A witchy revenge thriller that breaks the mold

In Served Him Right by Lisa Unger, releasing March 10, 2026, a celebratory brunch spirals into suspicion, sickness, and secrets when Ana Blacksmith’s ex-boyfriend becomes the center of shocking news—and Ana, the obvious suspect.

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Ana has gathered her sister Vera and closest friends to toast her recent breakup from Paul. But when disturbing developments about Paul surface, the narrative shifts fast. Ana already has a reputation. She’s already angry. And when one of the women at the brunch falls deathly ill, it doesn’t take much for whispers to turn into accusations. What follows is a twisty, pacy thriller—apt praise from Nita Prose—but this is not your average Lisa Unger novel.

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The Ghost Women by Jennifer Murphy: Tarot, witchcraft, and the ghosts patriarchy tried to bury

On a sweltering August morning in 1972, a young art student is found hanging from a tree, posed like the Hanged Man from a tarot deck—and that image sets the tone for Jennifer Murphy’s The Ghost Women, a lush, angry, and often mesmerizing novel about power, vengeance, and the women history tried to erase. Releasing February 24, 2026, this is a book steeped in atmosphere: a remote art academy housed in a former monastery, whispers of witch trials, ancient tarot cards, and long-dead women who may not be finished speaking.

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When Detective Lola Germany arrives at St. Luke’s Institute of the Arts to investigate the death of Abel Montague, she quickly realizes this is no straightforward suicide. An ancient Hanged Man tarot card tucked into his pocket—and his body arranged to mirror it—points toward ritual. As more students are discovered staged like figures from the deck, Lola finds herself navigating a campus brimming with secrets, ambition, and a self-proclaimed coven of young women who may know more than they’re willing to say.

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The Wind Witch Murders by Casey Dunn — A haunting coming-of-age in southern gothic

The whole town was just waiting for the death of the Wind Witch before moving forward, and it held Raven back all along. In The Wind Witch Murders by Casey Dunn, that tension becomes the engine of a story about inheritance, fear, and the struggle to claim your own life when everyone around you believes they have a right to it.

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Raven has grown up under the heavy hand of her devout Christian grandmother, the woman who took her in after her mother, Deanne, was convicted of the ritualistic murders of two boys. Deanne never confessed, never explained, and never stopped haunting the edges of Raven’s identity. Now that she’s dead, the town seems to exhale—almost as if it had been waiting for permission to move on. But Raven doesn’t get that luxury. Not when a stranger places a single feather on her mother’s casket, a quiet signal that whatever Deanne was mixed up in is still alive.

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Call for Submissions

Submissions open for Beautiful and Terrifying: Tales and Visions from the Edge of the Uncanny

There’s beauty in the things that unnerve us. Beautiful and Terrifying is the next anthology from Elderfly Press—an exploration of the eerie, the intimate, and the in-between. Submissions are now open for short stories, poetry, and black-and-white art that linger in the shadows of the strange and the sublime.

There’s beauty in what haunts us.
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This collection seeks work that blurs boundaries—between beauty and fear, humanity and monstrosity, love and decay. We’re drawn to dark, literary narratives and haunting imagery that leave readers with a sense of wonder and unease. Not every story needs to fit neatly into horror or realism; the best pieces often live in the uncanny space between.

What Elderfly Press is looking for:

This anthology invites a wide range of voices and forms with themes of transformation, obsession, decay, beauty, violence, or the supernatural:

  • Genre fiction: horror, speculative, gothic, dystopian, weird, sci-fi, supernatural—anything that chills, disturbs, or unsettles
  • Literary fiction: moody, shadowed, emotionally raw
  • Poetry: rooted in chaos, shadow, or change
  • Visual art: black-and-white art that captures the eerie, surreal, or dreamlike
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The Witch’s Orchard by Archer Sullivan is a chilling Appalachian mystery

Sometimes the scariest stories aren’t about monsters at all—they’re about the damage people do to one another, and the shadows those wounds cast long into adulthood. That’s the heart of The Witch’s Orchard by Archer Sullivan, a gripping mystery set in the mountains of North Carolina.

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Private investigator Annie Gore, a former Air Force special investigator, takes on a case that pulls her back into a world she thought she left behind: the Appalachian hollers where she grew up. Ten years earlier, three young girls vanished from a tiny mountain town. One returned, but the others were never found. Now, the brother of one of the missing hires Annie to uncover the truth. The case is cold, the town is closed off to outsiders, and the mountains are filled with both folklore and secrets—but Annie needs the money, so she can’t turn down the job.

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Finding power in the dirt: A review of The Peculiar Garden of Harriet Hunt

In The Peculiar Garden of Harriet Hunt by Chelsea Iversen, a woman’s solitude, survival, and subtle rebellion are rooted—quite literally—in the soil beneath her feet.

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Set in Victorian London, this gorgeously atmospheric novel tells the story of Harriet Hunt, a woman left to tend her crumbling family estate and the lush, almost sentient garden that surrounds it. Her father has mysteriously disappeared, and society has all but cast her aside. Her only companions are the magical plants she lovingly tends: wild vines, blooming plums, and a pulse of earth-bound power that seems to know her better than anyone else ever has.

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The Witch of Willow Sound is a haunting tale of memory, superstition, and the danger of silence

If you lived beneath a rock that might crush you at any moment, would you believe in witches? In The Witch of Willow Sound, debut author Vanessa F. Penney weaves a chilling and fast-paced gothic tale that blends feminist themes with East Coast folklore, offering a story that’s as unsettling as it is poignant. When Fade returns to the shadowy forests of Willow Sound, Nova Scotia, in search of her missing aunt Madeline, she finds only a rotting cottage and a community eager to assign blame. The villagers of nearby Grand Tea have always called Madeline a witch—but now, as misfortunes pile up and a hurricane approaches, their fear is turning violent.

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The worldbuilding in this novel is both original and deeply atmospheric. At the heart of Grand Tea’s folklore and fear is a massive rock perched above the town, a looming presence that could fall at any moment. You can feel the weight of it as you read—how its threat presses down on the villagers, shaping their beliefs, their behaviors, even their cruelty. The psychological tension it creates is masterful. It makes perfect, eerie sense that a place so precariously positioned would invent scapegoats and spin stories about curses and witches. The mob mentality that develops is reminiscent of The Crucible, complete with paranoia and projection.

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The Witch of Wall Street by M.J. Etkind: A Magical Romp with Heart

From the very first page, The Witch of Wall Street sweeps readers into a whirlwind adventure that is equal parts high-stakes magic, romantic comedy, and social commentary. M.J. Etkind delivers a fast-paced, spellbinding romp through New York City, brimming with supernatural charm and delightful chaos.

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At its center are Miriam Blum, a fiercely independent finance witch who has worked very hard to keep her chaos magic in control, and Nelson Copperfield, her high school rival whose magic is a bit more on the altruistic side. When a chance encounter and one reckless night of passion lead to an unexpected magical mishap, the two are thrown into a supernatural scavenger hunt filled with enchanting oddities. From an enchanted dumpling house to a Jinn-run CPA firm and a venomous leather shop in Little Italy, their journey is as unpredictable as it is thrilling.

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Witchcraft for Wayward Girls by Grady Hendrix – A feminist horror that fumbles the landing

I stopped reading books by straight white men a few years ago, but somehow, this one slipped through—and at first, I thought it might just prove me wrong.

I’ve made a conscious effort in recent years to diversify my reading list, moving away from the straight white male authors that had dominated my bookshelves for so long. It wasn’t until I pulled this book from the stack that was my last library haul that I realized Witchcraft for Wayward Girls was written by a white man. My knee-jerk reaction was to put it down, but it was my only unread book on hand, so I decided to give it a chance.

And at first? I was all in.

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