Author Interview

Inside the imagination of Laura Holt: Mythology, magic, and writing without limits

From gothic horror and tragic romance to epic fantasy and southern folklore, Laura Holt writes with a deep love for stories that blur the line between myth and reality. Holt is also featured in Beautiful and Terrifying: Tales and Visions from the Edge of the Uncanny with her short story “After Alice,” a fitting addition to a collection shaped by eerie beauty and unsettling imagination. In this interview, Holt reflects on the authors who shaped her creativity, the unexpected lessons she’s learned about storytelling and publishing, and the themes she returns to again and again in her work. She also discusses writing authentic stories in a trend-driven world, finding inspiration in mythology and folklore, and why coffee, cookies, and carefully curated playlists remain essential parts of her creative process.

Author Laura Holt discusses mythology, horror, storytelling, and her short story “After Alice,” featured in Beautiful and Terrifying.

Q: What/who were your early literary influences, and how do you think their writing has shaped you as a storyteller today?
A: Some of my earliest literary influences were authors like Roald Dahl, Edgar Allan Poe, William Shakespeare, R. L. Stine, and J.R.R. Tolkien. For me, Dahl’s book The Witches was my gateway read to the fantasy genre, likeable villains, and morally gray characters, so he will always hold a special place in my heart. Poe and Shakespeare introduced me to poetry and short stories, as well as tragic love and darker subject matter, both of which play a big part in my writing today. And there is one author who has cracked the code on how to write the perfect story every time, it is Stine, so along with reading his books for a good scare, I study his writing style a lot.

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Author Interview

Inside The Girl with a Thousand Faces: Sunyi Dean on Gothic horror, Chinese folklore, and morally complex characters

From the haunted corridors of Kowloon Walled City to the restless spirits woven through Chinese folklore, Sunyi Dean writes horror that unsettles as much as it mesmerizes. In this interview, Dean discusses the cultural history behind The Girl with a Thousand Faces, the challenges of balancing myth with historical inspiration, and why morally complicated characters fascinate her as a writer. She also reflects on grief, forgiveness, experimental narrative structure, and the Gothic and speculative authors who helped shape her distinct voice in contemporary horror fiction.

Sunyi Dean discusses Chinese folklore, Gothic horror, and the layered themes behind her haunting new novel, The Girl with a Thousand Faces.

Q: The Girl with a Thousand Faces blends Gothic horror with Chinese mythology and the real history of Kowloon Walled City. What drew you to that setting, and how did you approach balancing historical inspiration with the supernatural elements of the story?
A: Hong Kong is the place I grew up and learned Cantonese in (though I’ve since lost that language.) I have a complicated relationship with both the city itself, and my family ties there. It is a place of contrasts and contradictions, of extreme modernity and old traditions. I loved portraying it, and tried to keep the ‘important’ aspects of history as true as possible. A lot of trial and error was involved, and many rounds of edits. Whether the balance is right I will leave to the reader to decide!

Continue reading “Inside The Girl with a Thousand Faces: Sunyi Dean on Gothic horror, Chinese folklore, and morally complex characters”