The wait is over! Bad Moon on the Rise: An Anthology of the Unsettling is officially released and ready to haunt your bookshelves. This collection brings together an extraordinary group of writers, artists, and creators who explore life under a dark sky—whether literal or metaphorical. From chilling short fiction to thought-provoking essays and striking black-and-white art, this anthology dives into the unsettling, the eerie, and the uncanny.
We are thrilled to showcase the work of our incredible contributors:
What stirs when the moon turns dark? A secret long buried, a shadow at the edge of vision, a reckoning that cannot be avoided.
This collection gathers stories, essays, poetry, and art that explore the uncanny corners of life. Within these pages, you’ll encounter merpeople and vampires, terrifying nights in the wilderness, the quiet horror of domestic violence, poisonous plants, the extremes of human appetite, and all the small and large ways life can unsettle us.
In this haunting Argentine gothic, the vampire isn’t a glamorous predator but a creature driven by instinct—feral, tragic, and devastatingly human. Marina Yuszczuk’s Thirst, translated by Heather Cleary, breathes new (undead) life into the vampire novel, weaving a queer, feminist narrative that shifts between 19th-century Buenos Aires and its modern-day counterpart. The result is an eerie and lyrical meditation on desire, decay, and the violent inheritance of womanhood.
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The novel opens with the vampire as a child, taken by her mother and given over to the man who will eventually transform her. From the beginning, Thirst is deeply concerned with the bond between mothers and daughters—and the ways that bond can be both protective and damning. In the present day, the unnamed narrator grapples with her own mother’s slow death while caring for her young son. Grief unmoors her, and she finds herself wandering the cemetery where she first encounters the vampire. What begins as curiosity blooms into obsession, desire, and something even darker.
Fantasy author Tyler Edwards struggled to connect with kids his age when he was growing up. Feeling rejected and alone, he became depressed and suicidal. Edwards says, “I remember reading The Hobbit, and the strangest thing happened. I was lost in this otherworldly adventure that took my mind off the struggles I couldn’t overcome. Stories became an escape. A safe place I could retreat to when life was too much. I loved writing them, reading them, and listening to them, I couldn’t get enough. Since I was eight years old, I’ve been writing stories in notebooks, dreaming of worlds and characters in hopes to one day create stories that someone else might find an escape in during their time of need.”
In the first book of Tyler Edwards’ Outlands Saga, Jett Lasting struggles to find his place in a world where drawing attention to yourself can get you killed. To survive, he must avoid guards, beggar gangs, and an ever-growing tension that could drag the whole city into chaos. Imagine Jett’s chagrin when he unwittingly becomes entwined in a plot to overthrow the government in which his choices could lead to the freedom or the death of everyone he’s ever known or cared about.
Q: What’s a memory of a story or book that made you realize you wanted to be a writer? A: I remember as a kid my mother would read stories with me every night. The Call of the Wild, The Hobbit, The Book of Three, James and the Giant Peach and getting lost in these adventures. As I got older, I wanted to create those stories, those worlds for people to get lost in.
Write on the World 