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Dead Weight by Hildur Knútsdóttir: A chilling Icelandic horror thriller about friendship, violence, and the cost of letting someone in

Dead Weight by Hildur Knútsdóttir, translated by Mary Robinette Kowal, releases May 26, 2026, and it wastes no time pulling the reader into a Reykjavík night where loneliness, affection, and something far more dangerous blur together. An Icelandic night may hide secrets and affairs—or even bodies—in this gruesomely cathartic horror thriller from the author of The Night Guest, where a black cat’s arrival quietly unspools a chain of choices that can’t be undone.

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Unnur is living a small, contained life until she’s chosen—almost accidentally—by what can only be described as the cat distribution system. When she finally lets the stray into her home, she doesn’t realize she’s also opening the door to Ásta, the cat’s owner, or to everything that follows. Ásta arrives like a cold wind off the harbor: compelling, damaged, and carrying trouble that clings tighter than either woman initially understands.

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Mrs. Shim Is a Killer by Kang Jiyoung: A darkly funny thriller where chaos, connection, and a cleaver collide

Desperation, dark humor, and a wildly tangled web of secrets collide in Mrs. Shim Is a Killer by Kang Jiyoung, a novel that transforms a grieving widow’s fight for survival into something far more unexpected—and undeniably entertaining.

Mrs. Shim is simply trying to keep her family afloat after losing both her husband and her job at a butcher shop. But when she answers a vague job listing and discovers her knife skills are needed for something far more dangerous, her life takes a sharp turn into the world of contract killing. What follows is less a straightforward thriller and more a darkly comedic descent into chaos, where misunderstandings, hidden motives, and unlikely connections drive the story forward.

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One of the most striking elements of this novel is its tone. There’s an almost slapstick quality to the violence and the situations Mrs. Shim finds herself in, giving the story a surreal edge. The idea that her transition from butcher to assassin feels oddly natural is part of the book’s charm—it leans fully into its premise and invites the reader to do the same.

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After the End by Barbara Abel: a chilling domestic thriller where fate refuses to stay buried

If you’ve ever wondered how the past can lie dormant for years before roaring back to life, After the End by Barbara Abel shows exactly how a single move, a single neighbor, or a single meddling ex-husband can crack open every secret you thought you’d buried. Though this book is technically a sequel to Mothers’ Instinct, it stands completely on its own—I never once felt as though I were missing context from the first novel. (That said, this story was so gripping that I may go back and read the earlier book anyway.) This one, translated from French, releases December 9, 2025 in the U.S.

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Abel builds the tension slowly and deftly, layering each moment with a sense of inevitability—as though Fate itself is pushing the characters toward a collision neither they nor the reader can avoid. Recently divorced Nora Depardieu hopes her new home will give her and her children the fresh start they need. What she doesn’t realize is that the Geniots—Tiphaine and Sylvain—once lived in the very unit she has just moved into. Eight years earlier, a devastating crime occurred next door, in the home the Geniots now occupy. After the tragedy, they became their neighbors’ son, Milo’s, guardians and moved into his house, leaving their old half of the building empty…until Nora arrives.

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The Unworthy by Agustina Bazterrica: A haunting, lyrical descent into devotion and decay

From the author of Tender Is the Flesh comes another brutal yet mesmerizing vision of humanity undone. In The Unworthy, Agustina Bazterrica imagines a world consumed by climate collapse and desperation, where one woman survives inside a secretive religious order that thrives on submission and silence. From her isolated cell, she writes her story in scraps of ink, dirt, and blood—confessing, questioning, and unraveling as the walls of her faith begin to crack.

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This is horror not of jump scares, but of ideology and indoctrination. The convent’s rigid hierarchy—the Enlightened and the Unworthy—mirrors the broken world beyond its gates, one where water is scarce, and mercy even scarcer. When a new woman arrives and challenges what the narrator believes to be truth, the cracks widen. What emerges is a story about power, memory, and the price of obedience in a collapsing world.

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Listen by Sacha Bronwasser explores who gets seen—and who gets silenced

Sacha Bronwasser’s Listen is a quiet, unsettling novel that stares straight into the power imbalance between those who look and those who are looked at—and asks what happens when the powerless finally start to speak. Translated from Dutch, Listen unfolds slowly, like a photograph coming into focus, until the image becomes both vivid and painful.

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The novel moves between Paris and the Netherlands, between 1989 and 2015, tracing two women—Eloise and Marie—whose lives briefly overlap through the same family and the same Paris apartment. Both arrive as au pairs, both nearly invisible to the family they serve, and both find themselves noticed at last only when that attention becomes dangerous.

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Blood, sisterhood, and sanity: Blood on Her Tongue by Johanna van Veen #spooktober

If you’re looking for a haunting, atmospheric read to carry you through the end of #spooktober, Johanna van Veen’s Blood on Her Tongue offers the perfect blend of gothic unease and creeping dread. Set in the Netherlands in 1887, this novel follows Lucy, whose twin sister Sarah has fallen into a disturbing illness that blurs the line between madness and possession. As Sarah’s behavior becomes more erratic—and more violent—Lucy must decide how far she’ll go to protect her sister, even as something monstrous seems to take hold of her.

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The story unfolds in shadow and candlelight, in grand halls filled with whispers and secrets. Van Veen’s prose feels appropriately decadent and claustrophobic, wrapping the reader in the same feverish confusion that grips Lucy. The decaying corpse unearthed on Sarah’s husband’s estate provides more than a physical mystery—it becomes a mirror for the moral rot beneath the surface of polite society, particularly the suffocating gender expectations that hem Lucy and Sarah in.

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Thirst by Marina Yuszczuk sinks its fangs into grief, motherhood, and the hunger we can’t outrun

In this haunting Argentine gothic, the vampire isn’t a glamorous predator but a creature driven by instinct—feral, tragic, and devastatingly human. Marina Yuszczuk’s Thirst, translated by Heather Cleary, breathes new (undead) life into the vampire novel, weaving a queer, feminist narrative that shifts between 19th-century Buenos Aires and its modern-day counterpart. The result is an eerie and lyrical meditation on desire, decay, and the violent inheritance of womanhood.

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The novel opens with the vampire as a child, taken by her mother and given over to the man who will eventually transform her. From the beginning, Thirst is deeply concerned with the bond between mothers and daughters—and the ways that bond can be both protective and damning. In the present day, the unnamed narrator grapples with her own mother’s slow death while caring for her young son. Grief unmoors her, and she finds herself wandering the cemetery where she first encounters the vampire. What begins as curiosity blooms into obsession, desire, and something even darker.

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