In Wolf Worm, T. Kingfisher delivers a slow-burning gothic nightmare set in the woods of North Carolina, where scientific curiosity collides with something far older and far more feral. Releasing March 24, 2026, the novel follows Sonia Wilson, a scientific illustrator in 1899 who has been surviving on the borrowed credibility of her late father’s reputation. When she accepts a position with the reclusive Dr. Halder to illustrate his insect collection, she believes she’s securing stability. Instead, she steps into a story that opens with a chilling admission: “I saw the devil in these woods.”
Kingfisher’s prose reflects Sonia’s artistic eye. Descriptions feel layered, as if applied with a brush—yellow ochre laid in for a dog’s fur and then lifted back out again along the face. The natural world is rendered with precision and technique, which makes the corruption creeping through it feel even more invasive. As animals begin behaving strangely and local whispers about “blood thieves” grow louder, the beauty of the environment becomes inseparable from the horror beneath it. This is a novel saturated with insects—some of them of the burrowing-into-flesh variety—and Kingfisher does not shy away from the visceral implications.
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Write on the World 