First Person Point of View – Write on the World

In conversation with Marcia Argueta Mickelson: Creativity, immigration, and writing through overwhelm

February 10, 2026February 7, 2026 Mandy Webster

Marcia Argueta Mickelson writes stories that sit right at the fault lines—between generations, between cultures, between who we’re told to be and who we’re becoming. After recently reviewing her latest young adult novel, I was eager to invite her into my writing room to talk less about plot and more about process: how she stays creative when life is loud, the habits that ground (and derail) her writing days, and why immigration continues to shape the stories she feels compelled to tell. In this interview, Argueta Mickelson reflects on creativity, persistence, and the quiet, deeply human moments that make writing—and reading—worth it.

Marcia Argueta Mickelson’s latest novel, *The Writing Room*, released November 4, 2025.

Q: How do you nurture your creativity when life get busy or overwhelming?
A: When life gets busy or overwhelming, I oftentimes don’t have the energy to write. However, I still want to nurture my creativity. Some things that I do are: go for a walk around my neighborhood or do housework that frees up my mind for introspection. I am also trying to teach myself to play piano. I took a few lessons years ago, but I am definitely a beginner. I have some beginning piano books that I use to teach myself a few songs. Practicing those same few songs over and over again helps nurture my creativity and helps me feel creative.

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Writers on Writing

Writing adult novels with a young adult point of view: Challenges, opportunities, and why it matters

January 15, 2026December 26, 2025 Mandy Webster

There’s something uniquely compelling—and uniquely tricky—about writing an adult novel through the eyes of a young adult protagonist. You want the story to resonate with adult readers, but the voice will inevitably feel youthful, immediate, and shaped by the character’s limited experience. That tension can be powerful, but it can also trip up both writers and readers if it isn’t handled thoughtfully.

It’s difficult to write an adult novel when telling the story from a young adult point of view.

Take Casey Dunn’s The Wind Witch Murders, for example. The novel is marketed as adult fiction, but its protagonist, Raven, is young, searching, and emotionally raw. The book is written in first-person point of view, which makes it even more difficult to escape the natural YA headspace. Every detail, every observation, every emotional beat is filtered through Raven’s young adult perspective.

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Finish Writing Your Novel Now!

What is point of view in fiction? | Revise and Refine

September 26, 2024September 16, 2024 Mandy Webster

Point of view (POV) refers to the perspective from which a story is told in fiction writing. It determines whose thoughts, feelings, and experiences are being shared with the reader. Consistent POV in fiction plays a crucial role in shaping the reader’s experience by providing clarity and enhancing immersion in the story.

In third person limited point of view, the reader only knows what the POV character knows. The reader is, in a sense, inside that character’s head and is able to see the view through the character’s eyes. In third person omniscient, the view is more like this one where the reader experiences the character — and everything else in the story — from outside of the character’s head.

On the other hand, inconsistent point of view in fiction can significantly affect the reader’s experience, often in a negative way if not handled with care. It may cause confusion for the reader or create a break in the reader’s suspension of disbelief. Inconsistent POV can also dilute the emotional impact of the story and undermine the reader’s trust in the narrative.

I’ll discuss the importance of maintaining a consistent point of view in your writing in more depth in the next few posts, but for today, let’s talk about what it is. First, there are three primary types of point of view in fiction:

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