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What Feeds Below by Tatiana Schlote-Bonne: A lush, terrifying descent into the Void

Tatiana Schlote-Bonne’s What Feeds Below is an immersive fantasy horror novel filled with lush worldbuilding, gruesome monsters, claustrophobic environments, and enough heart-pounding action to make you feel as though you’re trapped alongside its characters in the depths of the earth.

At the edge of the City of the Void lies a massive chasm that stretches miles underground. Known simply as the Void, its layers are filled with monsters, carnivorous plants, and dangers that become increasingly difficult to understand—and survive—as travelers descend. For Petra and Jade, two orphaned best friends living in the city’s slums, the Void is also a way out. They make money by guiding tourists who are willing to risk their lives in search of whatever treasures might be waiting below.

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Incarnate by Alma Katsu: A chilling techno-horror take on The Picture of Dorian Gray

The most frightening thing about Alma Katsu’s Incarnate isn’t the deepfake technology, the violence, or even the possibility that an artificial person might become more real to the world than the person who created her. It’s the realization that the world social media creates around us may already be an illusion—and that we are remarkably willing to believe it is real.

Incarnate is Katsu’s modern reimagining of The Picture of Dorian Gray, transplanted from the world of decadent Victorian society into the age of influencers, deepfakes, and artificial intelligence. Dorothy Wagner has spent her life wanting to be seen. When she takes a job with a brilliant visual effects artist whose company is developing cutting-edge deepfake technology, she discovers a way to turn that desire for recognition into something much bigger. In secret, she uses her employer’s technology to create Isabella, an impossibly beautiful girl who takes social media by storm.

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Call Off the Dark by Hallie Shepherd: A haunting thriller about grief, isolation, and the things that follow us

Sometimes grief makes us do things we would never do if we were thinking clearly. In Hallie Shepherd’s Call Off the Dark, one grieving widow makes a series of increasingly questionable decisions that leave her isolated on a remote farm with a husband she barely knows—and eventually face-to-face with a man who is supposed to be dead.

Call Off the Dark is an atmospheric thriller that blends psychological suspense, supernatural uncertainty, and a surprisingly tender story about love and loss. The result is a strange and unsettling novel that kept me engaged precisely because I was never entirely sure what was happening—or who I could trust.

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In the Woods They Wait: An eerie Southern Gothic that saves its scariest tricks for too late

There’s something in the woods, and it has been waiting for someone to notice. Carrie Lee South’s In the Woods They Wait is an atmospheric Southern Gothic horror novel about grief, guilt, missing children, and an ancient presence lurking in the woods. The slow-burn mystery kept me reading, but the rushed final act and underwhelming reveal kept the novel from reaching its full potential.

In Carrie Lee South’s In the Woods They Wait, the woods surrounding Devil’s Den State Park are more than a backdrop. They are a presence—ancient, watchful, and seemingly hungry. Fifteen years after Audrey Figg’s younger brother, Benny, disappeared from the park, she has made a life for herself among the very trees that swallowed him. As a park ranger with expertise in wilderness search and rescue, Audrey has turned her grief into a vocation, spending her days protecting hikers and searching the backcountry for the person she has never stopped hoping to find. When a young girl named Ivy disappears from the same woods, Audrey sees too many similarities to Benny’s disappearance to believe it is a coincidence.

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We Are for the Dark by Gretchen McNeil: An unsettling descent into Newfoundland horror

What if a missing-person investigation led you to an island where nothing is quite what it seems—and something ancient beneath the ground is very, very hungry? Gretchen McNeil’s We Are for the Dark, releasing September 1, 2026, takes that premise and turns it into a fast-paced supernatural horror story filled with isolated communities, religious unease, strange traditions, and a growing sense that the people arriving on the island may have made a terrible mistake.

McNeil’s novel begins with Father Shane Ryan, a recently ordained Catholic priest with an unusual past as an FBI analyst. When a priest disappears from a remote island off the coast of Newfoundland, Cardinal Jacobs calls on Ryan to investigate. At roughly the same time, Royal Newfoundland Constabulary constable Miriam Rideout becomes concerned about a frantic call she received from the missing priest. When her superiors refuse to authorize a wellness check, Miriam takes matters into her own hands and travels to the island herself. Naturally, the two eventually end up together—and neither is particularly thrilled about it.

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Goodnight Monsters by Suzanne Junered is a wild, unsettling ride through pregnancy, motherhood, and murder

Suzanne Junered’s Goodnight Monsters, releasing September 1, 2026, is a psychological horror novel about pregnancy, motherhood, murder, and the terrifying space where fantasy begins to blur with reality—and this book was such a wild ride, I am 100% here for it.

Lia has spent two years as a stay-at-home wife trying to get pregnant, following the same suburban script as the other women in her neighborhood. She and her husband, Evan, have dreamed of becoming parents, and Lia has devoted herself to making that dream happen. But when she finally gets the positive pregnancy test she has been waiting for, instead of feeling uncomplicated joy, she finds herself questioning whether she actually wants to become a mother. And honestly, I was immediately intrigued by that premise.

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The Sleeping Sisters by Jennifer Givhan: A haunting literary horror novel about motherhood, myth, and generational trauma

Some books arrive with impossible expectations, and somehow, they still manage to exceed them. Jennifer Givhan’s The Sleeping Sisters is one of those rare novels that not only lived up to my hopes but cemented her place as one of my favorite voices in literary horror.

When I saw that this ARC had finally reached the top of my NetGalley reading queue, I couldn’t have been more excited. Because I read mostly advance reader copies, my reading schedule is dictated almost entirely by publication dates. Givhan’s Salt Bones was my favorite book of 2025, and I absolutely loved River Woman, River Demon, so this latest novel was an automatic must-read. I was thrilled when my request for an advance copy was approved, and it quickly reminded me why I keep recommending her work every chance I get.

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Stay Buried by Jennifer McMahon: A cozy folk horror steeped in small-town superstition

Jennifer McMahon’s Stay Buried embraces the eerie traditions of New England folk horror, blending supernatural folklore, family secrets, and atmospheric mystery into a story that feels tailor-made for readers who enjoy cozy horror with a gothic edge.

Jennifer McMahon has built a reputation for weaving together dual timelines, family mysteries, and unsettling folklore, and Stay Buried continues that tradition. Set in the isolated Vermont community of Boone’s Ferry, the novel alternates between 1919, when a mysterious illness threatens the town, and 2016, when two siblings inherit property tied to generations of family secrets. As past and present begin to converge, long-buried truths—and the superstitions surrounding them—refuse to stay buried.

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The Brides by Charlotte Cross: A haunting feminist reimagining of Dracula’s forgotten women

The women history remembers as Dracula’s brides have always been little more than shadows lurking at the edges of someone else’s story. In The Brides, Charlotte Cross drags them into the light and gives them voices of their own, crafting a Gothic horror novel that is as interested in the dangers facing women as it is in the dangers lurking within Castle Dracula itself.

Releasing July 7, 2026, The Brides is a feminist Gothic horror novel that reimagines the origins of Dracula’s infamous brides through the perspectives of the women who fell under his influence—and the one who escaped.

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Death Do Us by Ruthy Mason: A haunting body horror novel about marriage, identity, and the slow death of a dream

What if the most terrifying thing lurking beneath your skin isn’t a curse at all, but the possibility that you’re becoming the person society always expected you to be? Ruthy Mason’s Death Do Us is one of those horror novels that works on multiple levels at once. On the surface, it’s a deeply unsettling story about a woman who begins physically deteriorating after accepting a marriage proposal. Underneath the body horror, however, lies a sharp examination of marriage, patriarchy, identity, and the ways women can slowly lose themselves while trying to fit into roles that were chosen for them long before they ever had a say.

Bea is a promising archaeologist whose future seems bright. She has a loving boyfriend, Jake, and a clear vision for her academic career. She’s preparing to pursue a PhD and dreams of participating in archaeological digs around the world. Marriage has never been her primary goal. In fact, she has spent much of her life resisting expectations that she should settle down, define herself through a relationship, and prioritize a man’s ambitions over her own.

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