Essays

Writing action scenes in novels: Why sequence and clarity matter

Nothing kills the momentum of an action scene faster than confusing choreography. Readers will forgive a lot in a fast-paced sequence. They’ll forgive impossible odds, dramatic coincidences, even a hero surviving injuries they probably shouldn’t. What they won’t forgive is not understanding where everyone is standing. One of the most common mistakes writers make in action scenes is putting events on the page out of sequence.

When action scenes lose their sequence, readers lose the thread. Clear choreography keeps readers inside the movement instead of forcing them to stop and untangle what happened.

The problem is usually small at the sentence level, but the effect on the reader is enormous because it forces them to stop, mentally rewind the scene, and reconstruct what actually happened. They’re no longer experiencing movement in real time—they’re translating it. And that translation breaks momentum.

The issue usually isn’t that the writing is unclear in isolation. Each sentence might make sense on its own. The problem is that the order of information doesn’t match the order of events as they happen in the scene. Readers don’t want to assemble a timeline. They want to experience it.

Continue reading “Writing action scenes in novels: Why sequence and clarity matter”
Ask the Author

Ask the Author: When does a novel become YA? Before you write it—or after?

Dear Mandy,

When do you decide if your novel is YA? Do you decide before you start writing or after you are done?

Answer: One of the questions writers ask constantly is whether a novel “counts” as Young Adult fiction. Sometimes the answer is obvious from page one. Other times, writers finish an entire manuscript before realizing they may have written for a different audience than they originally intended.

When does a novel become YA—and how much of that decision happens before you even write the first page? This graphic breaks down the key factors writers should consider, from voice and protagonist age to audience and market expectations, and why knowing who you’re writing for shapes every story choice you make.

The truth is that YA is both a category and a marketing designation, and those two things do not always align perfectly. At the most basic level, a Young Adult novel is written for teen readers, generally between the ages of twelve and eighteen. In publishing, though, that definition becomes much more flexible than people expect. A huge percentage of YA readers are adults, and many books with teen protagonists are actually shelved in adult fiction. That’s why YA is not determined by a single factor.

Continue reading “Ask the Author: When does a novel become YA? Before you write it—or after?”
Author Interview

Author interview: Jennifer van der Kleut on The Better Mother, Nancy Drew, and writing thrillers with real stakes

From childhood Nancy Drew notebooks to a debut thriller that asks hard questions about motherhood, loyalty, and what we owe one another, Jennifer van der Kleut’s path to publication has always been rooted in curiosity and emotional stakes. Her first novel, The Better Mother, released February 10, 2026, and introduces readers to a protagonist at her lowest point—then dares her to fight her way back. In this interview, van der Kleut talks about the books and writers who shaped her, why community matters on and off the page, the rituals that keep her grounded at the keyboard, and how remembering what’s truly at stake drives every story she tells.

Jennifer van der Kleut’s debut novel, The Better Mother, released February 10, 2026.

Q: What/who were your early literary influences, and how do you think their writing has shaped you as a storyteller today?
A: As a child, my number-one favorite mystery series was Nancy Drew. I wanted to be Nancy Drew. So much so, that I got a blank notebook, and as I read each book, I took notes of the clues and suspects in the story as though I were the detective myself, and tried to come to my own conclusion before the culprit was revealed.

Continue reading “Author interview: Jennifer van der Kleut on The Better Mother, Nancy Drew, and writing thrillers with real stakes”