Ask the Author

Ask the Author: Can I really become a published author?

Dear Mandy,

So this is kind of random, but I wanted to be an author as a teenager and kind of gave up because it was made out to be impossible by the adults in my life. Is getting something published realistic?

A writer’s desk with a globe, maps, travel photographs, a pen and notebook, and a stack of books labeled “Write,” “Revise,” “Submit,” “Publish,” and “Repeat.” A handwritten note reads, “People like us don’t do things like that,” while the notebook reads, “Same dream. Different path. Still possible.
Becoming an author may not be the most practical path according to someone else’s definition of practical—but if writing is the path you’re meant to follow, it’s worth finding your way there.

Answer:
Yes.

Seriously. That’s the short answer. And I know that answer because I spent a lot of my own life believing the opposite. When I was a kid, my grandmother had a wall of old National Geographic magazines. I would sit and page through them, fascinated by the photographs and the stories of places I had never seen. I dreamed of writing for National Geographic someday. I wanted to travel the world and write about the things I saw.

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Ask the Author

Ask the Author: What do you do with your first draft?

Dear Mandy,

I’m curious as to what other writers do when starting their second draft. Do you trash what you wrote in draft one and start totally from scratch? Or do you take some of what you wrote in the first draft and refine it? Or something else entirely? How does it work for you?

A first draft doesn’t have to be good. It just has to give you something to work with. The messy parts, the awkward scenes, the holes in the plot—they’re all part of the process. The magic happens when you give yourself permission to write badly enough to find the story.

Answer:
For me, the answer is pretty simple: I revise my first draft.

I know some writers who essentially start over when they reach the second draft. They might keep the basic idea, characters, or plot, but the actual manuscript gets tossed aside and they write the book again from the beginning. And honestly, I can see the appeal. Sometimes a first draft teaches you so much about the story that you realize the book you originally thought you were writing isn’t actually the book you want to write. But that’s not generally how I work.

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Writers on Writing

Why your first draft shouldn’t be perfect (and why that’s a good thing)

The pressure to write a perfect first draft has probably killed more novels than bad writing ever has. Many writers sit down to start a book believing they need to get every sentence right before moving on. They revise chapter one twenty times, polish dialogue that may not survive later drafts, and obsess over word choice while the rest of the story remains unwritten. The result is often frustration, burnout, and a manuscript that never gets finished. The truth is that a first draft isn’t supposed to produce a polished novel. It has a completely different job.

First drafts don’t need to be perfect—they need to exist. This reminder is for every writer staring down a blank page and trying to get everything right before they’ve even begun. The real work of writing starts with discovery, not polish, and every finished draft begins with something messy, uncertain, and real.

A first draft is not where a novel is perfected. It’s where a novel is discovered. When you begin writing a story, you may have an outline, character sketches, or a clear vision of the ending. But until you actually write the book, you don’t fully know what it is. Characters surprise you. Relationships deepen in unexpected ways. Themes emerge that weren’t part of your original plan. Scenes that seemed essential become unnecessary, while minor moments grow into something much larger.

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