Writers on Writing

It Had to Happen: Time, grief, and the illusion of control

It Had to Happen begins with a devastating, almost clean fracture in a man’s life: Jack Utley loses his daughter just as his business is finally about to take off. In that moment, success and loss become entangled in a way that feels almost transactional—like one has been traded for the other. Jack is left doing what many grieving parents do in fiction and in life: trying to assign meaning to something that refuses to make sense. Then the story shifts into something far less predictable.

On the eve of his daughter Callie’s funeral, Jack encounters a mysterious woman. After that meeting, he wakes to find that time has somehow rewound itself to the morning of the accident. Suddenly, he is given what grief never allows in reality: a second chance. He saves his daughter’s life. But the novel is not interested in treating that as a simple gift.

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Writers on Writing

Occult satire, unreliable men, and a very bad cat: A deep view inside the novel, One Bad Cat

One Bad Cat is a novel that grew out of a simple premise and ended up somewhere far stranger, funnier, and more psychologically tangled than it first appeared. At its core, it’s an occult satire built around two intersecting storylines: a psychology professor who is turned into a cat by members of his coven, and a man trying to keep his life from falling apart after he lets a persistent stray cat into his apartment.

Dr. Stephen Scott begins the story in a position of intellectual authority. He’s a psychology professor with an interest in the occult, someone who believes he understands systems and people well enough to stay a step ahead. That control collapses when a group of female coven members cast a spell that transforms him into a cat. From there, his storyline tightens into something immediate and claustrophobic: a mind trapped in a body that no longer obeys it, focused on revenge, survival, and the recovery of a charm bag that contains the source of his power.

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