Author Interview

Author interview: William M. Chippich on Beautiful and Terrifying and Nevermore: The Heir, The Witch, and The Fool

In this contributor interview, William M. Chippich—author of the upcoming novel Nevermore: The Heir, The Witch, and The Fool and contributor to Beautiful and Terrifying—shares the literary influences, writing habits, and creative philosophy that shape his character-driven fiction.

William M. Chippich brings a deep love of character-driven storytelling to every page he writes, whether he’s crafting the darkly atmospheric short story “Three or Four Miles, Mostly Flat” for Beautiful and Terrifying:Tales and Visions from the Edge of the Uncanny or building the richly imagined world of his forthcoming novel, Nevermore: The Heir, The Witch, and The Fool. In this interview, he reflects on the writers who first shaped his imagination, the discipline and creativity behind his process, and the themes of love, hope, and the unknown that continue to guide his work. From comic book legends and literary classics to the quiet rituals of everyday writing life, Chippich offers thoughtful insight into what it means to tell stories that truly connect with readers.

William M. Chippich, contributor to Beautiful and Terrifying and author of the upcoming Nevermore: The Heir, The Witch, and The Fool is pictured at Dunnottar Castle in Scotland.

Q: What/who were your early literary influences, and how do you think their writing has shaped you as a storyteller today.
A: My earliest influences were writers like Stan Lee, Chris Claremont and John Byrne of Marvel comics. The great comic book writers of that era are very overlooked. Stan Lee in particular made comic writing and stories legitimate. After that, everything from Mary Shelley to Steinbeck, Hemingway, and too many classics to name. Guys like Stephen King, Dean Koontz, and Christopher Moore are definitely stand outs for me as well. Every one of these great writers build amazing worlds, but I think the real influence on me were their characters. They make fantastic, fictional beings seem real to people. You love them, you hate them, you feel for them. That’s the real magic of these greats.

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Ask the Author

Ask the Author: Can genre fiction be literary?

Dear Mandy,

Can genre fiction be literary?

Genre fiction isn’t trying to tiptoe past the literary gatekeepers—it’s already storming the pedestal. Depth, fun, dragons, and dystopias: all at once. Who says you can’t have it all?”

Answer: IDK, Patty, do you think works by Edgar Allan Poe and Mary Shelley are literary? If so, do you think they aren’t also genre fiction? What about Wuthering Heights (gothic/mystery), Brave New World (dystopian), or The Lord of the Rings (epic fantasy)?

Exactly.

This question comes up a lot, and it’s usually asked with the unspoken assumption that genre fiction sits a rung or two below “real” literature. As if, once you introduce a murder, a monster, a dragon, or a dystopian government, depth immediately evacuates the premises. So, let’s slow down and actually unpack what we’re talking about.

Continue reading “Ask the Author: Can genre fiction be literary?”