Book Reviews, Find Your Next Read

Our Numbered Bones by Katya Balen: Grief, bog bodies, and the quiet horror of what we carry

Grief doesn’t arrive on a schedule, and it doesn’t leave when it’s inconvenient. In Our Numbered Bones by Katya Balen, an adult debut releasing February 17, 2026, that truth sits at the center of a haunting, lyrical novel about loss, memory, and the unsettling ways the past insists on being seen.

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Anna is a London-based novelist who can no longer write, eat, or sleep in any meaningful way. Her mother is slipping deeper into dementia, her father is already gone, and Anna herself is reeling from a recent loss so destabilizing it has fractured her sense of self. Still, her literary agent wants pages. Progress. A new book. So when a winter writer’s retreat in rural England offers “space,” Anna takes it—less to finish a novel than to escape her own mind.

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Murder Will Out by Jennifer K. Breedlove: A cozy gothic mystery where the ghosts are watching

Murder Will Out by Jennifer K. Breedlove, releasing February 17, 2026, is the kind of mystery that invites you in with salt air, creaking floorboards, and the promise that something is very wrong behind the prettiest postcard façade. Set on Little North Island off the coast of Maine, this lighter, modern gothic mystery follows Willow Stone, an organist returning to the island she once loved after the sudden death of her godmother, Sue—and it doesn’t take long for memory, grief, and suspicion to start tangling together.

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Breedlove excels at atmosphere. Little North Island feels like the sort of place where everyone knows everyone else’s business and still manages to hide secrets in plain sight. The town’s cast of characters would fit right in at Stars Hollow: the super brainy librarian, the attorney-turned-café owner, the pottery shop proprietor, the crotchety church organ player, and the young woman married to the island’s elderly rich man, who is himself a near-parody of greed and indulgence. Willow is very much the Outsider—with a capital O—returning after years Away (also capitalized, as islanders do), and that social tension quietly fuels the mystery.

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Book Reviews, Find Your Next Read

Her Last Breath by Taylor Adams: A suffocatingly tense survival thriller beneath the surface

Her Last Breath by Taylor Adams, releasing February 17, 2026, takes the author’s talent for relentless suspense and drops it hundreds of feet underground—into a setting that’s as psychologically unnerving as it is physically dangerous. Known for high-concept thrillers like No Exit and The Last Word, Adams once again proves he knows exactly how to weaponize isolation, fear, and timing.

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At first, I worried this might be the kind of survival novel that traps the reader in a single claustrophobic space for the entire book. That fear didn’t last long. While a huge portion of the story centers on the many hours Tess spends trapped in a cave, Adams smartly structures the novel around her hospital-bed interview with a detective. Tess’s account of what happened underground is intercut with revelations about her best friend Allie and the unsettling secrets she kept hidden. The result is a story that constantly moves, even when its protagonist physically cannot.

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Book Reviews, Find Your Next Read

Ours is a Tale of Murder by Nora Murphy: A suburban thriller that refuses to behave

Nora Murphy’s Ours is a Tale of Murder opens in a quiet neighborhood that feels instantly familiar—and immediately uneasy. Klara and Troy live behind the white picket fence she never wanted and he always did, their marriage polished on the surface and deeply wrong underneath. Across the street from where their story unfolds, Mary prepares to sell the blue house that holds too many memories of her son and her past mistakes. Nearby, Henry, recently laid off and back in his childhood bedroom, watches everyone a little too closely. From the start, Murphy invites us into a story about observation, judgment, and the lies we tell ourselves about the people we think we know.

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About halfway through the novel, I realized Murphy was doing something quietly experimental with the structure. The storyline I was most emotionally invested in came to an abrupt halt, and my first reaction was frustration—I wanted to stay with Klara longer. But instead of bailing, I kept reading, and that choice paid off. The narrative begins to weave back around on itself in unexpected ways, reframing earlier scenes and assumptions. This is very much a book that makes you want to reread it, if only to spot the details you missed the first time—the moments that might have tipped you off that the story was never going to move in a straight line.

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Ask the Author

Ask the Author: Why don’t readers like strong female leads?

Dear Mandy,

Why don’t readers like strong female leads? Why do they only want innocent and dumb female leads in their books?

From timid beginnings to unstoppable confidence—every strong female lead starts somewhere. Follow the journey from innocence to empowerment, both on the page and in life.

Dear Reader,

To properly answer this question, we first need to clarify which readers we’re talking about—because I can assure you, not all readers want innocent or naïve female leads. In fact, I’d argue that many middle-aged women (myself included) gravitate toward books firmly planted in the strong women serving up justice to bad men genre. Those female leads are confident, capable, and unapologetically badass—and that’s exactly what this reader wants.

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The Body by Bethany C. Morrow: A brutal supernatural horror about marriage, faith, and who really owns your soul

Bethany C. Morrow’s The Body is a pulse-pounding supernatural horror novel that turns marriage, faith, and family obligation into a living nightmare—and it doesn’t flinch. Centered on a woman who has spent her entire life being told she will never be good enough, this is a story about what happens when the expectations placed on women become violent, literal, and inescapable.

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Mavis Carson broke away from her family’s church years ago, but the damage is permanent. Her mother, Marie Carson, presides over the congregation with an iron grip, demanding impossible perfection and absolute obedience. Mavis has internalized those rules so completely that even as an adult, she’s riddled with anxiety and convinced she’s one mistake away from losing everything. Her one perceived victory is her marriage to Jerrod, a man everyone—including Mavis herself—believes she doesn’t deserve. When the seven-year itch sets in and a freak car accident kicks off a string of increasingly disturbing incidents, Mavis begins to realize that the congregation she escaped may never have truly let her go.

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The Found Object Society by Michelle Maryk: When boredom, money, and grief collide in dangerous ways

What happens when you’ve already done everything—and the only thing left that still feels new is death? In The Found Object Society by Michelle Maryk, an ambitious speculative suspense debut releasing February 10, 2026, that question drives a dark, unsettling story about grief, privilege, and the moral rot that can fester when money removes consequences.

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For twenty years, Greta Davenport has lived in the shadow of the car accident that killed her parents—an accident she believes was her fault. Since then, she’s devoted her life to chasing sensation: parties, substances, experiences, anything that might briefly dull her guilt or spark a rush. When an anonymous invitation leads her to the Found Object Society—an exclusive underground organization that allows members to relive the final moments of the dead through objects they once held—Greta finally finds a high that feels new.

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Eve by B.K. O’Connor: A feminist Paradise Lost retelling that leaves little room for mystery

What happens when the first woman refuses to stop asking why? In Eve by B.K. O’Connor, releasing February 10, 2026, the biblical mother of humanity is reimagined through a very explicit 21st-century feminist lens, one that trades subtlety for certainty as it follows Eve’s restless journey beyond Eden and across the ancient world.

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O’Connor’s novel begins close to familiar territory. The early sections largely mirror the biblical story, with one major deviation: Eve’s romantic attachment to Lucifer, who is framed not as a villain but as the first figure willing to question God’s opaque and authoritarian plan. Adam, by contrast, is portrayed as passive and incurious, content to remain in Eden forever, never wondering what lies beyond or what purpose existence might serve. Eve, meanwhile, cannot accept faith without understanding. She wants answers, not obedience.

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Dirty Metal by Allison LaMothe: A gritty debut that barrels ahead, even when logic struggles to keep up

Dirty Metal by Allison LaMothe drops readers into pre-Giuliani New York City with a pill-popping, rule-breaking tabloid reporter at its center—and it does so with real confidence for a debut. Set in 1992, the novel follows Parker Snow, a 27-year-old crime reporter whose last big story went spectacularly wrong. Now sidelined onto organized crime coverage, Parker is desperate to prove she still belongs on the streets, no matter how questionable her methods become.

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LaMothe’s biggest strength is atmosphere. The city feels grimy, volatile, and alive, especially as Russian organized crime begins asserting power in Brighton Beach. Parker herself fits this world: reckless, sharp-tongued, and driven more by obsession than good judgment. She steals, trespasses, manipulates sources, and self-medicates her trauma, all while insisting she’s chasing the truth. It’s not hard to see how she landed in professional trouble—and why her boss tries to keep her on a short leash.

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Heap Earth Upon It by Chloe Michelle Howarth: Obsession, family loyalty, and the danger of loving too much

Heap Earth Upon It by Chloe Michelle Howarth is a gothic, psychologically rich literary novel that burrows under your skin and stays there. Set in 1965 in the quietly watchful town of Ballycrea, the story opens with the arrival of the O’Leary siblings, whose carefully guarded past and tightly bound loyalty to one another immediately raise questions no one is quite asking out loud.

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Following her acclaimed novel Sunburn, Howarth once again writes with precision and restraint, layering unease rather than rushing toward easy answers. At its heart, this is a novel about grief and survival, and about what happens when sibling devotion turns inward and begins to do real harm. The O’Learys have lost their parents and, in the absence of any other safety net, have clung to one another so fiercely that none of them are truly allowed to grow.

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