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Children of the Wolf by Abby Geni: A literary mystery about family, mythology, and inherited violence

Some families pass down recipes, heirlooms, and old photographs. Liv’s family passes down stories of gods, bloodshed, and a violent legacy she has spent her entire adult life trying to escape. Abby Geni’s Children of the Wolf, releasing September 15, 2026, is one of those novels that feels like an elaborate tapestry: dazzling threads in thousands of colors, each one carefully woven into the next until the final piece is something far more intricate and awe-inspiring than you could have imagined from the individual strands. At its heart, it is a story about loving a serial killer—and about whaeddt happens when the person you love turns out to be someone you should have feared.

I don’t think it’s a spoiler to tell you that Liv’s father, Ulf, is a serial killer. The novel gives us enough clues to understand what is happening during Liv’s childhood even while Liv herself fails to recognize the signs until long after she has grown up and escaped her father’s control. And that distinction is important. Children of the Wolf isn’t really a story about discovering that Ulf is a killer. It is a story about what it means to have loved him.

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Strange Is the Light by Sarah Maria Griffin: A dark fantasy of friendship, betrayal, and consequences

What happens when the games you invented as children turn out to be more real than you ever imagined? In Sarah Maria Griffin’s Strange Is the Light, a childhood game becomes the doorway to something ancient, dangerous, and very much alive—and the friends who created it must finally reckon with the consequences of the last time they played.

Strange Is the Light follows Daphne, Ronan, Leonie, and Finn, four childhood friends whose lives have been intertwined by a strange and somewhat magical summer friendship. Three of them live year-round on the island of Valentia, while Daphne visits only during the summers. At the center of their friendship is a game they have created together, one that begins as the kind of elaborate play-acting children do and gradually evolves into something closer to the role-playing games we know today. They create a world, invent stories and characters, and take turns building the narrative together.

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Writers on Writing

Everyone says you’re writing your novel wrong: They’re not all right.

It is a truth universally acknowledged that a writer in possession of a novel manuscript in progress must be in want of writing advice. If you’ve ever gone looking for advice about how to write a novel, you’ve probably discovered one of the great truths of writing: for every person who confidently tells you there is a right way to do something, there is another person who will confidently tell you they’re completely wrong—especially if you ask the question of social media.

Everyone has an opinion about the “right” way to write a novel. But what works for one writer, genre, audience, or school of thought may not work for another. The trick is figuring out what you believe a story is supposed to do—and finding the advice that actually serves your goals. There’s no single right way to write a novel. There’s only the way that works for the story you’re trying to tell.

Plotters will tell you to outline. Pantsers will tell you that outlining kills the magic. One writing teacher will tell you that you should never use adverbs, while another will remind you that adverbs are perfectly legitimate words. Someone will insist that you must start your novel with action, while someone else will tell you that the reader needs time to settle into the world and meet the characters. And then there’s the Oxford comma.

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Body Language by Meg Howrey explores the complicated choices of family, autonomy, and Alzheimer’s

Body Language by Meg Howrey is a deeply thoughtful and surprisingly funny literary novel about three sisters forced to confront their mother’s wishes, their own differences, and the difficult question of what it means to honor someone’s autonomy when they can no longer make decisions for themselves. The novel releases September 1, 2026.

Body Language is a great literary novel—profound, evocative, and layered—but perhaps more importantly, it is a readable literary novel. There is a difference. Literary fiction can sometimes become so enamored with its own language and philosophical underpinnings that reading it begins to feel like work. Meg Howrey avoids that trap. Her prose is clear, concise, intelligent, and often very funny, while still giving the story the depth and complexity I want from a literary novel. In my opinion, clarity is one of the major requirements of a good novel, and Howrey demonstrates just how much can be accomplished without burying a story beneath unnecessarily elaborate language.

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The Sleeping Sisters by Jennifer Givhan: A haunting literary horror novel about motherhood, myth, and generational trauma

Some books arrive with impossible expectations, and somehow, they still manage to exceed them. Jennifer Givhan’s The Sleeping Sisters is one of those rare novels that not only lived up to my hopes but cemented her place as one of my favorite voices in literary horror.

When I saw that this ARC had finally reached the top of my NetGalley reading queue, I couldn’t have been more excited. Because I read mostly advance reader copies, my reading schedule is dictated almost entirely by publication dates. Givhan’s Salt Bones was my favorite book of 2025, and I absolutely loved River Woman, River Demon, so this latest novel was an automatic must-read. I was thrilled when my request for an advance copy was approved, and it quickly reminded me why I keep recommending her work every chance I get.

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Find Your Next Read

9 unsettling novels that imagine the future in ways that feel too close to ignore

The future has never felt more intimate—or more unsettling—than in contemporary fiction that bends time, technology, and human behavior into something eerily recognizable. These novels imagine what comes next when memory, bodies, surveillance, climate collapse, and intimacy itself begin to shift beyond control. The result is a collection of stories that don’t just predict the future—they make it feel uncomfortably close.

The cover of the novel Ruins by Lily Brooks-Dalton

Ruins by Lily Brooks-Dalton

At the center of Ruins is an archaeologist whose fascination with a long-lost civilization places her at odds with accepted history. As she pieces together fragments of a forgotten world, she becomes increasingly convinced that the stories people tell about the past are incomplete—or perhaps entirely wrong. Lily Brooks-Dalton unfolds the mystery slowly, allowing readers to uncover the significance of each discovery alongside the protagonist. The result is a literary novel that rewards curiosity, revealing its larger premise gradually rather than all at once.

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Mia by Leslie Bazzett: A literary psychological thriller about reinvention and manipulation

If you’ve ever dreamed of spending a year living in another country, Mia by Leslie Bazzett transforms that fantasy into an unsettling psychological suspense novel where reinvention and obsession become dangerously intertwined. Releasing August 11, 2026, this literary thriller explores the seductive pull of becoming someone else—and the devastating consequences of trusting the wrong person.

Sally has everything she believes she has ever wanted: a loving husband, two young children, and the opportunity to spend a year living in San Miguel de Allende, Mexico while her architect husband completes a project. Determined to immerse herself in the culture rather than remain on the fringes as an American outsider, she is immediately captivated by Louise, an older expatriate whose elegance, intellect, and seemingly endless stories about literary legends make her impossible to resist. Before long, Louise begins introducing Sally as her daughter, calling her Mia instead of Sally, and drawing her deeper into an increasingly disturbing relationship that threatens not only Sally’s identity but the safety of her family.

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Dreamland by Olivie Blake: Hollywood gothic horror wrapped in occult secrets

Hollywood dreams have always come with a price, and in Dreamland, Olivie Blake imagines that price as a centuries-old curse lurking behind one of the film industry’s most powerful dynasties. Blending gothic horror, occult mythology, and sharp social commentary, Blake crafts an atmospheric novel filled with unforgettable ideas—even if its ambitious storytelling doesn’t always land as cleanly as its vision deserves.

Anya Morris has spent years believing she’s destined for something greater than working part-time in her family’s store while enduring her mother’s constant dismissal of her acting ambitions. When an unexpected invitation arrives from the de Witts—one of Hollywood’s most influential and enigmatic film families—it seems like the breakthrough she’s been waiting for.

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You’ll Love It Here by Natalie Sue: A funny, heartfelt novel about discovering the value of community

Sometimes the life you’ve been working toward isn’t the life that will make you happiest. Natalie Sue’s You’ll Love It Here is a warm, witty, and emotionally satisfying novel that explores burnout, grief, ambition, and the unexpected power of community. Releasing August 11, 2026, this charming contemporary novel delivers plenty of laughs while reminding readers that success isn’t always found where we expect it.

After the success of I Hope This Finds You Well, Natalie Sue once again creates an unforgettable cast of characters whose messy, ordinary lives become surprisingly compelling. While the novel follows a familiar emotional trajectory, it’s the rich characterization and heartfelt relationships that make the journey so rewarding.

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Queen Mab by Emily McBride: When motherhood becomes a fairy tale nightmare

What if the greatest horror isn’t that you’ve lost your mind—but that you’re the only one seeing the truth? Emily McBride’s Queen Mab follows twenty-three-year-old graduate student Madeleine, whose carefully planned future is upended after a traumatic childbirth ends in an emergency C-section. Instead of bonding with her newborn daughter, Maud, Madeleine becomes convinced that the baby has been stolen by the faeries and replaced with a changeling. As her husband, parents, and medical professionals dismiss her growing fears, Madeleine desperately searches folklore and literature for a way to bring her real child home.

This is now the third novel I’ve read in recent weeks that explores the aftermath of traumatic childbirth, and I’m definitely noticing a trend. The other two were Good Morning Means I Love You by Kendra Allen and With Friends Like You by Amy Chozick. These are three very different novels examining the same important subject from very different perspectives, and I love seeing contemporary fiction finally giving serious attention to what can happen after childbirth instead of treating birth as the tidy ending to a woman’s story.

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