Book Reviews, Find Your Next Read

Dear Monica Lewinsky asks who really owns temptation

Julia Langbein’s sharp, irreverent novel reclaims female desire from the shame imposed upon it.

Some novels arrive with a premise so startlingly original that you immediately lean closer. Dear Monica Lewinsky by Julia Langbein is one of them—a novel that is at once profound and wickedly irreverent, using the ghost of Monica Lewinsky as both witness and guide in an excavation of female desire, shame, memory, and blame. Set for release on April 14, 2026, this is a book that refuses easy moral judgments. Instead, it asks a more difficult and necessary question: when women are punished for desire, whose sin is it really?

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Forty-year-old Jean Dornan has never truly escaped the summer of 1998. While studying abroad in France as a college student, she entered into an affair with her much older professor, David—a married man and a figure of institutional authority. When he reappears decades later with an invitation to his retirement celebration, Jean is forced back into the emotional wreckage of that summer. What follows is not merely a reckoning with memory, but a confrontation with the story she has been telling herself for years.

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Book Reviews, Find Your Next Read

Midnight, at the War by Devi S. Laskar: A piercing look at journalism, grief, and the stories we choose not to tell

The most unsettling part of Midnight, at the War by Devi S. Laskar isn’t the violence—it’s everything that gets ignored in its wake. Releasing April 14, 2026, this literary novel follows foreign correspondent Rita Das as she chases the biggest story of her career in a war-torn Middle East, all while quietly unraveling under the weight of grief, guilt, and a life she refuses to apologize for.

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Rita is not an easy protagonist to pin down, and that’s precisely what makes her compelling. She is fiercely independent, deeply ambitious, and committed to living life on her own terms—even when those choices isolate her from nearly everyone around her. The double standard is impossible to ignore: if Rita were a man, her career-first mindset and emotional detachment would be praised. Instead, she’s judged at every turn, with only her late mother—a doctor who lived similarly on her own terms—offering any real understanding. That absence lingers, because grief is one of the novel’s most persistent undercurrents.

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Book Reviews, Find Your Next Read

Ruins by Lily Brooks-Dalton: A haunting literary mystery about civilization, memory, and the stories we choose to tell

In Ruins by Lily Brooks-Dalton (releasing March 31, 2026), an ambitious archaeologist chases proof of a lost empire—and in the process, confronts the fragile architecture of her own world. After loving The Light Pirate, I could not wait to read this one. I was not disappointed. Ruins just catapulted itself to the number one spot on my best books of 2026 list.

Get your copy of Ruins from my independent online bookstore today!

I read an advance review copy as an ebook, as I do with most ARCs. I usually prefer print, but you can’t argue with free. This, however, was one of those rare cases where I found myself wishing the book had already been released so I could run out and buy a physical copy. I wanted to hold it in my hands. I wanted the weight of it. The experience of immersion felt so complete that a screen almost seemed insufficient.

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Ask the Author

Ask the Author: Can genre fiction be literary?

Dear Mandy,

Can genre fiction be literary?

Genre fiction isn’t trying to tiptoe past the literary gatekeepers—it’s already storming the pedestal. Depth, fun, dragons, and dystopias: all at once. Who says you can’t have it all?”

Answer: IDK, Patty, do you think works by Edgar Allan Poe and Mary Shelley are literary? If so, do you think they aren’t also genre fiction? What about Wuthering Heights (gothic/mystery), Brave New World (dystopian), or The Lord of the Rings (epic fantasy)?

Exactly.

This question comes up a lot, and it’s usually asked with the unspoken assumption that genre fiction sits a rung or two below “real” literature. As if, once you introduce a murder, a monster, a dragon, or a dystopian government, depth immediately evacuates the premises. So, let’s slow down and actually unpack what we’re talking about.

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Book Reviews, Find Your Next Read

Medium Rare by A. Natasha Joukovsky: An Icarus retelling weighed down by its own ambition

In Medium Rare by A. Natasha Joukovsky, the author of The Portrait of a Mirror returns with what’s billed as a modern tragicomedy reimagining the myth of Icarus through bureaucracy, B-list fame, and college basketball. It’s a high-concept premise: a middling Washington lobbyist goes viral-adjacent after predicting a near-perfect NCAA March Madness bracket, while a woman named Cassandra—yes, that Cassandra—watches it unfold with prophetic detachment and literary ambition. The execution, however, is far less aerodynamic.

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Phil is the novel’s Icarus stand-in: an ordinary, faintly dissatisfied man who stumbles into the possibility of a billion-dollar perfect bracket during the 2019 tournament. As his predictions hold, attention snowballs. The media circles. The money looms. The ego inflates. You don’t have to be an oracle to see where this is headed. Phil will fly too high. He will burn. The arc is obvious from the start, which might have worked if the journey there had felt sharp or surprising.

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Book Reviews, Find Your Next Read

Heap Earth Upon It by Chloe Michelle Howarth: Obsession, family loyalty, and the danger of loving too much

Heap Earth Upon It by Chloe Michelle Howarth is a gothic, psychologically rich literary novel that burrows under your skin and stays there. Set in 1965 in the quietly watchful town of Ballycrea, the story opens with the arrival of the O’Leary siblings, whose carefully guarded past and tightly bound loyalty to one another immediately raise questions no one is quite asking out loud.

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Following her acclaimed novel Sunburn, Howarth once again writes with precision and restraint, layering unease rather than rushing toward easy answers. At its heart, this is a novel about grief and survival, and about what happens when sibling devotion turns inward and begins to do real harm. The O’Learys have lost their parents and, in the absence of any other safety net, have clung to one another so fiercely that none of them are truly allowed to grow.

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Book Reviews, Find Your Next Read

No One You Know by Emma Tourtelot: Grief, motherhood, and the quiet violence of being blamed

No One You Know by Emma Tourtelot is one of those novels that quietly proves how wrong first impressions can be. I’ll admit it: I almost passed this one by because the cover looks oddly amateurish, the kind of design that suggests something lightweight or underbaked. I’m genuinely glad I didn’t. What’s inside is a sharp, unsettling literary debut that digs far deeper than its packaging suggests.

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Set in the Hudson Valley, the novel opens on what looks like a carefully curated life. Kate is a successful realtor and momfluencer with a devoted husband, Ethan, and a close relationship with her teenage daughter, Indie. That surface-level perfection shatters when Indie’s best friend, Maddy, is killed by a drunk driver right in front of her. From that moment on, Tourtelot is less interested in the tragedy itself than in the slow, corrosive aftermath—the way grief destabilizes families, marriages, and entire communities.

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Call for Submissions

Submissions open for Beautiful and Terrifying: Tales and Visions from the Edge of the Uncanny

There’s beauty in the things that unnerve us. Beautiful and Terrifying is the next anthology from Elderfly Press—an exploration of the eerie, the intimate, and the in-between. Submissions are now open for short stories, poetry, and black-and-white art that linger in the shadows of the strange and the sublime.

There’s beauty in what haunts us.
Submit to Beautiful and Terrifying today!

This collection seeks work that blurs boundaries—between beauty and fear, humanity and monstrosity, love and decay. We’re drawn to dark, literary narratives and haunting imagery that leave readers with a sense of wonder and unease. Not every story needs to fit neatly into horror or realism; the best pieces often live in the uncanny space between.

What Elderfly Press is looking for:

This anthology invites a wide range of voices and forms with themes of transformation, obsession, decay, beauty, violence, or the supernatural:

  • Genre fiction: horror, speculative, gothic, dystopian, weird, sci-fi, supernatural—anything that chills, disturbs, or unsettles
  • Literary fiction: moody, shadowed, emotionally raw
  • Poetry: rooted in chaos, shadow, or change
  • Visual art: black-and-white art that captures the eerie, surreal, or dreamlike
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