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The Antique Picker’s Daughter by Melanie Dugan: Survival, exploitation, and the gray areas of morality

What happens when the person who saves you is also the person taking advantage of you? That question sits at the heart of Melanie Dugan’s The Antique Picker’s Daughter, a compelling novel about survival, exploitation, and the uncomfortable space between doing good and doing harm. Releasing September 15, 2026, the novel follows Frankie, a young woman living on the streets of Toronto, who finds an unlikely protector in Francis, an older man who teaches her how to make money buying and selling collectibles and small antiques.

When winter approaches, Frankie is fortunate—or perhaps simply less unfortunate than she could have been—to cross paths with Francis. He takes her off the streets and gives her food and a place to sleep. In return, she becomes part of his business, traveling with him through small towns and villages across southern Ontario as they acquire items to resell for a profit. Francis teaches Frankie the rules of the game, and she proves herself to be remarkably capable at it.

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In the Woods They Wait: An eerie Southern Gothic that saves its scariest tricks for too late

There’s something in the woods, and it has been waiting for someone to notice. Carrie Lee South’s In the Woods They Wait is an atmospheric Southern Gothic horror novel about grief, guilt, missing children, and an ancient presence lurking in the woods. The slow-burn mystery kept me reading, but the rushed final act and underwhelming reveal kept the novel from reaching its full potential.

In Carrie Lee South’s In the Woods They Wait, the woods surrounding Devil’s Den State Park are more than a backdrop. They are a presence—ancient, watchful, and seemingly hungry. Fifteen years after Audrey Figg’s younger brother, Benny, disappeared from the park, she has made a life for herself among the very trees that swallowed him. As a park ranger with expertise in wilderness search and rescue, Audrey has turned her grief into a vocation, spending her days protecting hikers and searching the backcountry for the person she has never stopped hoping to find. When a young girl named Ivy disappears from the same woods, Audrey sees too many similarities to Benny’s disappearance to believe it is a coincidence.

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Rooted by Leopoldo Goût: A horror novel about memory, history, and ancient gods

What if the past isn’t really the past? In Rooted, Leopoldo Goût turns a woman’s return to Mexico City into a terrifying confrontation with buried memories, ancient gods, and a world that refuses to remain neatly separated into the categories modern humanity has created for it. The result is a horror novel that is as much about our relationship to the world around us as it is about supernatural terror.

Rooted, which releases September 15, 2026, follows Aurora, a successful art lawyer who returns to Mexico to celebrate a campaign she helped lead to repatriate stolen artifacts, including a mysterious statue of an Aztec god known as the Flayed One. But her homecoming quickly becomes unsettling. Mexico City is familiar and unfamiliar at the same time, and Aurora begins to experience impossible memories, disturbing dreams, and increasingly frightening distortions of reality. There is nothing wrong with Aurora—or at least, that is what everyone keeps telling her.

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Something of a Calling by Zoje Stage: Unsettling Horror or Unintentional Comedy?

Some books are unsettling because they burrow under your skin and refuse to leave. Others leave you staring at the final page thinking, “What did I just read?” Zoje Stage’s Something of a Calling falls firmly into the second category.

Releasing September 15, 2026, Something of a Calling follows Detective Andy Cooper, a woman approaching retirement with very little waiting for her on the other side of it. Her daughter was killed by a drunk driver, her marriage ended in divorce, and her career has become the one thing she has left—and now she is about to lose that, too. She imagines an RV she hasn’t bought, a dog she doesn’t own, and a garden she might someday tend once the cable company finishes tearing up the woods behind her house. Then people start turning up dead.

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We Already Dug the Grave by Emma C. Wells: A kitschy Southern gothic thriller

I wanted to love We Already Dug the Grave. After all, I absolutely adored Emma C. Wells’ debut novel, This Girl’s a Killer, so when I saw that Wells had another book coming out, it was an automatic must-read for me. Unfortunately, while We Already Dug the Grave has plenty of the ingredients I loved in her debut, it never quite captures the same sharp wit or confidence.

We Already Dug the Grave follows estranged sisters Milly and Francis, who have spent years apart after something terrible happened in a Tennessee meadow. Milly has always been the odd one, with an ability to divine the future through tea leaves. But lately, the tea leaves have gone silent, which might seem like a blessing considering how bleak Milly’s life has become.

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Strange Is the Light by Sarah Maria Griffin: A dark fantasy of friendship, betrayal, and consequences

What happens when the games you invented as children turn out to be more real than you ever imagined? In Sarah Maria Griffin’s Strange Is the Light, a childhood game becomes the doorway to something ancient, dangerous, and very much alive—and the friends who created it must finally reckon with the consequences of the last time they played.

Strange Is the Light follows Daphne, Ronan, Leonie, and Finn, four childhood friends whose lives have been intertwined by a strange and somewhat magical summer friendship. Three of them live year-round on the island of Valentia, while Daphne visits only during the summers. At the center of their friendship is a game they have created together, one that begins as the kind of elaborate play-acting children do and gradually evolves into something closer to the role-playing games we know today. They create a world, invent stories and characters, and take turns building the narrative together.

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Body Language by Meg Howrey explores the complicated choices of family, autonomy, and Alzheimer’s

Body Language by Meg Howrey is a deeply thoughtful and surprisingly funny literary novel about three sisters forced to confront their mother’s wishes, their own differences, and the difficult question of what it means to honor someone’s autonomy when they can no longer make decisions for themselves. The novel releases September 1, 2026.

Body Language is a great literary novel—profound, evocative, and layered—but perhaps more importantly, it is a readable literary novel. There is a difference. Literary fiction can sometimes become so enamored with its own language and philosophical underpinnings that reading it begins to feel like work. Meg Howrey avoids that trap. Her prose is clear, concise, intelligent, and often very funny, while still giving the story the depth and complexity I want from a literary novel. In my opinion, clarity is one of the major requirements of a good novel, and Howrey demonstrates just how much can be accomplished without burying a story beneath unnecessarily elaborate language.

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We Are for the Dark by Gretchen McNeil: An unsettling descent into Newfoundland horror

What if a missing-person investigation led you to an island where nothing is quite what it seems—and something ancient beneath the ground is very, very hungry? Gretchen McNeil’s We Are for the Dark, releasing September 1, 2026, takes that premise and turns it into a fast-paced supernatural horror story filled with isolated communities, religious unease, strange traditions, and a growing sense that the people arriving on the island may have made a terrible mistake.

McNeil’s novel begins with Father Shane Ryan, a recently ordained Catholic priest with an unusual past as an FBI analyst. When a priest disappears from a remote island off the coast of Newfoundland, Cardinal Jacobs calls on Ryan to investigate. At roughly the same time, Royal Newfoundland Constabulary constable Miriam Rideout becomes concerned about a frantic call she received from the missing priest. When her superiors refuse to authorize a wellness check, Miriam takes matters into her own hands and travels to the island herself. Naturally, the two eventually end up together—and neither is particularly thrilled about it.

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Goodnight Monsters by Suzanne Junered is a wild, unsettling ride through pregnancy, motherhood, and murder

Suzanne Junered’s Goodnight Monsters, releasing September 1, 2026, is a psychological horror novel about pregnancy, motherhood, murder, and the terrifying space where fantasy begins to blur with reality—and this book was such a wild ride, I am 100% here for it.

Lia has spent two years as a stay-at-home wife trying to get pregnant, following the same suburban script as the other women in her neighborhood. She and her husband, Evan, have dreamed of becoming parents, and Lia has devoted herself to making that dream happen. But when she finally gets the positive pregnancy test she has been waiting for, instead of feeling uncomplicated joy, she finds herself questioning whether she actually wants to become a mother. And honestly, I was immediately intrigued by that premise.

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The Sleeping Sisters by Jennifer Givhan: A haunting literary horror novel about motherhood, myth, and generational trauma

Some books arrive with impossible expectations, and somehow, they still manage to exceed them. Jennifer Givhan’s The Sleeping Sisters is one of those rare novels that not only lived up to my hopes but cemented her place as one of my favorite voices in literary horror.

When I saw that this ARC had finally reached the top of my NetGalley reading queue, I couldn’t have been more excited. Because I read mostly advance reader copies, my reading schedule is dictated almost entirely by publication dates. Givhan’s Salt Bones was my favorite book of 2025, and I absolutely loved River Woman, River Demon, so this latest novel was an automatic must-read. I was thrilled when my request for an advance copy was approved, and it quickly reminded me why I keep recommending her work every chance I get.

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