Amanda L. Webster is the author of If You Didn't See It Coming, One Bad Cat, Demons of the Night, DIY High, Valley of the Bees, and F-ing Freddy Fisher. She is also a writing teacher who lives part-time in a sorority house.
Dialogue is a key element of novel writing. In narrative writing, dialogue refers to the written conversation between characters. It helps reveal character personalities, relationships, and emotions through their words and interactions. Dialogue also advances the plot by conveying information, conflicts, or key events in a natural way. It breaks up descriptive passages and provides a sense of realism and immediacy to the story. Well-crafted dialogue can also enhance the tone, mood, and pacing of the narrative.
Dialogue in novel writing is the written conversation that occurs between two or more characters in a story.
Dialogue typically involves two or more characters taking turns speaking to each other. It may be presented in direct speech, where the characters’ exact words are written within quotation marks, or in indirect speech, where the gist of the conversation is conveyed without the exact words being spoken. Dialogue can be used for a variety of purposes in narrative writing, which I have outline below:
Once you’ve learned how to spot POV shifts in your writing, it’s time to fix them. Let’s look at this short fictional story, courtesy of Chat GPT, that demonstrates how shifting the point of view (POV) too often can lead to confusion and disrupt the reader’s experience:
It can be difficult to spot POV shifts in your own novel manuscript!
The Picnic by the Lake
It was a beautiful day, and Emma spread the blanket on the grass by the lake. She smiled, looking at the calm water, imagining how perfect the afternoon would be with her friends. (At this point, the story appears to focus on Emma. Because we have insight into her imagination, we feel like we are seeing the story from her point of view).
Shifting points of view (POV) too frequently in a novel can be confusing and disorienting for the reader, making it difficult for them to engage with the story. However, it may be difficult for you to spot this problem on your own since you yourself are so fully immersed in the story. This is one of the many reasons why it is important to get outside feedback on your novel manuscript during the evaluation stage of the writing process.
It can be difficult to spot POV shifts in your own novel manuscript!
The first step you should take when revising and refining your manuscript with your attention turned to POV is to review the outside feedback that you have received to identify specific places in the story where your reviewer(s) noted that they were confused or where the story lost their attention. The following is a list of signs that the point of view in your story is shifting too much:
I’m excited to announce that I will be at the 2024 Louisville Book Festival – with about 100 other authors – Friday, October 18 and Saturday, October 19 at the Kentucky International Convention Center! I’ll have copies of my two latest novels, It Had to Happen and One Bad Cat to sell and sign. I am also scheduled to present at a “Speed Dating with a Book” session at 3:00 p.m. on the 18th!
The 2024 Louisville Book Festival will take place at the Kentucky International Convention Center Friday, October 18 and Saturday, October 19!
You can follow the event using the following social media hashtags: #LouisvilleBookFestival #WeBringBooksToLife. To watch my personal festival journey, follow me on Instagram @Mandy_Raine!
Inconsistent point of view (POV) in fiction can significantly affect the reader’s experience, often in a negative way if not handled with care. For example, readers often find William Faulkner’s novel, The Sound and the Fury, difficult to read because of its inconsistency in POV. Readers are forced to actively engage with the text, filling in gaps and reconciling differing perspectives.
Inconsistent point of view in a novel can disrupt the reader’s experience of the story as well as causing reader fatigue.
While this lack of consistency isn’t necessarily “wrong” when done with purpose, it is important for the writer to consider just how hard they want their reader to have to work to understand what they have written. You must consider your intended audience: do your readers prefer to read a novel that makes them work to tease out its meaning? Or does your target audience consist of readers who want to be fully immersed in a story without having to pause regularly to think outside of the story?
Maintaining a consistent point of view (POV) is important in novel writing because it helps create a clear and immersive narrative for the reader. When a story’s POV changes frequently or unexpectedly, it can be jarring for the reader and disrupt their engagement with the story. POV is such an important element to tackle during the revise and refine stage of the novel writing process, you may find it useful to do a complete read-through of your manuscript with your attention focused solely on spotting POV shifts.
Revising for point of view is one of the most important tasks that you will complete when revising and refining your novel manuscript.
Below are a few reasons why it is so important to maintain consistent POV(s) in your novel:
Point of view (POV) refers to the perspective from which a story is told in fiction writing. It determines whose thoughts, feelings, and experiences are being shared with the reader. Consistent POV in fiction plays a crucial role in shaping the reader’s experience by providing clarity and enhancing immersion in the story.
In third person limited point of view, the reader only knows what the POV character knows. The reader is, in a sense, inside that character’s head and is able to see the view through the character’s eyes. In third person omniscient, the view is more like this one where the reader experiences the character — and everything else in the story — from outside of the character’s head.
On the other hand, inconsistent point of view in fiction can significantly affect the reader’s experience, often in a negative way if not handled with care. It may cause confusion for the reader or create a break in the reader’s suspension of disbelief. Inconsistent POV can also dilute the emotional impact of the story and undermine the reader’s trust in the narrative.
I’ll discuss the importance of maintaining a consistent point of view in your writing in more depth in the next few posts, but for today, let’s talk about what it is. First, there are three primary types of point of view in fiction:
Character development and characterization are two closely related concepts in fiction writing. However, there is a subtle difference between the two terms. Character development refers to the changes that a character undergoes over the course of a story. These physical, emotional, or psychological changes are all part of the character’s arc. For example, a character might start out as shy and timid, but by the end of the story, they might become more confident and outgoing.
How do you help your reader truly get to know each character in your story?
Meanwhile, characterization refers to the way that a writer reveals a character’s personality, motivations, and background. This can be done through a variety of methods, such as:
Inconsistent character arcs are an essential big-picture issue that should be addressed early in the revise and refine stage of the novel writing process. A character arc is the transformation or development of a character over the course of the story. It’s the emotional or psychological journey that a character goes through as they face and overcome challenges or obstacles and change as a result.
The characters in your stories may have different types of character arcs– the important thing is that they evolve along with your story rather than remaining stagnant from start to finish.
To address these issues during the revise and refine stage of the novel writing process, it is important to first determine which of your characters are important enough for them to experience a defined character arc over the course of your story. This will often include both your protagonist and antagonist as well as any other characters who are essential to the plot of your story.