Author Interview

Author interview: Sarah Gailey on Make Me Better, cults, belonging, and healing

In today’s author interview, Sarah Gailey discusses the inspiration behind Make Me Better, including the novel’s themes of identity, belonging, cult psychology, climate anxiety, and the complicated pursuit of healing. In my recent review, I described the novel as an unsettling blend of literary fiction, psychological suspense, and horror that asks difficult questions about what people are willing to sacrifice for connection and certainty.

Author Sarah Gailey discusses the inspiration behind Make Me Better, including the novel’s themes of identity, belonging, cult psychology, and the search for healing. Image credit: Kate Dollarhyde

I had the opportunity to ask Gailey about the creation of Kindred Cove, the challenges of writing Celia’s emotional vulnerability, the appeal of high-control communities, and the literary influences that helped shape their work. We also discussed why stories about cults resonate so strongly today and what Gailey hopes readers will take away from the novel’s exploration of wellness culture, manipulation, and transformation.

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Lady X by Molly Fader: A fierce, timely novel about female rage and generational rebellion

There are moments when a novel feels eerily timed to the world outside its pages. Lady X by Molly Fader is one of those books—a story that begins like a glossy domestic drama before transforming into something much angrier, more ambitious, and far more thought-provoking.

At first, I honestly wondered if I had picked up the wrong book. The present-day storyline introduces Margot Cooper, the seemingly perfect wife of a famous actor who has built a public image around traditional family values. It initially feels like the sort of suburban housewife thriller we’ve seen many times before: wealthy people, social media personas, carefully curated lives, and secrets waiting to explode. Then everything changes.

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Unreliable Narrator by Araminta Hall: A literary thriller about the stories we tell ourselves

What if the story that ruined your life wasn’t the one that actually happened? Araminta Hall’s Unreliable Narrator begins with the promise of a psychological thriller, but what unfolds is something even more interesting: a deeply literary examination of memory, guilt, identity, and the stories people construct to survive. While there are certainly moments of suspense, readers looking for a fast-paced thriller may find themselves surprised by the novel’s quieter, more introspective approach. Personally, I think that’s exactly where the book shines.

Ten years after the violent end to a summer spent working as assistant to celebrated novelist Ambrose “Rosie” Glencourt at the isolated Shadowlands estate, Hope Jenkins has resigned herself to a lonely existence. Convinced she deserves the life she’s living, she numbs herself with alcohol and isolation—until she discovers that Rosie’s bestselling novel is, in essence, her own life story. Not only has he exposed the darkest secret she’s carried for a decade, but he’s profited from it and is preparing to tell the story all over again. From there, Hall explores not simply what happened at Shadowlands, but how everyone involved has rewritten the past to suit themselves.

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Home Sick by Rhiannon Grist: An unforgettable haunted house story that loses its nerve

Some horror novels know exactly how to get under your skin—until they decide to explain themselves. Unfortunately, Home Sick by Rhiannon Grist is one of them. Releasing July 14, 2026, Home Sick begins as one of the freshest psychological horror novels I’ve read in quite some time. Combining eerie Scottish folklore, an unsettling haunted house, and an unreliable narrator whose own emotional instability makes every strange occurrence suspect, the novel creates an atmosphere thick with dread. For roughly three-quarters of the book, I was completely invested.

After a violent incident at work, Tamsin escapes to a secluded cottage in the Scottish countryside, hoping distance will allow her to reinvent herself. Instead, she discovers that her isolated retreat shares a wall with a mysterious neighbor whose shifting personality and unnerving smile make her impossible to ignore. As increasingly bizarre disturbances plague the house, local legends begin to blur with Tamsin’s growing paranoia, leaving both her—and the reader—questioning what is real.

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Introducing the Write on the World YouTube channel: Literary analysis you can take anywhere

In a world that feels increasingly busy, finding time to sit down with a book or an in-depth essay isn’t always easy—even for people who genuinely love reading. The days get filled with work, errands, commutes, workouts, and all the small in-between moments that rarely leave space for sitting quietly with a novel or a long-form analysis.

But listening is often still possible.

Graphic: Introducing the Write on the World YouTube channel: Literary analysis you can take anywhere
New on Write on the World: You can now take my literary analysis with you wherever you go. Check out the new YouTube channel and subscribe for book reviews, writing videos, and more.

You can listen in the car. You can listen while walking the dog, cooking dinner, or working out. You can even listen while you’re sitting back at the end of a long day, letting your mind settle without needing to focus your eyes on a screen or a page. That’s exactly why I’ve started the Write on the World YouTube channel.

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Famous Men by Julie Buntin review: A sharp examination of ambition, power, and literary gatekeeping

Some people change your life by opening doors. Others change it by convincing you that you can never walk through those doors without them. Julie Buntin’s Famous Men is an incisive and unsettling literary novel about ambition, mentorship, class, and the complicated ways young women are often forced to navigate systems built by powerful men. Following Will Miles from a struggling Michigan teenager to an aspiring writer entangled with a celebrated author, Buntin crafts a story that is as much about artistic aspiration as it is about the dangers of mistaking access for opportunity.

Will lives in Greening, Michigan, where a damaging rumor has left her isolated and desperate for a future beyond her small town. When she discovers the work of Nathaniel Fellow, a famous writer who also grew up in Greening, she becomes convinced that he may be the father she has never known. That possibility sends her to New York City, where she manages to gain entry into Nathaniel’s world and eventually becomes his assistant. What follows is a complicated relationship built on admiration, dependence, power imbalance, and mutual need.

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The Season of Sinking by Daphne Woolsoncroft: A haunting thriller about obsession, secrets, and the dangers lurking close to home

What if someone knew everything about you—but you had no idea they even existed? Daphne Woolsoncroft’s The Season of Sinking is the kind of psychological thriller that feeds on that unsettling possibility. Equal parts mystery, suspense, and creeping dread, this debut novel from the popular true crime podcaster transforms an idyllic lakeside town into a place where every glance feels suspicious and every memory hides something dangerous beneath the surface.

Set against the backdrop of a picturesque Washington community, The Season of Sinking follows Imogen Bly as she returns to her hometown of Lake Blair after her mother’s sudden death. Accompanied by her twin sister Amelia, Imogen expects a painful but straightforward task: sorting through their mother’s belongings and preparing the family home for sale. Instead, she finds herself confronted by old fears, strange occurrences, and the lingering sense that something has always been deeply wrong about the place she once called home.

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Ask the Author

Ask the Author: Can a story be told in omniscient and second-person POV?

Dear Mandy,

Can omniscient point of view be written as if it’s directed at “you?”

ANSWER: Absolutely.

Many writers assume that omniscient point of view and second-person point of view are mutually exclusive, but they’re actually describing two different aspects of narration.

Can a story be written in both omniscient and second-person POV? Yes. Second-person tells us who is being addressed. Omniscient tells us how much the narrator knows. The two can work together to create second-person omniscient narration.

Point of view refers to the pronouns being used. If the story addresses the reader or a character as “you,” it’s written in second person.

Omniscience refers to the narrator’s knowledge. An omniscient narrator knows more than any individual character. They can reveal hidden thoughts, events happening elsewhere, future outcomes, and information that the main character doesn’t know.

Because these are separate concepts, they can be combined.

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The Brides by Charlotte Cross: A haunting feminist reimagining of Dracula’s forgotten women

The women history remembers as Dracula’s brides have always been little more than shadows lurking at the edges of someone else’s story. In The Brides, Charlotte Cross drags them into the light and gives them voices of their own, crafting a Gothic horror novel that is as interested in the dangers facing women as it is in the dangers lurking within Castle Dracula itself.

Releasing July 7, 2026, The Brides is a feminist Gothic horror novel that reimagines the origins of Dracula’s infamous brides through the perspectives of the women who fell under his influence—and the one who escaped.

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Good Morning Means I Love You by Kendra Allen: A powerful novel about family, freedom, and choosing your own life

Some novels ask readers to reconsider what they think they know about love and family. Good Morning Means I Love You by Kendra Allen does something even more challenging—it asks us to examine the assumptions we carry about motherhood, responsibility, and the roles society expects women to play. Releasing July 7, 2026, Allen’s debut novel is a deeply layered, emotionally rich exploration of one unconventional family and the many forms that love can take.

On the surface, Good Morning Means I Love You tells the story of Rae, Micah, and Noon, three adults who fall in love and intentionally build a life together. Their relationship is unusual by conventional standards, but Allen wisely refuses to make that the central conflict of the novel. The story spends very little time explaining how the trio came together or justifying their relationship. It simply exists.

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