Author Interview

Author interview with Johanny Ortega

Author Johanny Ortega weaves her Dominican roots, love of classical music, and fascination with the supernatural into stories that explore identity, heritage, and the complexities of family. Her upcoming novel, The Ordinary Bruja—releasing November 4, 2025—invites readers into a world of dark magic and self-discovery, where one woman must face the haunting legacy of her ancestors. In this interview, Ortega shares how her grandmother’s influence shaped her storytelling, why representation remains central to her work, and how she balances creativity with the realities of indie publishing.

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Q: What/who were your early literary influences, and how do you think their writing has shaped you as a storyteller today?
A: I was born and raised in the Dominican Republic, and my grandmother raised me. She was a big advocate of literature and education. She believed that it was a way out of poverty. While I resisted at first, once I got a hand on reading, it opened a whole new world for me, and I hadn’t left that world ever since. My grandmother was not an author, but she influences tremendously what I write about and how I write. I proudly represent my background in my book as an ode to her and my beginnings.

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The Ordinary Bruja by J.E. Ortega shows us the histories we’ve been taught to forget

What do we inherit from the generations before us—magic, shame, resilience, silence? In J.E. Ortega’s novel The Ordinary Bruja (coming November 4, 2025), Marisol Espinal returns to her hometown of Willowshade, Ohio, after her mother’s death and finds herself face-to-face with the family secrets she’s been running from. The story unfolds with an atmosphere of both dread and wonder, as Marisol confronts not only the haunting presence of Hallowthorn Hill but also the pieces of her own identity she’s been taught to bury.

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The novel is steeped in Dominican folklore and written with a lyricism that brings the supernatural to life. The hill itself becomes a character—watching, waiting, whispering—and what it wants is Marisol’s surrender to fear. But Ortega makes clear that the greater threat isn’t the folklore itself, but the way Marisol has been taught to erase herself: her culture, her curls, her curves, her magic. The suspense is as much psychological as it is spectral, and the real horror comes from how shame and generational trauma can consume us if we let them.

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Call for Submissions

Submissions open for Beautiful and Terrifying: Tales and Visions from the Edge of the Uncanny

There’s beauty in the things that unnerve us. Beautiful and Terrifying is the next anthology from Elderfly Press—an exploration of the eerie, the intimate, and the in-between. Submissions are now open for short stories, poetry, and black-and-white art that linger in the shadows of the strange and the sublime.

There’s beauty in what haunts us.
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This collection seeks work that blurs boundaries—between beauty and fear, humanity and monstrosity, love and decay. We’re drawn to dark, literary narratives and haunting imagery that leave readers with a sense of wonder and unease. Not every story needs to fit neatly into horror or realism; the best pieces often live in the uncanny space between.

What Elderfly Press is looking for:

This anthology invites a wide range of voices and forms with themes of transformation, obsession, decay, beauty, violence, or the supernatural:

  • Genre fiction: horror, speculative, gothic, dystopian, weird, sci-fi, supernatural—anything that chills, disturbs, or unsettles
  • Literary fiction: moody, shadowed, emotionally raw
  • Poetry: rooted in chaos, shadow, or change
  • Visual art: black-and-white art that captures the eerie, surreal, or dreamlike
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The Haunting of Paynes Hollow by Kelley Armstrong: When family secrets won’t stay buried

When Kelley Armstrong writes horror, you know you’re in for a story that goes beyond simple scares—and The Haunting of Paynes Hollow (releasing October 14, 2025) is no exception. This chilling, supernatural thriller digs into the shadows of family history, twisted memory, and the things we inherit whether we want to or not. The book is available now for pre-order on Amazon.

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Samantha Payne never expected to inherit anything from her grandfather, not after years of distance and the painful memory of her father’s alleged crime. Fourteen years earlier, Sam witnessed her father burying the body of a child—an image that convinced her he was guilty, despite his own father’s unshakable belief in his innocence. But at the reading of the will, Sam is shocked to discover she’s been left the family’s valuable lakefront property at Paynes Hollow, with one strange condition: she must stay in the cottage for a month and “face the fact she was wrong.”

That’s when the real terror begins.

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The Empty Cradle by Lisa Rookes is folklore-infused horror at its finest

What happens when the dream of a family turns into something dark and uncanny? The Empty Cradle by Lisa Rookes blends psychological suspense, folklore, and magical realism into a story that unsettles you in the best possible way.

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The novel follows Amy, who has been going along with her husband Joel’s dream of starting a family—even though she’s never been completely sure motherhood is what she wants. Joel, more than Amy, is the one determined to have a child. But when she discovers he’s having an affair with her best friend, Amy flees to a dilapidated cottage in a Yorkshire village. Originally, she had bought the cottage with plans to flip it as a short-term rental, not to make it a home. Yet once she’s there, she begins to imagine that maybe she could create a life for herself in the village—if only the unsettling occurrences around her would stop.

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Why Salt Bones by Jennifer Givhan is the best novel I’ve read so far in 2025

Every once in a while, a book comes along that completely captivates your imagination and refuses to let you go. Salt Bones by Jennifer Givhan is that book for me—the #1 best novel I’ve read so far in 2025.

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Set against the stark, blistering backdrop of the Mexicali borderlands and the eerie Salton Sea, Salt Bones is a darkly lyrical story of mothers and daughters, folklore and truth, justice and horror. Malamar Veracruz has lived her whole life in El Valle, raising two daughters while carrying the pain of her sister Elena’s disappearance years ago. When another girl goes missing, Mal is thrust back into that old nightmare, haunted by visions of a horse-headed woman tied to local legend. But as Mal and her daughters uncover layer after layer of family secrets, folklore, and lies, the story reveals what women have always known: men are the destroyers, and the women who try to protect others are too often turned into monsters themselves.

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It Was Her House First by Cherie Priest is a chilling ghost story with a smart, skeptical heroine—and a lesson in listening to your gut

Cherie Priest’s It Was Her House First is a fresh take on the haunted house novel, blending magical realism with classic ghost story suspense and a smart, wary heroine you can’t help but root for. When Ronnie Mitchell inherits enough money to finally buy her dream home, she snaps up a dilapidated cliffside mansion sight unseen—only to discover it comes with a terrible legacy and a very possessive spirit.

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That spirit is Venita Rost, a former silent film star who may look like a cat now, but still has claws—and a long memory. Venita’s fury radiates through the house, where she is eternally bound with her nemesis, Bartholomew Sloan, a ghost shackled by his own complicity. Their presence lingers not only in creaking floorboards and flickering lights, but also in eerie, unforgettable moments—like when a man named Hugh shows up at the back door to “work” on the house. Ronnie knows he’s not living. She also knows better than to pretend otherwise. The way Priest blends these surreal moments into the everyday is one of the book’s most magical and eerie strengths.

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What secrets lie behind the Midnight Door? Katrina Monroe’s haunting tale of sisterhood and trauma

What if the scariest thing isn’t what waits behind a mysterious door, but what happens when you never speak of it again? Katrina Monroe’s Through the Midnight Door is a genre-bending novel that slips between the psychological and the supernatural, the traumatic and the magical, all while anchoring itself in the emotionally raw terrain of sisterhood. It’s eerie and unsettling in the best way—but also heartbreakingly intimate.

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Years after the Finch sisters dared to unlock the doors in a seemingly impossible abandoned house in their dying hometown, the youngest, Claire, is found dead inside it. Her death pulls Meg and Esther—both estranged and damaged in different ways—back into each other’s lives. They’re not just grieving a sister; they’re unraveling what really happened that summer and what they never told each other.

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Why you shouldn’t sleep on Jessica Johns’ Bad Cree: A chilling debut about family, grief, and survival

What begins with a severed crow’s head and a haunting dream evolves into something far more layered in Bad Cree, Jessica Johns’ eerie and powerful debut. This genre-blending novel offers readers a gripping supernatural mystery while also digging deep into themes of grief, intergenerational trauma, and the quiet, often unseen strength of women supporting one another through pain.

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When Mackenzie wakes to find a crow’s head in her hands—only to have it vanish—she can no longer ignore the disturbing dreams that have been plaguing her. As her waking world becomes increasingly infected by her nightmares, she leaves Vancouver for her hometown in Alberta to reconnect with the family she left behind. At first, she fears the worst: her mother and sister are furious with her for skipping her sister Sabrina’s funeral. The stage is set for major emotional fallout—but instead of fracturing further, the women in Mackenzie’s family do something more surprising: they show up for each other.

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What if your dreams could incriminate you? A review of The Dream Hotel by Laila Lalami

Laila Lalami’s The Dream Hotel is one of the most urgent and unputdownable novels I’ve read in years. I devoured it in a single day, heart pounding and mind racing, both captivated by its story and shaken by how plausible it all feels. Set in a chillingly believable future where artificial intelligence and corporate surveillance have penetrated even our subconscious minds, the book offers a harrowing exploration of power, privacy, and resistance—especially for women.

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When Sara returns home from an overseas trip, she’s abruptly detained by the Risk Assessment Administration and told that, based on an algorithm analyzing her dreams, she is likely to commit a violent crime against her husband. She’s placed in a detention center with other “dreamers,” all women, all accused not of what they’ve done, but of what they might do. With every misstep—real or perceived—their stay is extended, and their ability to prove their innocence slips further out of reach.

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