Book Reviews, Find Your Next Read

Not Your Final Girl by Mikayla Randolph review: A slasher that can’t outrun its own past

Seven years after a prom night tragedy, a group of former friends reunites at a lakeside cabin—and quickly proves that time hasn’t made them wiser, kinder, or even remotely interested in leaving the past behind.

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In Not Your Final Girl, Mikayla Randolph builds a setup that feels immediately familiar: estranged high school friends, a remote cabin with no cell service, and a long-simmering grudge waiting to boil over. Darcy, weighed down by guilt and depression, and Ashley, whose controlling cruelty defines nearly every interaction, anchor the story’s emotional center—if it can be called that. Around them is a cast of characters who, quite frankly, seem to actively dislike one another. Trust is nonexistent, and affection feels like an afterthought.

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Book Reviews, Find Your Next Read

Mercy Hill by Hannah Thurman: A haunting portrait of family, control, and the quiet damage we call devotion

The most unsettling thing about Mercy Hill by Hannah Thurman is how easily it convinces you that everything happening might, in some warped way, be justified—right up until it isn’t.

Get your copy of Mercy Hill from my independent online bookstore today!

Set against the crumbling infrastructure of a state-run psychiatric hospital in North Carolina at the turn of the millennium, Thurman’s debut follows the four Cross sisters—JJ, Caro, Mimi, and Denise—who have grown up on the grounds of Mercy Hill under the rule of their formidable mother, Lisa Cross, head of psychiatry and self-appointed savior of the institution. From the outside, it’s a story about mental healthcare in America and the slow dismantling of public systems. From the inside, it’s something far more intimate and far more disturbing. Because what this novel is really about is a mother who conscripts her children into her life’s work.

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Book Reviews, Find Your Next Read

The Girl with a Thousand Faces by Sunyi Dean review: A haunting gothic tale that asks who deserves forgiveness

The past doesn’t stay buried in The Girl with a Thousand Faces by Sunyi Dean—it claws its way back, dripping with grief and unfinished business. Set against the shadowy sprawl of Hong Kong’s infamous Kowloon Walled City, this Gothic-tinged novel blends folklore, memory, and vengeance into a story that lingers long after the final page. With its May 5, 2026 release, Dean once again proves she’s operating in a space all her own.

Get your copy of The Girl With a Thousand Faces from my independent online bookstore today!

At the center of the novel is Mercy Chan, a woman with no past—or at least none she can remember. Washed ashore with nothing, she builds a life for herself in Kowloon as a ghost talker, mediating between the living and the dead. It’s a fascinating premise, but what makes it work is the texture of Mercy’s world. Despite the grime, the danger, and the ever-present spirits, there’s an unexpected sense of familiarity here—a kind of eerie coziness that settles in as Mercy navigates her routines among the haunted alleyways.

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Book Reviews, Find Your Next Read

Honey by Imani Thompson: A sharp, unsettling debut that turns rage into something intoxicating

There’s a moment early in Honey by Imani Thompson—out May 5, 2026—when a tiny, impulsive act spirals into something irreversible, and from that point on, the novel never loosens its grip. This is a dark, provocative debut that knows exactly what it’s doing, luring you in with something almost playful before revealing just how far it’s willing to go.

Get your copy of Honey from my independent online bookstore today!

Just like its title, this book is delicious. Yrsa’s first kill is so sweet in its construction—unplanned, quick, and disturbingly easy. What makes it even more compelling is that it’s not really the act itself that kills the man, but her decision not to intervene once things go wrong. It’s petty. It’s spiteful. And it’s chilling in the way Yrsa immediately recognizes the opportunity in front of her and simply… lets it happen. That moment sets the tone for everything that follows.

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Writers on Writing

Demons of the Night: A horror novel about good, evil, and finding your own path

Demons of the Night is a horror novel that asks: who gets to decide what is good and what is evil? It follows Docia, a young woman whose parents have gone to great lengths to hide the truth about who she really is. They want her to be a “good Christian woman” and believe secrecy is the only way to protect her. But their plan is about to backfire.

The cover of Demons of the Night was designed by my friend, author and artist Lance Savage, who created a fictionalized version of Holy Hill to reflect the novel’s dark atmosphere. Visit Lance’s website to see more of his work.

Docia longs for independence, for a life beyond her family’s overprotection. She wants normal experiences—friendships, romance, freedom. When Blane appears at a church lecture on demons, Docia is intrigued. But he’s there for the wrong reasons, and she quickly realizes that the life she desires may require confronting truths her parents have worked so hard to conceal. As the story unfolds, Docia must grapple with her identity, her morality, and the question of whether she can define herself outside the rigid framework her family imposes.

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Book Reviews, Find Your Next Read

Accumulation by Aimee Pokwatka: A haunted house story that refuses to play by the rules

The first time something feels off in Accumulation by Aimee Pokwatka, it’s easy to dismiss—just like Tennessee Cherish does. A faucet left running. A misplaced object. A strange sense that something isn’t quite lining up. But as the novel unfolds, that quiet unease starts to loop in on itself, building into something far more deliberate—and far more unsettling—than it first appears.

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Set to release on May 5, 2026, Accumulation follows Tenn, a former documentary filmmaker turned stay-at-home mom, who relocates with her family to the kind of dream house that’s supposed to signal a fresh start. Instead, it becomes the backdrop for a slow, creeping unraveling. Her husband is largely absent, her children begin behaving in increasingly disturbing ways, and the house itself seems to resist settling into anything resembling normalcy.

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Author Interview

Author interview: Emily Persichetti Schuster on Beautiful and Terrifying, poetry, and writing through grief

In this contributor interview, poet Emily Persichetti Schuster discusses her work in Beautiful and Terrifying, the themes of grief and memory that shape her writing, and the creative process behind her deeply personal poetry.

Emily Persichetti Schuster writes with a quiet intensity, exploring grief, memory, and the fragile threads that connect identity, family, and place. Her work in Beautiful and Terrifying: Tales and Visions from the Edge of the Uncanny reflects a deep attentiveness to both the emotional and the everyday, drawing inspiration from poets like Marie Howe and Mary Oliver while carving out a voice distinctly her own. In this interview, she shares how early reading shaped her imagination, how she balances writing with the demands of daily life, and why poetry remains a powerful way to hold both individual moments and larger, unfolding stories.

Emily Persichetti Schuster, is a contributor to Beautiful and Terrifying.

Q: What’s a memory of a story or book that made you realize you wanted to be a writer?
A: Roald Dahl’s The BFG is the first book I remember reading completely on my own, when I was in early elementary school. I loved all Roald Dahl’s books when I was a kid, and I love reading them to my kids now. Through all the creepy, uncanny, and seemingly hopeless events of his books, the heroes always prevail because they’re never willing to give up. His books taught me to face my own fears and build resilience in the face of adversity.

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Book Reviews, Find Your Next Read

Five by Ilona Bannister: A tense moral experiment that puts the reader on trial

There’s something quietly unsettling about the opening premise of Five by Ilona Bannister—five strangers on a train platform, one of whom will be dead in minutes—and the novel wastes no time making you complicit in that outcome. From the first pages, you’re not just observing these characters; you’re weighing them.

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Set against the ticking clock of an approaching train, the novel stretches a matter of minutes across its entire length. It’s an ambitious structural choice, and at times, a challenging one. Bannister intersperses the present-moment tension with flashback chapters that unpack each character’s history—the struggling gambler, the abrasive elderly woman, the overwhelmed mother and her volatile child, the polished yet fractured businessman. These glimpses into their lives are essential to the book’s central question: who deserves to live?

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Travel

A reader’s stay in Indianapolis: Canal walks, Vonnegut, and a bookstore worth the drive

The best way to understand a city is to walk it—and on my first morning in Indianapolis, that’s exactly what I did. I’m currently on my very first house sit through TrustedHousesitters, caring for two incredibly sweet, easygoing dogs. While they’ve been wonderful company during my downtime, this trip has also doubled as something I want to be intentional about moving forward: a writing retreat. Building travel around writing time—quiet mornings, unstructured afternoons, space to think—feels less like a luxury and more like a necessary shift in how I want to move through the world.

Much of downtown Indianapolis can be seen from the canal walk.

That mindset carried into my first full day, which started with a solo walk along the downtown canal. The full three-mile loop offers one of the most immersive introductions to the city you could ask for. The path winds past water, public art, and a cluster of museums that practically guarantee I’ll be back. It’s the kind of place where you don’t feel rushed. You notice things. You let the city unfold at its own pace.

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Book Reviews, Find Your Next Read

The Hill by Harriet Clark: A searching, unsettling novel about who gets to have a life

What if your life never quite begins—because you’ve been living inside someone else’s choices from the very start?

The Hill by Harriet Clark (releasing May 5, 2026) is the kind of novel that circles its questions rather than answering them outright, returning again and again to the same emotional terrain: what makes a life a life, and who gets to claim one. Through Suzanna Klein—whose mother is serving a life sentence in a hilltop prison for a failed act of radicalism—Clark builds a story that is at once intimate and expansive, tracing the quiet, often invisible ways generations shape one another.

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From childhood, Suzanna’s world is split cleanly in two. There is the prison, where Saturdays feel almost ceremonial, filled with children dressed as if for a party, and where life and death exist side by side in the form of a nursery and a cemetery. And then there is home, where she is raised by a grandmother who refuses to visit her own daughter and instead surrounds Suzanna with a rotating cast of elderly women—friends, acquaintances, and relics of a political past that still hums beneath their conversations. These women, many of them shaped by histories they rarely name outright, spend their days debating ideology and their nights quietly reckoning with the lives they did and didn’t live.

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