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Beautiful and Terrifying releases April 23, 2026: A new anthology from the edge of the uncanny

Beautiful and Terrifying: Tales and Visions from the Edge of the Uncanny, the newest anthology from Elderfly Press, will be released on April 23, 2026, bringing together haunting fiction, poetry, and black-and-white artwork that explore the strange space where beauty and fear collide.

The cover of Beautiful and Terrifying: Tales and Visions from the Edge of the Uncanny, Elderfly Press’s upcoming anthology of eerie fiction, dark poetry, and black-and-white art, releasing April 23, 2026.

I’m thrilled to finally share the release date for this collection, which has been such a meaningful project to bring into the world. From eerie woods and submerged cities to folklore retellings, grief-soaked landscapes, and intimate encounters with the supernatural, this anthology embraces the unsettling and the sublime in equal measure.

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Author Interview

Nichelle Giraldes on feminist horror, writing what you want to read, and The Forest of Missing Girls

Stories don’t always begin with a lifelong dream of being a writer—sometimes they start with a reader who wants a book badly enough to create it themselves. In this interview, Nichelle Giraldes talks about finding her way to writing through that quiet, persistent pull of story; the power of small, precise details to carry enormous emotion; and why her work keeps circling back to the complicated ways women love, protect, and measure one another. We also discuss gothic horror, visual art as inspiration, cutting beloved scenes, and what it really means to keep showing up to the page long after the traditional markers of “success” have been reached.

Nichelle Giraldes’ latest novel, The Forest of Missing Girls, released November 11, 2025.

Q: What’s a memory of a story or book that made you realize you wanted to be a writer?
A: I was a reader long before I ever thought about being a writer. I was a total library kid growing up! The kind of child who had to have their books taken away at bedtime so I’d actually go to sleep instead of reading under the covers. Even then, I never had any aspirations or even interest in writing those stories myself.

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Book Reviews, Find Your Next Read

Gothic horror and generational curses collide in House of Monstrous Women by Daphne Fama

Daphne Fama’s House of Monstrous Women is a lush and terrifying gothic horror novel set in 1986 Philippines, where revolution outside mirrors the quiet rebellion unfolding within a house that may as well be alive. Set against the backdrop of the People Power Revolution, this novel layers political upheaval with supernatural dread in a way that feels both intimate and epic.

Get your copy of House of Monstrous Women from my independent online bookstore today!

Radios hum with news from Manila as protests rise and a dictator’s hold begins to crumble—but inside the labyrinthine Ranoco home, another kind of battle is taking place. The connection between the two is unmistakable: both are revolutions built on desperation and the dream of escape. The hopelessness that Alejandro feels about the People Power movement echoes Hiraya’s belief that she can never escape the legacy of her cursed family.

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Book Reviews, Find Your Next Read

Blood, sisterhood, and sanity: Blood on Her Tongue by Johanna van Veen #spooktober

If you’re looking for a haunting, atmospheric read to carry you through the end of #spooktober, Johanna van Veen’s Blood on Her Tongue offers the perfect blend of gothic unease and creeping dread. Set in the Netherlands in 1887, this novel follows Lucy, whose twin sister Sarah has fallen into a disturbing illness that blurs the line between madness and possession. As Sarah’s behavior becomes more erratic—and more violent—Lucy must decide how far she’ll go to protect her sister, even as something monstrous seems to take hold of her.

Get your copy of Blood on Her Tongue from my independent online bookstore today!

The story unfolds in shadow and candlelight, in grand halls filled with whispers and secrets. Van Veen’s prose feels appropriately decadent and claustrophobic, wrapping the reader in the same feverish confusion that grips Lucy. The decaying corpse unearthed on Sarah’s husband’s estate provides more than a physical mystery—it becomes a mirror for the moral rot beneath the surface of polite society, particularly the suffocating gender expectations that hem Lucy and Sarah in.

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