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Her Last Breath by Taylor Adams: A suffocatingly tense survival thriller beneath the surface

Her Last Breath by Taylor Adams, releasing February 17, 2026, takes the author’s talent for relentless suspense and drops it hundreds of feet underground—into a setting that’s as psychologically unnerving as it is physically dangerous. Known for high-concept thrillers like No Exit and The Last Word, Adams once again proves he knows exactly how to weaponize isolation, fear, and timing.

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At first, I worried this might be the kind of survival novel that traps the reader in a single claustrophobic space for the entire book. That fear didn’t last long. While a huge portion of the story centers on the many hours Tess spends trapped in a cave, Adams smartly structures the novel around her hospital-bed interview with a detective. Tess’s account of what happened underground is intercut with revelations about her best friend Allie and the unsettling secrets she kept hidden. The result is a story that constantly moves, even when its protagonist physically cannot.

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Ours is a Tale of Murder by Nora Murphy: A suburban thriller that refuses to behave

Nora Murphy’s Ours is a Tale of Murder opens in a quiet neighborhood that feels instantly familiar—and immediately uneasy. Klara and Troy live behind the white picket fence she never wanted and he always did, their marriage polished on the surface and deeply wrong underneath. Across the street from where their story unfolds, Mary prepares to sell the blue house that holds too many memories of her son and her past mistakes. Nearby, Henry, recently laid off and back in his childhood bedroom, watches everyone a little too closely. From the start, Murphy invites us into a story about observation, judgment, and the lies we tell ourselves about the people we think we know.

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About halfway through the novel, I realized Murphy was doing something quietly experimental with the structure. The storyline I was most emotionally invested in came to an abrupt halt, and my first reaction was frustration—I wanted to stay with Klara longer. But instead of bailing, I kept reading, and that choice paid off. The narrative begins to weave back around on itself in unexpected ways, reframing earlier scenes and assumptions. This is very much a book that makes you want to reread it, if only to spot the details you missed the first time—the moments that might have tipped you off that the story was never going to move in a straight line.

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The Body by Bethany C. Morrow: A brutal supernatural horror about marriage, faith, and who really owns your soul

Bethany C. Morrow’s The Body is a pulse-pounding supernatural horror novel that turns marriage, faith, and family obligation into a living nightmare—and it doesn’t flinch. Centered on a woman who has spent her entire life being told she will never be good enough, this is a story about what happens when the expectations placed on women become violent, literal, and inescapable.

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Mavis Carson broke away from her family’s church years ago, but the damage is permanent. Her mother, Marie Carson, presides over the congregation with an iron grip, demanding impossible perfection and absolute obedience. Mavis has internalized those rules so completely that even as an adult, she’s riddled with anxiety and convinced she’s one mistake away from losing everything. Her one perceived victory is her marriage to Jerrod, a man everyone—including Mavis herself—believes she doesn’t deserve. When the seven-year itch sets in and a freak car accident kicks off a string of increasingly disturbing incidents, Mavis begins to realize that the congregation she escaped may never have truly let her go.

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The Found Object Society by Michelle Maryk: When boredom, money, and grief collide in dangerous ways

What happens when you’ve already done everything—and the only thing left that still feels new is death? In The Found Object Society by Michelle Maryk, an ambitious speculative suspense debut releasing February 10, 2026, that question drives a dark, unsettling story about grief, privilege, and the moral rot that can fester when money removes consequences.

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For twenty years, Greta Davenport has lived in the shadow of the car accident that killed her parents—an accident she believes was her fault. Since then, she’s devoted her life to chasing sensation: parties, substances, experiences, anything that might briefly dull her guilt or spark a rush. When an anonymous invitation leads her to the Found Object Society—an exclusive underground organization that allows members to relive the final moments of the dead through objects they once held—Greta finally finds a high that feels new.

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Eve by B.K. O’Connor: A feminist Paradise Lost retelling that leaves little room for mystery

What happens when the first woman refuses to stop asking why? In Eve by B.K. O’Connor, releasing February 10, 2026, the biblical mother of humanity is reimagined through a very explicit 21st-century feminist lens, one that trades subtlety for certainty as it follows Eve’s restless journey beyond Eden and across the ancient world.

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O’Connor’s novel begins close to familiar territory. The early sections largely mirror the biblical story, with one major deviation: Eve’s romantic attachment to Lucifer, who is framed not as a villain but as the first figure willing to question God’s opaque and authoritarian plan. Adam, by contrast, is portrayed as passive and incurious, content to remain in Eden forever, never wondering what lies beyond or what purpose existence might serve. Eve, meanwhile, cannot accept faith without understanding. She wants answers, not obedience.

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Dirty Metal by Allison LaMothe: A gritty debut that barrels ahead, even when logic struggles to keep up

Dirty Metal by Allison LaMothe drops readers into pre-Giuliani New York City with a pill-popping, rule-breaking tabloid reporter at its center—and it does so with real confidence for a debut. Set in 1992, the novel follows Parker Snow, a 27-year-old crime reporter whose last big story went spectacularly wrong. Now sidelined onto organized crime coverage, Parker is desperate to prove she still belongs on the streets, no matter how questionable her methods become.

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LaMothe’s biggest strength is atmosphere. The city feels grimy, volatile, and alive, especially as Russian organized crime begins asserting power in Brighton Beach. Parker herself fits this world: reckless, sharp-tongued, and driven more by obsession than good judgment. She steals, trespasses, manipulates sources, and self-medicates her trauma, all while insisting she’s chasing the truth. It’s not hard to see how she landed in professional trouble—and why her boss tries to keep her on a short leash.

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Heap Earth Upon It by Chloe Michelle Howarth: Obsession, family loyalty, and the danger of loving too much

Heap Earth Upon It by Chloe Michelle Howarth is a gothic, psychologically rich literary novel that burrows under your skin and stays there. Set in 1965 in the quietly watchful town of Ballycrea, the story opens with the arrival of the O’Leary siblings, whose carefully guarded past and tightly bound loyalty to one another immediately raise questions no one is quite asking out loud.

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Following her acclaimed novel Sunburn, Howarth once again writes with precision and restraint, layering unease rather than rushing toward easy answers. At its heart, this is a novel about grief and survival, and about what happens when sibling devotion turns inward and begins to do real harm. The O’Learys have lost their parents and, in the absence of any other safety net, have clung to one another so fiercely that none of them are truly allowed to grow.

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The Pōhaku by Jasmin Iolani Hakes: An epic, indigenous saga about land, memory, and survival

Jasmin Iolani Hakes’s The Pōhaku is the kind of novel that reminds you why sweeping, multi-generational storytelling can feel so immersive and necessary when it’s done well. Spanning from the 1800s into the 1990s, this ambitious saga follows generations of women from one Hawaiian family, all bound by their responsibility to protect an ancient stone—the pōhaku—and by the land that shaped them.

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The novel opens in 1992 as Hurricane Iniki bears down on Hawaiʻi. A young woman lies comatose in a hospital after a mysterious fall from a cliff, watched over by her estranged grandmother. Did she jump, was she swept away by a wave, or was something else at play? The grandmother believes the answer lies not only in the pōhaku itself, but in a devastating omission: her granddaughter was never told about the stone, nor about the family’s sacred responsibility to protect it. As the storm approaches, the grandmother begins telling her the story anyway, hoping that restoring this broken line of knowledge might be enough to bring her back.

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The Exes by Leodora Darlington: A wickedly fun debut that doesn’t quite stick the landing

Who hasn’t fantasized—purely figuratively—about exacting a little revenge on an ex? The Exes by Leodora Darlington leans hard into that universal impulse, opening as an explosive, darkly entertaining thriller about love gone wrong, bad men getting what they deserve, and the stories women tell themselves to survive heartbreak. Natalie wants what she’s always wanted: the perfect partner, the stable family she never had, a life that finally feels settled. Instead, she’s left with a growing list of exes, each crossed out for reasons that grow more unsettling as the novel unfolds.

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After the mysterious “Big Fallout” leaves Natalie more isolated than ever, she meets James—handsome, charming, seemingly everything she’s been waiting for. Their relationship feels like a second chance, a reset. But as Natalie tries to perform the role of a “normal” wife, unsettling truths begin to surface, forcing her to question not just her marriage, but her own identity. Are her dead exes connected by coincidence, by guilt, or by something much darker? And is Natalie the monster in this story—or is someone else pulling the strings?

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The Room in the Attic by T.M. Logan: A domestic thriller powered by male entitlement and bad decisions

The Room in the Attic by T.M. Logan arrives with a premise that should be irresistible to fans of domestic suspense: a struggling family stretches itself to buy a rambling Victorian villa, only to uncover a hidden room filled with unsettling clues to someone else’s life. Secrets buried in the walls, secrets inside a marriage, and danger creeping closer with every chapter. On paper, it works. In practice, the novel hinges on a protagonist whose greatest flaw isn’t malice—but an unshakable belief that he knows best, even as he proves again and again that he doesn’t.

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Adam and Jess move into their new house with their three young children, already under financial strain. Almost immediately, Adam discovers a concealed door hidden behind a fitted wardrobe. Inside the secret room are several random items, including a wallet, an expensive watch, and an old mobile phone. Jess’s reaction is sensible and adult: get rid of them and move on. Adam, however, becomes fixated. He needs to know who they belonged to and why they were hidden, and that curiosity becomes the engine that drives the entire story.

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