Pantsing vs Plotting: A case for the dreaded outline

“Pantsing” and “plotting” are two very different approaches to novel writing. The term “pantsing” comes from the phrase, “flying by the seat of your pants,” which means to improvise or make something up as you go along. The phrase was first used in the 1930s in reference to airplane pilots who navigated without the aid of instruments.

The term “pantsing” in the context of writing specifically refers to a technique where the author writes without a detailed plan or outline, instead relying on inspiration and improvisation to guide the story. This technique is also known as “discovery writing” or “organic writing.” It is unclear exactly when the term “pantsing” was first used in this context, but it is thought to have gained popularity in writing communities and workshops in the 1990s. It has since become a widely used term in the writing world, particularly in discussions about outlining and planning versus improvisation and discovery.

In the context of novel writing, pantsing means to write without a detailed plan or outline. Instead, the writer may start with a general idea or concept and then allow the story to unfold organically as they write. This approach can be exciting and spontaneous, but it can also lead to plot holes, inconsistencies, and other issues that need to be fixed in later drafts. This was definitely my experience when I used the pantsing method to write my creative master’s thesis. It was fun while it lasted, but my story eventually spiraled completed out of my control with no end in sight.

Conversely, the “plotting” approach to writing a novel involves creating a detailed plan or outline for the novel before starting to write. The writer may create a plot summary, character descriptions, a timeline, and other elements that will guide the writing process. This approach can help ensure that the story has a strong structure, with well-developed characters, plot twists, and other key elements. The downside to plotting is that some writers may find this system too restrictive or boring and may prefer to write more freely.

It’s worth noting that many writers use a combination of pantsing and plotting, depending on the project and their own preferences. Some writers may start with a rough outline, but then deviate from it as the story evolves. Others may write a first draft without much planning, but then use a detailed outline to revise and improve the story in subsequent drafts. Ultimately, the best approach is the one that works best for both the individual writer and the current project.

The method described in this blog series relies on plotting at least a basic outline that will guide you through the remainder of the novel writing process. While you may be reluctant to move away from the pantsing method, you should at least try plotting just this once. If you don’t like it or find that it doesn’t help you, then you never have to do it again. Even if you decide to never outline another novel, the lessons you learn about story structure during the planning process with which you are about to experiment will still help you on your future pantsing journey. This is especially important if you’ve been writing for a long time without ever having finished anything. But before you start to write your outline, it is important to first get a solid understanding of story structure.

Story structure

Acquiring an understanding of story structure before beginning to outline a novel is important because it gives the writer a framework to build their story upon. Story structure refers to the basic patterns and principles that make up a story, including the beginning, middle, and end, as well as the major turning points and conflicts that drive the narrative forward. By understanding these elements, a writer can create a cohesive and compelling story that resonates with readers.

When outlining a novel, having a clear understanding of story structure can help the writer identify the key plot points and conflicts that will shape the story. It can also help ensure that the story flows logically and that the pacing is appropriate. Without a solid understanding of story structure, a writer may struggle to create a cohesive narrative, and the story may feel disjointed or unsatisfying to readers. There are several different types of story structures that writers can use to outline and structure their novels. Some of the most commonly used story structures include the three-act and the five-act structure, the Fichtean curve, save the cat, in media res, and The Hero’s Journey. Authors Kurt Vonnegut and Larry Brooks also have their own takes on story structure, which we will explore here as well. These are just a few examples of the many different story structures that writers can use to guide their storytelling. Ultimately, the choice of structure will depend on the writer’s personal preferences, the genre of the story, and the needs of the narrative.

WRITING TIP: Over the next several days, we’ll discuss a variety of story structures before we move on to the next writing assignment. As you read about the various story structures discussed in the next few posts, consider how the concept and premise you wrote in Writing Assignments #1 and #2 might apply to each. Take notes. You may find your outline taking shape already as you study this concept.